Search (20 results, page 1 of 1)

  • × language_ss:"e"
  • × theme_ss:"Objektdokumentation"
  • × type_ss:"a"
  1. Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000) 0.00 
    0.0040592253 = product of:
  0.008118451 = sum of:
    0.008118451 = product of:
      0.016236901 = sum of:
        0.016236901 = weight(_text_:a in 4291) [ClassicSimilarity], result of:
          0.016236901 = score(doc=4291,freq=8.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.30574775 = fieldWeight in 4291, product of:
              2.828427 = tf(freq=8.0), with freq of:
                8.0 = termFreq=8.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.09375 = fieldNorm(doc=4291)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Type
    a
  2. Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000) 0.00 
    0.0029294936 = product of:
  0.005858987 = sum of:
    0.005858987 = product of:
      0.011717974 = sum of:
        0.011717974 = weight(_text_:a in 4290) [ClassicSimilarity], result of:
          0.011717974 = score(doc=4290,freq=6.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.22065444 = fieldWeight in 4290, product of:
              2.4494898 = tf(freq=6.0), with freq of:
                6.0 = termFreq=6.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.078125 = fieldNorm(doc=4290)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    This article examines the sociotechnological impact of introducing collaborative technologies into the Spurlock Museum, a museum of world history and culture at the University of Illinois
    Type
    a
  3. Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992) 0.00 
    0.0028703054 = product of:
  0.005740611 = sum of:
    0.005740611 = product of:
      0.011481222 = sum of:
        0.011481222 = weight(_text_:a in 5290) [ClassicSimilarity], result of:
          0.011481222 = score(doc=5290,freq=16.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.2161963 = fieldWeight in 5290, product of:
              4.0 = tf(freq=16.0), with freq of:
                16.0 = termFreq=16.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046875 = fieldNorm(doc=5290)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
    Type
    a
  4. Will, L.: ¬The indexing of museum objects (1993) 0.00 
    0.00270615 = product of:
  0.0054123 = sum of:
    0.0054123 = product of:
      0.0108246 = sum of:
        0.0108246 = weight(_text_:a in 6101) [ClassicSimilarity], result of:
          0.0108246 = score(doc=6101,freq=2.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.20383182 = fieldWeight in 6101, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.125 = fieldNorm(doc=6101)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Type
    a
  5. Delouis, D.: Telecommunications in museums (1993) 0.00 
    0.0023919214 = product of:
  0.0047838427 = sum of:
    0.0047838427 = product of:
      0.009567685 = sum of:
        0.009567685 = weight(_text_:a in 7379) [ClassicSimilarity], result of:
          0.009567685 = score(doc=7379,freq=4.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.18016359 = fieldWeight in 7379, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.078125 = fieldNorm(doc=7379)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    Describes the Remote Access to Museum Archive project, a CEC funded project which aims to promote access to museums documentary databases in museums via telecommunications. Describes existing museum databases which are remotely accessible. The RAMA project aims to interconnect the image documentary databases of seven European museums. Describes its progress, and prospects for creation of an electronic museum
    Type
    a
  6. Saltzman, A.B.: Art slide sets : online access (1998) 0.00 
    0.0023678814 = product of:
  0.0047357627 = sum of:
    0.0047357627 = product of:
      0.009471525 = sum of:
        0.009471525 = weight(_text_:a in 5188) [ClassicSimilarity], result of:
          0.009471525 = score(doc=5188,freq=8.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.17835285 = fieldWeight in 5188, product of:
              2.828427 = tf(freq=8.0), with freq of:
                8.0 = termFreq=8.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.0546875 = fieldNorm(doc=5188)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    Ellender Memorial Library at Nicholls State University, Louisiana has a slide collection including 10,000 slides in 60 sets devoted to art. Describes how the cataloguer solved the problem of entering sufficiently detailed records of this part of the collection on the OPAC of a small college library, using the OCLC authority file for artists' names and NUTPLUS which offers access via any combination of 15 data elements including e.g., aspects of the subject, call and item numbers and location of the works of art. NUTPLUS is now available in a new version, called Ultra-Plus Advanced, from Fairhaven Software of Stoughton, Massachusetts
    Type
    a
  7. Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993) 0.00 
    0.0023435948 = product of:
  0.0046871896 = sum of:
    0.0046871896 = product of:
      0.009374379 = sum of:
        0.009374379 = weight(_text_:a in 7007) [ClassicSimilarity], result of:
          0.009374379 = score(doc=7007,freq=6.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.17652355 = fieldWeight in 7007, product of:
              2.4494898 = tf(freq=6.0), with freq of:
