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  • × author_ss:"Inskip, C."
  1. Inskip, C.; MacFarlane, A.; Rafferty, P.: Meaning, communication, music : towards a revised communication model (2008) 0.00 
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    Abstract
    Purpose - If an information retrieval system is going to be of value to the user then it must give meaning to the information which matches the meaning given to it by the user. The meaning given to music varies according to who is interpreting it - the author/composer, the performer, cataloguer or the listener - and this affects how music is organized and retrieved. This paper aims to examine the meaning of music, how meaning is communicated and suggests this may affect music retrieval. Design/methodology/approach - Musicology is used to define music and examine its functions leading to a discussion of how music has been organised and described. Various ways of establishing the meaning of music are reviewed, focussing on established musical analysis techniques. It is suggested that traditional methods are of limited use with digitised popular music. A discussion of semiotics and a review of semiotic analysis in western art music leads to a discussion of semiotics of popular music and examines ideas of Middleton, Stefani and Tagg. Findings - Agreeing that music exists when communication takes place, a discussion of selected communication models leads to the proposal of a revised version of Tagg's model, adjusting it to include listener feedback. Originality/value - The outcome of the analysis is a revised version of Tagg's communication model, adapted to reflect user feedback. It is suggested that this revised communication model reflects the way in which meaning is given to music.
    Type
    a
  2. Inskip, C.; Butterworth, R.; MacFarlane, A.: ¬A study of the information needs of the users of a folk music library and the implications for the design of a digital library system (2008) 0.00 
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    Abstract
    A qualitative study of user information needs is reported, based on a purposive sample of users and potential users of the Vaughan Williams Memorial Library, a small specialist folk music library in North London. The study set out to establish what the users' (both existing and potential) information needs are, so that the library's online service may take them into account with its design. The information needs framework proposed by Nicholas [Nicholas, D. (2000) Assessing information needs: tools, techniques and concepts for the internet age. London: ASLIB] is used as an analytical tool to achieve this end. The demographics of the users were examined in order to establish four user groups: Performer, Academic, Professional and Enthusiast. Important information needs were found to be based on social interaction, and key resources of the library were its staff, the concentration of the collection and the library's social nature. A collection of broad design requirements are proposed based on the analysis and this study also provides some insights into the issue of musical relevance, which are discussed.
    Type
    a
  3. Inskip, C.; MacFarlane, A.; Rafferty, P.: Organising music for movies (2010) 0.00 
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    Abstract
    Purpose - The purpose of this paper is to examine and discuss the classification of commercial popular music when large digital collections are organised for use in films. Design/methodology/approach - A range of systems are investigated and their organization is discussed, focusing on an analysis of the metadata used by the systems and choices given to the end-user to construct a query. The indexing of the music is compared with a check-list of music facets which has been derived from recent musicological literature on semiotic analysis of popular music. These facets include aspects of communication, cultural and musical expression, codes and competences. Findings - In addition to bibliographic detail, descriptive metadata are used to organise music in these systems. Genre, subject and mood are used widely; some musical facets also appear. The extent to which attempts are being made to reflect these facets in the organization of these systems is discussed. A number of recommendations are made which may help to improve this process. Originality/value - The paper discusses an area of creative music search which has not previously been investigated in any depth and makes recommendations based on findings and the literature which may be used in the development of commercial systems as well as making a contribution to the literature.
    Type
    a
  4. Inskip, C.: Music information retrieval research (2011) 0.00 
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    Abstract
    There is a long history of music librarianship in the domain of printed Western classical music. Special schemes have been developed to aid in the organization and retrieval of musical works, and existing schemes have been widely used to include these types of documents in larger physical library collections. However, the advent of digital consumer technology in the form of MP3 players and mobile phones, combined with the enormous impact of the internet and the digitization and ease of compression of audio files, has brought new formats and types of user interaction to the fore. This has led to an explosion in music information-retrieval research, concentrating on how most beneficially to use computers to organize, search and retrieve music information and recordings from large digital collections. Many of us today carry around music collections of thousands of digitized music recordings and access all manner of types of music on the web, but still are unsure what to listen to next: the enormous size of these collections and the instant accessibility of 8 million Western pop, classical, jazz and folk songs can cause confusion and trepidation. Where the classical music researcher would previously have consulted academic texts and visited a specialist music library, or the post-rock listener would have read the New Musical Express and visited the Rough Trade shop for advice on what was coming up, now we access music through hand-held devices and laptops. The issue is no longer 'I hope I can find that Velvet Underground live album somewhere this year, I wonder what it sounds like', but 'Which Velvet Underground live track shall I read about/ download/ stream now?
    Source
    Innovations in information retrieval: perspectives for theory and practice. Eds.: A. Foster, u. P. Rafferty
    Type
    a

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