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Abstract

Mobilising the information stored in documents to advance learning and social well-being provides information science with a fundamental social objective. It also presents it with a characteristic set of technical and professional problems. Until recently, information storage and retrieval systems, of which the library is one of the oldest and most important examples, have not provided a direct solutuion to the problem of providing access to needed information. Instead they have attempted to identify and provide physical access to written or printed documents that might contain information that is needed or might be useful. Perhaps creating systems to substitute what documents may be about for what documents contain is a process of realistic simplfication in the face of overwhleming technical and 'epistemological' problems. But it is speculative approaches to overcoming these problems that are the subject of this paper

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Abstract

Most historical explanations of interfaces are technological and start with the computer age. We propose a different approach by focusing on the history of library and information sciences, particularly on the case of Paul Otlet (1868-1944). Otlet's attempts to integrate and distribute knowledge imply the need for interfaces, and his conceptualizations are reminiscent of modern versions of interfaces that are intended to facilitate manual and mechanical data integration and enrichment. Our discussion is based on a selection from the hundreds of images of what we may think of as "interfaces" that Otlet made or commissioned during his life. We examine his designs for interfaces that involve bibliographic cards, that allow data enrichment, his attempts to visualize interfaces between the sciences and between universal and personal classifications, and even his attempts to create interfaces to the world. In particular, we focus on the implications of Otlet's dissection of the organization of the book for the creation of interfaces to a new order of public knowledge. Our view is that the creative ways in which he faces tensions of scalability, representation, and perception of relationships between knowledge objects might be of interest today.