                6.0 = termFreq=6.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.0625 = fieldNorm(doc=7007)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    The Micro Gallery is a computerised, interactive, public access information system located in the Sainsbury Wing of the National Gallery in London. It provides detailed information about the Gallery's collection of paintings in an accessible form, using digitised colour images and touch screen technology. Discusses the evolution of the system, its reception and the projects it has spawned
    Type
    a
  8. Michard, A.; Pham Dac, D.: Description of collections and encyclopedias on the Web using XML (1998) 0.00 
    0.0023435948 = product of:
  0.0046871896 = sum of:
    0.0046871896 = product of:
      0.009374379 = sum of:
        0.009374379 = weight(_text_:a in 3493) [ClassicSimilarity], result of:
          0.009374379 = score(doc=3493,freq=6.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.17652355 = fieldWeight in 3493, product of:
              2.4494898 = tf(freq=6.0), with freq of:
                6.0 = termFreq=6.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.0625 = fieldNorm(doc=3493)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    Cataloguing artworks relies on the availability of classification schemes, often represented by hierarchical thesauri. Comments on the limitations of current practices and tools and proposes a new approach for the cooperative production of multilingual and multicultural classification schemes exploiting some features of the oncoming Extensible Markup Language based Web
    Type
    a
  9. Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009) 0.00 
    0.002269176 = product of:
  0.004538352 = sum of:
    0.004538352 = product of:
      0.009076704 = sum of:
        0.009076704 = weight(_text_:a in 3103) [ClassicSimilarity], result of:
          0.009076704 = score(doc=3103,freq=10.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.1709182 = fieldWeight in 3103, product of:
              3.1622777 = tf(freq=10.0), with freq of:
                10.0 = termFreq=10.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046875 = fieldNorm(doc=3103)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    In 1996, with funding from the Henry Luce Foundation, Jack Lenor Larsen and an advisory committee composed of distinguished museum and design professionals developed Objects Classified by Mediums in response to the concern that existing systems do not provide the tools for comparing information on objects. A common understanding and definitions of terms are crucial to the success of a classification project meant to cross institutional and national boundaries. Objects Classified by Mediums seeks to organize areas of study in fiber, clay, metal, wood, and so on, to allow curators and scholars to compare information on similar methods used, build a conceptual framework for the greater understanding of whole categories of objects rather than as isolated works, and provide a finding tool for cross-cultural and cross-disciplinary investigation.
    Type
    a
  10. Ménard, E.; Mas, S.; Alberts, I.: Faceted classification for museum artefacts : a methodology to support web site development of large cultural organizations (2010) 0.00 
    0.0022438213 = product of:
  0.0044876426 = sum of:
    0.0044876426 = product of:
      0.008975285 = sum of:
        0.008975285 = weight(_text_:a in 3945) [ClassicSimilarity], result of:
          0.008975285 = score(doc=3945,freq=22.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.16900843 = fieldWeight in 3945, product of:
              4.690416 = tf(freq=22.0), with freq of:
                22.0 = termFreq=22.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.03125 = fieldNorm(doc=3945)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    Purpose - This research project aims to provide a new visual representation of the Artefacts Canada digital collection, as well as a means for users to browse this content. Artefacts Canada Humanities is a database containing approximately 3.5 million records describing the different collections of Canadian museums. Design/methodology/approach - A four-step methodology was adopted for the development of the faceted taxonomy model. First, a best practice review consisting of an extensive analysis of existing terminology standards in museum communities and public web interfaces of large cultural organizations was performed. The second step of the methodology entailed a domain analysis; this involved extracting and comparing relevant concepts from terminological authoritative sources. The third step proceeded to term clustering and entity listing,which involved the breaking-up of the taxonomy domains into potential facets. An incremental user testing was also realized in order to validate and refine the taxonomy components (facets, values, and relationships). Findings - The project resulted in a bilingual and expandable vocabulary structure that will further be used to describe the Artefacts Canada database records. The new taxonomy simplifies the representation of complex content by grouping objects into similar facets to classify all records of the Artefacts Canada database. The user-friendly bilingual taxonomy provides worldwide visitors with the means to better access Canadian virtual museum collections. Originality/value - Few methodological tools are available for museums which wish to adopt a faceted approach in the development of their web sites. For practitioners, the methodology developed within this project is a direct contribution to support web site development of large cultural organizations.
