Search (72 results, page 4 of 4)

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a

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Abstract

For a long time music librarians have grappled with the problem of cataloguing music scores along with physical recordings, including videorecordings of musical performances, in such a way as to collocate als physical forms in an intelligible order. The critical problems are, how to identify the properties of musical bibliographic entities and then how to control each property in the bibliographic universe and in each of the subsets of that universe, such as the library OPAC. Examines the concept of the 'musical work' as it has been decribed by bibliographers, cataloguers and scholars of bibliographic control. Concludes that there is ample evidence that equality exists among the representations of a musical work regardless of their physical formats. An understanding of the concept of the musical work should obviate the need to reconsider forms of access under current cataloguing practice and lead the way to the next generation of bibliographic control for musical works

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Abstract

Works are key entities in the universe of recorded knowledge. Works are those deliberate creations (known variously as opera, oeuvres, Werke, etc.) that stand as the formal records of knowledge. Core bodies of works-canons-function to preserve and disseminate the parameters of a culture. There is some evidence that popularity of works is a contributing factor to the phenomena of mutation and derivation. In particular, novels demonstrated the high incidence of both derivation and mutation of a popular literary work. Commercial interests combine with cultural forces to propel the evolution of popular novels as interest in them spreads across language and geographic boundaries. Earlier studies support a concept of the work as a collaborative entity that is changed over time by those who embrace it. The more popular the work, the more likely we will observe change over time. Cultural boundaries are crossed by the mutation of best-selling works, as their translations find collaborative roles in cultures different from that in which the work originated. The study of works that have appeared an best-seller lists (one measure of cultural embrace, or "popularity") might yield useful data for comprehension of the content and extent of the canon of popular works. In the present study, a sample of best-selling works (fiction and non-fiction) from 1900-1999 is examined. Preliminary evidence from the first phase of this study demonstrates the consistency of the theoretical functioning of works as cultural entities. That is, works that enter a canon derive and mutate dramatically, while those that do not remain unchanged. "Popularity" is not demonstrated as equated with "bestselling," but all best-selling books in the sample generated more than one edition.

Type

a

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Abstract

Knowledge Organization (KO) as a domain is evolving rapidly and its boundaries are being pushed amoeba-like in every direction as a consequence. All that readers of this journal need to do to find evidence of this evolution is to look at the journal itself, which moves from quarterly to bi-monthly with this issue. While the peer-review system serves a gate-keeping function on the intension of the domain, making certain that articles appearing in this journal align with accepted conceptual tenets, the system simultaneously serves a different function (perhaps we can align it with the opening of gates) for KO conferences, where it is the extension of the domain that is constantly being probed and tested by new research. Gate-keeping is an important function for any domain, which is why peer review is a hallmark of ISKO's regional and international conferences as well as this journal. So it is even more impressive to consider these two functions together, which at once serve to intensify the core concepts of knowledge organization and simultaneously to stretch their application into new corners of the knowledge domain. It is a sort of inspiration-expiration dichotomous action, solidifying the core on the intake and pushing the boundaries (or axes, as Tennis (2003) has called them) on the outgo. Indeed, the new "Forum: Philosophy of Classification," and occasional feature beginning with this issue, which has been generated by Birger Hjørland, chair of ISKO's newly active Scientific Advisory Council, is an example of this dichotomous action. For further examples we can turn to the contents of regional and international KO conferences, which provide interesting temporal glimpses of this evolutionary process. In this editorial I will present a summary analysis of the August 2007 Mexico City conference "I Simposio Internacional sobre Organizacion del Conocimiento, Bibliotecologia y Terminologia," whose proceedings were just available in print in 2009.

Type

a

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Abstract

The 10th International ISKO Conference is now history, and it was a dynamic bit of history at that. Knowledge organization (the domain) is lively and engaged and engaging, and all of us who work in the domain are in a good spot to benefit from the new trajectories provided by the scholars who brought their research forward this year. As is our custom in this journal, I will leave it to the Classification editor to prepare a full report on the conference. But the Proceedings volume (Arsenault and Tennis 2008), as usual, is a rich resource for analysis of the domain at this particular moment in time. By studying the contents, and in particular by applying bibliometric techniques, we can gain useful insight into the direction of the evolution of knowledge organization. Hjørland (2002) includes bibliometric techniques in his list of eleven approaches to domain analysis because, as he says (p. 436), "it is empirical and based on detailed analysis of connections between individual documents." With reference (and due deference) to White's (2003) analysis of authors as citers, I hereby present this brief analysis of what one might find on the bookshelves of this year's ISKO authors.

Type

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Abstract

This paper takes for granted that archival materials will be entered into a catalog in which Library of Congress Subject Headings (LCSH) will be used to provide access. The purposes of subject access are discussed. The matter of selecting the appropriate extent of subject cataloging for archival entities is raised. Archival entities will generally require more detailed subject cataloging than published materials. A scheme for subject analysis of archival materials is presented. LCSH is described briefly, and several archival entities are analyzed and provided with LCSH access points to illustrate the methodology employed. The chief advantages of using LCSH for archival materials are its availability, and its ability to cause archival materials to collocate topically with published materials in integrated online systems.

