Schmidt, R.: Composing in real time : Jazz performances as "works" in the FRBR model (2012)
0.00
0.0026970792 = product of:
0.013485395 = sum of:
0.013485395 = weight(_text_:a in 1916) [ClassicSimilarity], result of:
0.013485395 = score(doc=1916,freq=16.0), product of:
0.053464882 = queryWeight, product of:
1.153047 = idf(docFreq=37942, maxDocs=44218)
0.046368346 = queryNorm
0.25222903 = fieldWeight in 1916, product of:
4.0 = tf(freq=16.0), with freq of:
16.0 = termFreq=16.0
1.153047 = idf(docFreq=37942, maxDocs=44218)
0.0546875 = fieldNorm(doc=1916)
0.2 = coord(1/5)
- Abstract
- In FRBR and FRAD, realization of a musical work through performance is unambiguously included as a type of expression when it involves music in the Western canon. There is room for interpretation, however, as to whether an improvisation in jazz or rock constitutes an expression, or a new work with each performance. Multiple expressions, particularly transcriptions, and related works suggest the potential usefulness of treating a jazz performance as a work. This article examines the question of boundaries between one work and another, and illustrates ways that the FRBR model might be applied to cataloging improvisations.
- Content
- Contribution to a special issue "The FRBR family of conceptual models: toward a linked future"
- Type
- a