    Type
    a
  11. Wright, R.: PRESTO - Multimedia archive preservation (2002) 0.00 
    0.0020506454 = product of:
  0.004101291 = sum of:
    0.004101291 = product of:
      0.008202582 = sum of:
        0.008202582 = weight(_text_:a in 625) [ClassicSimilarity], result of:
          0.008202582 = score(doc=625,freq=6.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.1544581 = fieldWeight in 625, product of:
              2.4494898 = tf(freq=6.0), with freq of:
                6.0 = termFreq=6.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.0546875 = fieldNorm(doc=625)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    EC project PRESTO has completed a survey of the holdings and preservation status of ten major broadcast archives. These archives represent a significant portion of total European broadcast archives, including some ofthe largest individual collections.The main findings are that approximately 75% of this material is at risk or inaccessible and that the collections are growing at roughly four times the rate of current progress in preservation work. This article gives detailed results of the survey, and describes the technical developments being produced by project PRESTO to reduce the costs and improve the effectiveness of multimedia archive preservation projects.
    Type
    a
  12. Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000) 0.00 
    0.0020296127 = product of:
  0.0040592253 = sum of:
    0.0040592253 = product of:
      0.008118451 = sum of:
        0.008118451 = weight(_text_:a in 4292) [ClassicSimilarity], result of:
          0.008118451 = score(doc=4292,freq=2.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.15287387 = fieldWeight in 4292, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.09375 = fieldNorm(doc=4292)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Type
    a
  13. Wolters, C.: Object databases and thesauri for small museums (1991) 0.00 
    0.001913537 = product of:
  0.003827074 = sum of:
    0.003827074 = product of:
      0.007654148 = sum of:
        0.007654148 = weight(_text_:a in 6100) [ClassicSimilarity], result of:
          0.007654148 = score(doc=6100,freq=4.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.14413087 = fieldWeight in 6100, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.0625 = fieldNorm(doc=6100)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    Twenty years of experience with computers in museums has led from the original 'purely scientific' objectives to a more down-to-earth approach aimed at rationalizing repetitive procedures. Dealing with fragmentary or unclean data is of primary concern. In the 'small museums' project useful techniques from the field of thesaurus applications are customized in daily practice for this purpose
    Type
    a
  14. Lanzi, E.: ¬The REACH and VIVION projects : improving access to art information (1998) 0.00 
    0.001913537 = product of:
  0.003827074 = sum of:
    0.003827074 = product of:
      0.007654148 = sum of:
        0.007654148 = weight(_text_:a in 2600) [ClassicSimilarity], result of:
          0.007654148 = score(doc=2600,freq=4.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.14413087 = fieldWeight in 2600, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.0625 = fieldNorm(doc=2600)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    Strategies for sharing, managing and accessing cultural heritage information centred around objects, images and related data are being tested currently through a variety of initiatives and resources. These fall into 3 categories: data sharing projects; image data banks; and rights management. Describes 2 data sharing projects, the Research Libraries Group' REACH and VISIION projects, focusing on core categories, standards and interoperability, metadata, and what might be accomplished through REACH and VISIION
    Type
    a
  15. Smiraglia, R.P.: Knowledge sharing and content genealogy : extensing the "works" model as a metaphor for non-documentary artefacts with case studies of Etruscan artefacts (2004) 0.00 
    0.0017899501 = product of:
  0.0035799001 = sum of:
    0.0035799001 = product of:
      0.0071598003 = sum of:
        0.0071598003 = weight(_text_:a in 2671) [ClassicSimilarity], result of:
          0.0071598003 = score(doc=2671,freq=14.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.13482209 = fieldWeight in 2671, product of:
