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Abstract

Purpose Arts-informed, visual research was conducted to document the pictorial metaphors that appear among original drawings of information. The purpose of this paper is to report the diversity of these pictorial metaphors, delineate their formal qualities as drawings, and provide a fresh perspective on the concept of information. Design/methodology/approach The project utilized pre-existing iSquare drawings of information that were produced by iSchool graduate students during a draw-and-write activity. From a data set of 417 images, 125 of the strongest pictorial metaphors were identified and subjected to cognitive metaphor theory. Findings Overwhelmingly, the favored source domain for envisioning information was nature. The most common pictorial metaphors were: Earth, web, tree, light bulb, box, cloud, and fishing/mining, and each brings different qualities of information into focus. The drawings were often canonical versions of objects in the world, leading to arrays of pictorial metaphors marked by their similarity. Research limitations/implications Less than 30 percent of the data set qualified as pictorial metaphors, making them a minority strategy for representing information as an image. The process to identify and interpret pictorial metaphors was highly subjective. The arts-informed methodology generated tensions between artistic and social scientific paradigms. Practical implications The pictorial metaphors for information can enhance information science education and fortify professional identity among information professionals. Originality/value This is the first arts-informed, visual study of information that utilizes cognitive metaphor theory to explore the nature of information. It strengthens a sense of history, humanity, nature, and beauty in our understanding of information today, and contributes to metaphor research at large.

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Abstract

There are untold conceptions of information in information science, and yet the nature of information remains obscure and contested. This article contributes something new to the conversation as the first arts-informed, visual, empirical study of information utilizing the draw-and-write technique. To approach the concept of information afresh, graduate students at a North American iSchool were asked to respond to the question "What is information?" by drawing on a 4- by 4-inch piece of paper, called an iSquare. One hundred thirty-seven iSquares were produced and then analyzed using compositional interpretation combined with a theoretical framework of graphic representations. The findings indicate how students visualize information, what was drawn, and associations between the iSquares and prior renderings of information based on words. In the iSquares, information appears most often as pictures of people, artifacts, landscapes, and patterns. There are also many link diagrams, grouping diagrams, symbols, and written text, each with distinct qualities. Methodological reflections address the relationship between visual and textual data, and the sample for the study is critiqued. A discussion presents new directions for theory and research on information, namely, the iSquares as a thinking tool, visual stories of information, and the contradictions of information. Ideas are also provided on the use of arts-informed, visual methods and the draw-and-write technique in the classroom.

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Date

30. 4.2020 21:03:22

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Abstract

It uncovers the main theoretical influences that have affected the representation of art in systems of knowledge organization such as LCC, DDC, UDC and the Art & Architecture Thesaurus, and it provides a deep basis for evaluating such systems. Knut Tore Abrahamsen's "Indexing of Musical Genres. An Epistemological Perspective" is a modified version of a thesis written at the Royal School of Library and Information Science in Copenhagen. As a thesis it is a major achievement which successfully combines knowledge of music, epistemology, and knowledge organization. This paper may also be seen as an example of how domains can be analyzed and how knowledge organization may be improved in practice. We would like to thank Sanna Talja of the University of Tampere, among other people, for Input an this piece. And now to the rest of the issue: Olof Sundin's "Towards an Understanding of Symbolic Aspects of Professional Information: an Analysis of the Nursing Knowledge Domain" contributes to DA by introducing a deeper understanding of the notion of professions and by uncovering how in some domains, "symbolic" functions of information may be more important than instrumental functions. Rich Gazan's: "Metadata as a Realm of Translation: Merging Knowledge Domains in the Design of an Environmental Information System" demonstrates the problems of merging data collections in interdisciplinary fields, rohen the perceived informational value of different access points varies with disciplinary membership. This is important for the design of systems of metadata. Joe Tennis': "Two Axes of Domains for Domain Analysis" suggests that the notion of domain is underdeveloped in DA. Tennis states, "Hjoerland has provided a hammer, but rohere are the nails?" In addition he raises a question concerning the degree of specialization within a domain. He resolves these issues by proposing two new "axes" to DA. Chaim Zins & David Guttmann's: "Domain Analysis of Social Work: An Example of an Integrated Methodological Approach" represents an empirical approach to the construction of knowledge maps based an representative samples of the literature an social work. In a way, this paper is the most traditional or straightforward approach to knowledge organization in the issue: It suggests a concrete classification based an scientific norms of representation and objectivity.