Type

a

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Abstract

The fundamental principle of order in the library catalogue is the authorship principle, which serves as the organizing node of an alphabetico-classed system, in which "texts" of "works" are organized first alphabetically by uniform title of the progenitor work and then are subarranged using titles for variant instantiations, under the heading for an "author." We analyze case studies of entries from (1) the first documented imperial library catalogue, the Seven Epitomes (Qilue [??]), in China; (2) Abelard's Works, which featured prominently in the 1848 testimony of Antonio Panizzi; and (3) The French Chef and the large family of instantiated works associated with it. Our analysis shows that the catalogue typically contains many large superwork sets. A more pragmatic approach to the design of catalogues is to array descriptions of resources in relation to the superwork sets to which they might belong. In all cases, a multidimensional faceted arrangement incorporating ideational nodes from the universe of recorded knowledge holds promise for greatly enhanced retrieval capability.

Type

a

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Abstract

Bibliographic control does not differ in substance from one type of material to another. Therefore it is not possible to separate the bibliographic control of music materials entirely from the larger domain of bibliographic control activity. The literature of music librarianship is examined for relevant theoretical explanations. Specific problems of description and access are used to show that, in general, the requirements for bibliographic control of music fit neatly into the theoretical structure for all bibliographic control. The primary purpose of descriptive cataloging of musical objects is to identify and differentiate among objects in a library collection. Where the concept of responsibility is relevant, access is provided through the names of composers or performers. Systematic access is provided through co-equal facets: medium, manifestation, and form.

Type

a

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Abstract

The referencing habits of scholars, having abandoned physical bibliography for harvesting of digital resources, are in crisis, endangering the bibliographical infrastructure supporting the domain of knowledge organization. Research must be carefully managed and its circumstances controlled. Bibliographical replicability is one important part of the social role of scholarship. References in Knowledge Organization volume 45 (2018) were compiled and analyzed to help visualize the state of referencing in the KO domain. The dependence of science on the ability to replicate is even more critical in a global distributed digital environment. There is great richness in KO that make it even more critical that our scholarly community tend to the relationship between bibliographical verity and the very replicability that is allowing the field to grow theoretically over time.

Type

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Abstract

As we all know, Knowledge Organization (KO) is a pretty broad domain. Although the concept-theoretic approach to classification is at the core along with several other important pieces of what we call classification theory, both the intension and the extension of the domain are represented by broad trajectories. Arguably, the biennial conferences represent way stations within the matrix of the domain-points in time when we pause to take stock of our current research. Also, because each conference is hosted and planned by a regional chapter, each then reflects peculiar parameters of the intersections of intensional and extensional trajectories. Perhaps because the domain of knowledge itself is so immense, so also is our corporate attempt to grapple with the theoretical and applied aspects of its organization. Furthermore, because of the breadth of our domain, many possibilities exist for its representation, depending on the constitution of the research front (or fronts) at any moment in time. That is, research in the domain stretches in all directions from its solid theoretical core down many much more granular roadways. Thus by analyzing the activity and contents of these metaphorical way stations-that is, by bring the tools of domain analysis to bear on our own biennial conferences-we are able to visualize the moment in time represented by the accumulated scholarship generated by each conference. 2010's 11th International ISKO Conference in Rome offered the latest opportunity for analysis on a broad scale.
To take advantage of the wonderful Italian weather, ISKO's 2010 conference was moved from the usual August to February; the venue was the Sapienza University (officially Sapienza - Università di Roma) and the conference took place 23-26 February 2010. The conference was organized and hosted by ISKO Italy and the Faculty of Philosophy of Sapienza University. Each morning as attendees arrived, we were treated to the garden pictured in Figure 1, and especially interesting was the fountain and the statue of St. Francis. Of course, the mystery was the turtle at St. Francis' foot, which looks quite like part of the statue but turned out to be real. The peaceful gardens were just a hallmark of the contemplative nature of the conference. Officially the 11th International ISKO Conference, the theme was "Paradigms and Conceptual Systems in Knowledge Organization." The proceedings and the conference program together listed 65 presentations, of which 64 were actually presented and 61 had papers included in the proceedings (or, 4 papers were presented but not included in the proceedings, and 1 paper included in the proceedings was not presented). Although space is insufficient for a full analysis, following from my editorial following ISKO 10 (Smiraglia 2008), I will use this space to paint a brief bibliometric portrait of the domain at the core of this conference. Data for this analysis come from the PDF of the proceedings; all citations for all papers were pasted in an Excel spreadsheet, where the citations were variously delimited for the following analyses. The original file is available on my blog: http://lazykoblog.wordpress.com/.

Type

a