              3.7416575 = tf(freq=14.0), with freq of:
                14.0 = termFreq=14.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.03125 = fieldNorm(doc=2671)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    The harmonization and extension of a taxonomy of works from the documentary to the artefactual domain represents an attempt to further knowledge sharing across cultural boundaries. The uses and users of works, both documentary and artefactual, are global-the need for this advance in the organization of knowledge is therefore also global. Works are the formal records of knowledge, the essential records of human accomplishment. Works are a global phenomenon despite potential cultural variations in their creation and instantiation, and the need to organize works for retrieval is likewise a global phenomenon. Artefacts (sculptures, paintings, realia, documents, books, scores, recordings, etc.) are the physical media collected by repositories of culture (libraries, archives, museums, etc.), and are the means by which works are communicated. Works mutate and derive across time and culture in response to their entrance into a canon of cultural meaning. In the present paper, we review the characteristics of documentary works. Then we extend the metaphor from the documentary environment to the artefactual environment. To carry the metaphor from the documentary domain to the artefactual domain we alter the terms of the definition slightly, thus: 1) instantiation is understood as content genealogy. an epistemological architecture of content-genealogy is presented, demonstrating the potential for mutation and derivation of the representations of artefacts. Case studies of Etruscan artefacts from the University of Pennsylvania Museum of Archaeology and Anthropology are used to demonstrate the inherence of the work in nondocumentary artefacts. An outline of a meta-theory of "works" is presented that harmonizes the documentary and artefactual domains.
    Type
    a
  16. Campbell, C.; Webb, H.; Beglo, J.: Keeping it all together : National Gallery of Canada exhibition records and other exhibition-related material (1998) 0.00 
    0.001674345 = product of:
  0.00334869 = sum of:
    0.00334869 = product of:
      0.00669738 = sum of:
        0.00669738 = weight(_text_:a in 3720) [ClassicSimilarity], result of:
          0.00669738 = score(doc=3720,freq=4.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.12611452 = fieldWeight in 3720, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.0546875 = fieldNorm(doc=3720)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    The National Gallery of Canada Library and Archives functions as Canada's national art and supports research on a national and international basis. Given this important mandate and the research interest in art exhibitions, it was important to catalogue the exhibition-related material and to publicize National Gallery holdings. Describes the project of creating an online finding aid for exhibition records and other material related to more than 1900 exhibitions held between 1880 and the present at the National Gallery of Canada. Sets out the goals and many benefits of the project
    Type
    a
  17. Marty, P.F.: Museum informatics (2009) 0.00 
    0.001674345 = product of:
  0.00334869 = sum of:
    0.00334869 = product of:
      0.00669738 = sum of:
        0.00669738 = weight(_text_:a in 5000) [ClassicSimilarity], result of:
          0.00669738 = score(doc=5000,freq=4.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.12611452 = fieldWeight in 5000, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.0546875 = fieldNorm(doc=5000)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    Museum informatics is the study of the sociotechnical interactions that take place at the intersection of people, information, and technology in museums. This entry presents an overview of museum informatics, covering such topics as information representation, information organization and access, information management, information technology, information interactions, and information professionals in museums. It explores the impact of information science and technology on museums, museum professionals, and museum visitors, and argues that museum researchers must take a sociotechnical approach to studying the use of information resources and technologies in museums.
