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Abstract

The collection of nearly 1,000 piano rolls housed within the Department of Musicology and Cultural Heritage, University of Pavia, Cremona, Italy, remains in need of preservation. A digitalization project requires cataloging based on international cataloging standards. A distinction among instruments and media must be introduced and specific features of mechanical musical devices are to be identified. Four main classes of media have been identified: disks, pinned barrels, books, and rolls. Lastly, morphological peculiarities of the media must be examined to establish their correct and complete description within the International Standard for Bibliographic Description (ISBD) areas.

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Abstract

RDA Resource Description and Access are guidelines for description and access to resources designed for digital environment and released, in its first version, in 2010. RDA is based on FRBR and its derived models, that focus on users' needs and on resources of any kind of content, medium and carrier. The paper discusses relevance of main features of RDA for the future role of libraries in the context of semantic web and metadata creation and exchange. The paper aims to highlight many consequences deriving from RDA being a content standard, and in particular the change from record management to data management, differences among the two functions realized by RDA (to identify and to relate entities) and functions realized by other standard such as MARC21 (to archive data) and ISB (to visualize data) and show how, as all these functions are necessary for the catalog, RDA needs to be integrated by other rules and standard and that these tools allow the fulfilment of the variation principle defined by S.R. Ranganathan.

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Abstract

Many current cataloguing codes have their roots in a common tradition started by the 1961 Paris International Conference on Cataloguing Principles-ICCP. Since 1961, the construction of new national codes had been based on the sharing of cataloguing principles, on agreements for international cooperation, and on a common tradition. The new technological and international environment suggests, more and more, a redesign of those principles to include more suitable features and to assert firmly that the highest principle is the convenience of the users of the catalogue. Within this framework, the authors analyze the Italian cataloguing tradition and its relationships with the international tradition and recount the main activities towards a revision of the present Italian code-Regole italiane di catalogazione per autori RICA. The paper shows that, since the first Italian rules written by Fumagalli, special attention has been paid to the international tradition (in particular toward Panizzi's rules). After describing the relationships among the international trends and the Italian codes of 1922, 1956 and 1979, the paper deals with the recent works of the new Commission that, since 1997, has started to revise RICA. The paper concludes by reflecting on the Italian position in the debate first on the ISBD and then on the new entity-relationship models.