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Lee, D.: Judging indexes : the criteria for a good index (2001)
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- Source
- Indexer. 22(2001) no.4, S.191-194
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Lee, D.; Robinson, L.; Bawden, D.: Global knowledge organization, "super-facets" and music : universal music classification in the digital age (2018)
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- Date
- 18. 1.2019 16:29:16
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Lee, D.; Srivastava, S.; Vista, D.: Generating advanced query interfaces (1998)
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- Date
- 1. 8.1996 22:08:06
-
Lee, D.: Webs of "Wirkung" : modelling the interconnectedness of classification schemes (2014)
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- Source
- Knowledge organization in the 21st century: between historical patterns and future prospects. Proceedings of the Thirteenth International ISKO Conference 19-22 May 2014, Kraków, Poland. Ed.: Wieslaw Babik
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Lee, D.: Numbers, instruments and hands : the impact of faceted analytical theory on classifying music ensembles (2017)
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- Date
- 29. 9.2017 19:00:57
-
Lee, D.: Hornbostel-Sachs Classification of Musical Instruments (2020)
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- Footnote
- Derived from the article of similar title in the ISKO Encyclopedia of Knowledge Organization Version 1.1 (= 1.0 plus details on electrophones and Wikipedia); version 1.0 published 2019-01-17, this version 2019-05-29. Article category: KOS, specific (domain specific). The author would like to thank the anonymous reviewers for their useful comments, as well as the editor, Professor Birger Hjørland, for all of his insightful comments and ideas.
-
Lee, D.; Robinson, L.; Bawden, D.: Modeling the relationship between scientific and bibliographic classification for music (2019)
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- Source
- Journal of the Association for Information Science and Technology. 70(2019) no.3, S.230-241
-
Lee, D.; Robinson, L.; Bawden, D.: Orthogonality, dependency, and music : an exploration of the relationships between music facets (2021)
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- Source
- Journal of the Association for Information Science and Technology. 72(2021) no.5, S.570-582
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Lee, D.; Robinson, L.: ¬The heart of music classification : toward a model of classifying musical medium (2018)
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- Abstract
- Purpose The purpose of this paper is to understand the classification of musical medium, which is a critical part of music classification. It considers how musical medium is currently classified, provides a theoretical understanding of what is currently problematic, and proposes a model which rethinks the classification of medium and resolves these issues. Design/methodology/approach The analysis is drawn from existing classification schemes, additionally using musicological and knowledge organization literature where relevant. The paper culminates in the design of a model of musical medium. Findings The analysis elicits sub-facets, orders and categorizations of medium: there is a strict categorization between vocal and instrumental music, a categorization based on broad size, and important sub-facets for multiples, accompaniment and arrangement. Problematically, there is a mismatch between the definitiveness of library and information science vocal/instrumental categorization and the blurred nature of real musical works; arrangements and accompaniments are limited by other categorizations; multiple voices and groups are not accommodated. So, a model with a radical new structure is proposed which resolves these classification issues. Research limitations/implications The results could be used to further understanding of music classification generally, for Western art music and other types of music. Practical implications The resulting model could be used to improve and design new classification schemes and to improve understanding of music retrieval. Originality/value Deep theoretical analysis of music classification is rare, so this paper's approach is original. Furthermore, the paper's value lies in studying a vital area of music classification which is not currently understood, and providing explanations and solutions. The proposed model is novel in structure and concept, and its original structure could be adapted for other knotty subjects.
