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  • × classification_ss:"06.30 / Bibliothekswesen / Dokumentationswesen: Allgemeines"
  • × subject_ss:"Cultural property / Digitization"
  1. Theorizing digital cultural heritage : a critical discourse (2005) 0.02
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    Content
    Enthält die Beiträge: Rise and fall of the post-photographic museum : technology and the transformation of art / Peter Walsh -- Materiality of virtual technologies : a new approach to thinking about the impact of multimedia in museums / Andrea Witcomb -- Beyond the cult of the replicant-- museums and historical digital objects : traditional concerns, new discourses / Fiona Cameron -- Te Ahu Hiko : cultural heritage and indigenous objects, people, and environments / Deidre Brown -- Redefining digital art : disrupting borders / Beryl Graham -- Online activity and offlline community : cultural institutions and new media art / Sarah Cook -- Crisis of authority : new lamps for old / Susan Hazan -- Digital cultural communication : audience and remediation / Angelina Russo and Jerry Watkins -- Digital knowledgescapes : cultural, theoretical, practical and usage issues facing museum collection databases in a digital epoch / Fiona Cameron and Helena Robinson -- Art is redeemed, mystery is gone : the documentation of contemporary art / Harald Kraemer -- Cultural information standards-- political territory and rich rewards / Ingrid Mason -- Finding a future for digital cultural heritage resources using contextual information frameworks / Gavan McCarthy -- Engaged dialogism in virtual space : an exploration of research strategies for virtual museums / Suhas Deshpande, Kati Geber, and Corey Timpson -- Localized, personalized, and constructivist : a space for online museum learning / Ross Parry and Nadia Arbach -- Speaking in Rama : panoramic vision in cultural heritage visualization / Sarah Kenderdine -- Dialing up the past / Erik Champion and Bharat Dave -- Morphology of space in virtual heritage / Bernadette Flynn -- Toward tangible virtualities : tangialities / Slavko Milekic -- Ecological cybernetics, virtual reality, and virtual heritage / Maurizio Forte -- Geo-storytelling : a living archive of spatial culture / Scot T. Refsland, Marc Tuters, and Jim Cooley -- Urban heritage representations in hyperdocuments / Rodrigo Paraizo and José Ripper Kós -- Automatic archaeology : bridging the gap between virtual reality, artificial intelligence, and archaeology / Juan Antonio Barceló.
    Footnote
    Rez. in: JASIST 59(2008) no.8, S.1360-1361 (A. Japzon): "This is the first book since The Wired Museum to address the theoretical discourse on cultural heritage and digital media (Jones-Garmil, 1997). The editors, Fiona Cameron, a Research Fellow in Museum and Cultural Heritage Studies at the Centre for Cultural Research at the University of Western Sydney, and Sarah Kenderdine, the Director of Special Projects for the Museum Victoria, bring together 30 authors from the international cultural heritage community to provide a foundation from which to explore and to understand the evolving significance of digital media to cultural heritage. The editors offer the collection of essays as a reference work to be used by professionals, academics, and students working and researching in all fields of cultural heritage including museums, libraries, galleries, archives, and archeology. Further, they recommend the work as a primary or a secondary text for undergraduate and graduate education for these fields. The work succeeds on these counts owing to the range of cultural heritage topics covered and the depth of description on these topics. Additionally, this work would be of value to those individuals working and researching in the fields of human computer interaction and educational technology. The book is divided into three sections: Replicants/Object Morphologies; Knowledge Systems and Management: Shifting Paradigms and Models; and Cultural Heritage and Virtual Systems. Many of the themes in the first section resonate throughout the book providing consistency of language and conceptual understandings, which ultimately offers a shared knowledge base from which to engage in the theoretical discussion on cultural heritage. This review will briefly summarize selected themes and concepts from each of the sections as the work is vast in thought and rich in detail. ...