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Content

Better navigation FRBR is a way of explaining the bibliographic world, in a library context, to allow for a better arrangement and collocation of records in a bibliographic database and, consequently, better navigation. FRBR could make possible a catalog that would group all the bibliographic records for all the filmed versions of Romeo and Juliet in sets organized by the language of the production, for example. Within each language's set would be separate subsets for those on DVD and those on videocassette. This would eliminate the screen after screen of displays of bibliographic headings, each of which a user has to investigate to determine if the record is really for the resource he or she needs ("Where's the movie version on DVD?") The larger the size of the database, the more such organization promises cleaner, more navigable displays to searchers. This is why FRBR is especially important in resource sharing environments-where databases seem to grow exponentially. From items to works One of the bases for that organization is FRBR's conception of bibliographic resources, which fall into four "entities": item, manifestation, expression, and work. An "item" is familiar to us: the object that sits on a shelf, which gets checked out, damaged, repaired, then eventually discarded. In the current era, it may not be physical but instead virtual, like an ebook. The "item," an individual copy, is a single example of a "manifestation," the publication by a certain publisher of a text, or of a sound or video recording. Seamus Heaney's translation of Beowulf, published in hardback by Farrar, Straus and Giroux in 1999, is one manifestation. Heaney's translation of Beowulf published in paperback by W.W. Norton in 2000 is another. Heaney's Beowulf as it appears in the collection Wizards: Stories of Magic, Mischief and Mayhem (Thunder's Mouth, 2001) is yet another manifestation. Manifestations are generally what catalogers catalog. All of these are manifestations of an "expression," a more abstract and intangible entity. Heaney's translation of Beowulf, independent of who is publishing it and when, is one "expression" of that work. The translation by Barry Tharaud is another.
National FRBR experiments The larger the bibliographic database, the greater the effect of "FRBR-like" design in reducing the appearance of duplicate records. LC, RLG, and OCLC, all influenced by FRBR, are experimenting with the redesign of their databases. LC's Network Development and MARC Standards Office has posted at its web site the results of some of its investigations into FRBR and MARC, including possible display options for bibliographic information. The design of RLG's public catalog, RedLightGreen, has been described as "FRBR-ish" by Merrilee Proffitt, RLG's program officer. If you try a search for a prolific author or much-published title in RedLightGreen, you'll probably find that the display of search results is much different than what you would expect. OCLC Research has developed a prototype "frbrized" database for fiction, OCLC FictionFinder. Try a title search for a classic title like Romeo and Juliet and observe that OCLC includes, in the initial display of results (described as "works"), a graphic indicator (stars, ranging from one to five). These show in rough terms how many libraries own the work-Romeo and Juliet clearly gets a five. Indicators like this are something resource sharing staff can consider an "ILL quality rating." If you're intrigued by FRBR's possibilities and what they could mean to resource sharing workflow, start talking. Now is the time to connect with colleagues, your local and/or consortial system vendor, RLG, OCLC, and your professional organizations. Have input into how systems develop in the FRBR world."