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Abstract

As a part of a research project aiming to connect library data to the unfamiliar data sets available in the Linked Data (LD) community's CKAN Data Hub (thedatahub.org), this project collected, analyzed, and mapped properties used in describing and accessing music recordings, scores, and music-related information used by selected music LD data sets, library catalogs, and various digital collections created by libraries and other cultural institutions. This article reviews current efforts to connect music data through the Semantic Web, with an emphasis on the Music Ontology (MO) and ontology alignment approaches; it also presents a framework for understanding the life cycle of a musical work, focusing on the central activities of composition, performance, and use. The project studied metadata structures and properties of 11 music-related LD data sets and mapped them to the descriptions commonly used in the library cataloging records for sound recordings and musical scores (including MARC records and their extended schema.org markup), and records from 20 collections of digitized music recordings and scores (featuring a variety of metadata structures). The analysis resulted in a set of crosswalks and a unified crosswalk that aligns these properties. The paper reports on detailed methodologies used and discusses research findings and issues. Topics of particular concern include (a) the challenges of mapping between the overgeneralized descriptions found in library data and the specialized, music-oriented properties present in the LD data sets; (b) the hidden information and access points in library data; and (c) the potential benefits of enriching library data through the mapping of properties found in library catalogs to similar properties used by LD data sets.

Date

28.10.2013 17:22:17

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Abstract

Film and broadcast archives serve as repositories for moving image and sound resources. Whether found in commercial or noncommercial settings, these archives aim to collect, describe, preserve, and make accessible audiovisual materials for users. Archives face many challenges in maintaining film, video, and audio materials, including physical deterioration, format obsolescence, and storage requirements. Audiovisual collections also require significant investment in appraisal, metadata generation for description, and access technologies. In addition, the digital era has brought alterations to copyright legislation, such as the Copyright Term Extension Act and the Digital Millennium Copyright Act, which complicates the mission of audiovisual archives to preserve and provide access to their materials. Educational programs for archivists have been established and expanded in the last decade, offering new opportunities for the field to develop and grow into a distinct profession.

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Source

Knowledge organization in the 21st century: between historical patterns and future prospects. Proceedings of the Thirteenth International ISKO Conference 19-22 May 2014, Kraków, Poland. Ed.: Wieslaw Babik