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  • × author_ss:"Lee, D."
  1. Lee, D.; Robinson, L.; Bawden, D.: Global knowledge organization, "super-facets" and music : universal music classification in the digital age (2018) 0.03
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    Source
    Challenges and opportunities for knowledge organization in the digital age: proceedings of the Fifteenth International ISKO Conference, 9-11 July 2018, Porto, Portugal / organized by: International Society for Knowledge Organization (ISKO), ISKO Spain and Portugal Chapter, University of Porto - Faculty of Arts and Humanities, Research Centre in Communication, Information and Digital Culture (CIC.digital) - Porto. Eds.: F. Ribeiro u. M.E. Cerveira
  2. Lee, D.: Judging indexes : the criteria for a good index (2001) 0.01
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    Source
    Indexer. 22(2001) no.4, S.191-194
  3. Lee, D.: Hornbostel-Sachs Classification of Musical Instruments (2020) 0.01
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    Abstract
    This paper discusses the Hornbostel-Sachs Classification of Musical Instruments. This classification system was originally designed for musical instruments and books about instruments, and was first published in German in 1914. Hornbostel-Sachs has dominated organological discourse and practice since its creation, and this article analyses the scheme's context, background, versions and impact. The position of Hornbostel-Sachs in the history and development of instrument classification is explored. This is followed by a detailed analysis of the mechanics of the scheme, including its decimal notation, the influential broad categories of the scheme, its warrant and its typographical layout. The version history of the scheme is outlined and the relationships between versions is visualised, including its translations, the introduction of the electrophones category and the Musical Instruments Museums Online (MIMO) version designed for a digital environment. The reception of Hornbostel-Sachs is analysed, and its usage, criticism and impact are all considered. As well as dominating organological research and practice for over a century, it is shown that Hornbostel-Sachs also had a significant influence on the bibliographic classification of music.
  4. Bird, S.; Dale, R.; Dorr, B.; Gibson, B.; Joseph, M.; Kan, M.-Y.; Lee, D.; Powley, B.; Radev, D.; Tan, Y.F.: ¬The ACL Anthology Reference Corpus : a reference dataset for bibliographic research in computational linguistics (2008) 0.01
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    Abstract
    The ACL Anthology is a digital archive of conference and journal papers in natural language processing and computational linguistics. Its primary purpose is to serve as a reference repository of research results, but we believe that it can also be an object of study and a platform for research in its own right. We describe an enriched and standardized reference corpus derived from the ACL Anthology that can be used for research in scholarly document processing. This corpus, which we call the ACL Anthology Reference Corpus (ACL ARC), brings together the recent activities of a number of research groups around the world. Our goal is to make the corpus widely available, and to encourage other researchers to use it as a standard testbed for experiments in both bibliographic and bibliometric research.
  5. Lee, D.; Srivastava, S.; Vista, D.: Generating advanced query interfaces (1998) 0.01
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    Date
    1. 8.1996 22:08:06
  6. Lee, D.: Webs of "Wirkung" : modelling the interconnectedness of classification schemes (2014) 0.01
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    Source
    Knowledge organization in the 21st century: between historical patterns and future prospects. Proceedings of the Thirteenth International ISKO Conference 19-22 May 2014, Kraków, Poland. Ed.: Wieslaw Babik
  7. Lee, D.; Robinson, L.: ¬The heart of music classification : toward a model of classifying musical medium (2018) 0.00
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    Abstract
    Purpose The purpose of this paper is to understand the classification of musical medium, which is a critical part of music classification. It considers how musical medium is currently classified, provides a theoretical understanding of what is currently problematic, and proposes a model which rethinks the classification of medium and resolves these issues. Design/methodology/approach The analysis is drawn from existing classification schemes, additionally using musicological and knowledge organization literature where relevant. The paper culminates in the design of a model of musical medium. Findings The analysis elicits sub-facets, orders and categorizations of medium: there is a strict categorization between vocal and instrumental music, a categorization based on broad size, and important sub-facets for multiples, accompaniment and arrangement. Problematically, there is a mismatch between the definitiveness of library and information science vocal/instrumental categorization and the blurred nature of real musical works; arrangements and accompaniments are limited by other categorizations; multiple voices and groups are not accommodated. So, a model with a radical new structure is proposed which resolves these classification issues. Research limitations/implications The results could be used to further understanding of music classification generally, for Western art music and other types of music. Practical implications The resulting model could be used to improve and design new classification schemes and to improve understanding of music retrieval. Originality/value Deep theoretical analysis of music classification is rare, so this paper's approach is original. Furthermore, the paper's value lies in studying a vital area of music classification which is not currently understood, and providing explanations and solutions. The proposed model is novel in structure and concept, and its original structure could be adapted for other knotty subjects.