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Abstract

In FRBR and FRAD, realization of a musical work through performance is unambiguously included as a type of expression when it involves music in the Western canon. There is room for interpretation, however, as to whether an improvisation in jazz or rock constitutes an expression, or a new work with each performance. Multiple expressions, particularly transcriptions, and related works suggest the potential usefulness of treating a jazz performance as a work. This article examines the question of boundaries between one work and another, and illustrates ways that the FRBR model might be applied to cataloging improvisations.

Content

Contribution to a special issue "The FRBR family of conceptual models: toward a linked future"

Type

a