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  • × author_ss:"Boeuf, P. le"
  • × theme_ss:"Formalerschließung"
  1. Boeuf, P. le: "Zwischen Traum und Wirklichkeit" : die FRBR-Theorisierung und einige FRBR-Anwendungen (2004) 0.03 
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    Content
    Beitrag anlässlich des FRBR-Workshops für Expertengruppenmitglieder am 8. und 9. Juli 2004 in Der Deutschen Bibliothek mit der Zielsetzung: Die Functional Requirements for Bibliographic Records (FRBR) haben seit ihrer Veröffentlichung 1998 durch die IFLA die bibliothekarische Diskussion befruchtet. Was verbirgt sich hinter den FRBR? Welche Auswirkungen hat dieses Modell, das Beziehungen zwischen Entitäten darstellt, auf Regelwerke, Normdateien, Formate, Online-Kataloge und andere Bereiche? Welche Erfahrungen sind international bereits mit den FRBR gesammelt worden? Können wir die FRBR in Deutschland und Österreich nutzbringend in die Standardisierungsarbeit einbringen?
  2. Boeuf, P. le: ¬Die Auswirkungen des FRBR Modells auf die zukünftigen Revisionen des ISBD : eine Herausforderung für die Sektion Katalogisierung der IFLA (2001) 0.01 
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  3. Boeuf, P. le: Towards a common conceptual model for (A)LM : report prep. (2001) 0.01 
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    Imprint
    Paris : Cité des sciences et de l'industrie
  4. Boeuf, P. le: ¬The Impact of the FRBR model an the future revisions of the ISBDs : a challenge for the IFLA Section an Cataloging (2002) 0.01 
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    Date
    30. 8.2005 9:12:22
  5. Miller, D.; Boeuf, P. le: "Such stuff as dreams are made on" : how does FRBR fit performing arts? (2004) 0.00 
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    Abstract
    Since it is obviously impossible to "hold" live performances in library collections (in contrast to recorded performances and motion pictures), such creations are barely accounted for in library catalogues and cataloging prescriptions, even as a topic in subject headings. The way AACR and the Anglo-American cataloging tradition deals with performing arts is discussed at length. Conversely, specialized institutions have developed their own rules for the description of live performances: the Dance Heritage Coalition (New York) creates authority records for choreographic works, and the Département des Arts du Spectacle at Bibliothèque nationale de France creates bibliographic records for theatrical, operatic, and choreographic performances. As a conclusion, a tentative modeling of performing arts as bibliographic entities, strictly based on FRBR, is proposed.

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