    Type
    a
  18. Paternò, F.; Mancini, C.: Effective levels of adaptation to different types of users in interactive museum systems (2000) 0.00 
    0.0014351527 = product of:
  0.0028703054 = sum of:
    0.0028703054 = product of:
      0.005740611 = sum of:
        0.005740611 = weight(_text_:a in 4288) [ClassicSimilarity], result of:
          0.005740611 = score(doc=4288,freq=4.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.10809815 = fieldWeight in 4288, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046875 = fieldNorm(doc=4288)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    Users interact with museum application interfaces for many reasons. There are various types of users, who want to perform various tasks, in various contexts, that can access the same Web site. Thus, it is important to have user interfaces able to adapt to these different user requirements to facilitate the accomplishment of the desired goals. Most current interfaces to museum information do not take into account this variety of types of users, thus providing interfaces that some users find confusing to achieve their goals. In this article we discuss the various possible levels of support that can be given to different users during navigation of museum information. In particular, we focus our attention on how to obtain adaptable and adaptive interfaces using the web site for the Marble Museum, which we have designed and developed, as a source of examples for our discussion of possible solutions
    Type
    a
  19. O'Keefe, E.; Oldal, M.: Cataloging Cultural Objects (CCO) (2009) 0.00 
    0.0014351527 = product of:
  0.0028703054 = sum of:
    0.0028703054 = product of:
      0.005740611 = sum of:
        0.005740611 = weight(_text_:a in 3759) [ClassicSimilarity], result of:
          0.005740611 = score(doc=3759,freq=4.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.10809815 = fieldWeight in 3759, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046875 = fieldNorm(doc=3759)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    The entry provides an overview of the data content standard, Cataloging Cultural Objects (CCO), developed by the Visual Resources Association (VRA), and published in 2006 by the American Library Association (ALA). CCO fills a gap in the array of descriptive standards by providing guidelines for visual resources curators, museum documentation specialists, archivists, librarians, or anyone engaged in the documentation of works of art and architecture, objects of material culture, and their images. The entry begins by placing CCO within the context of object and visual image cataloging and the broader framework of data content standards. Following the organization of the guide, which is divided into three parts, General Guidelines, Elements, and Authorities, it summarizes the main features of CCO. Finally, it evaluates CCO in terms of its suitability for use by the metadata communities that form its intended audience, and its sustainability.
    Type
    a
  20. Dworman, G.O.; Kimbrough, S.O.; Patch, C.: On pattern-directed search of arcives and collections (2000) 0.00 
    0.0011959607 = product of:
  0.0023919214 = sum of:
    0.0023919214 = product of:
      0.0047838427 = sum of:
        0.0047838427 = weight(_text_:a in 4289) [ClassicSimilarity], result of:
          0.0047838427 = score(doc=4289,freq=4.0), product of:
            0.053105544 = queryWeight, product of:
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.046056706 = queryNorm
            0.090081796 = fieldWeight in 4289, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              1.153047 = idf(docFreq=37942, maxDocs=44218)
              0.0390625 = fieldNorm(doc=4289)
      0.5 = coord(1/2)
  0.5 = coord(1/2)
    Abstract
    This article begins by presenting and discussing the distinction between record-oriented and pattern-oriented search. Examples or recordoriented (or item-oriented) questions include: "What (or how many, etc.) glass items made prior to 100 A.D. do we have in our collection?" and "How many paintings featuring dogs do we have that were painted during the 19th century, and who painted them?" Standard database systems are well suited to answering such questions, based on the data in, for example, a collections management system. Examples of pattern-oriented questions include: "How does the (apparent) productoin of glass objects vary over time between 400 B.C. and 100 A.D.?" and "What other animals are present in paintings with dogs (painted during the 19th century and in our collection)?" Standard database systems are not well suited to answering these sorts of questions, even though the basic data is properly stored in them. To answer pattern-oriented questions it is the accepted solution to transform the underlying (relational) data to what is called the data cube or cross tabulation form. We discuss how this can be done for non-numeric data, such as are found in museum collections and archives
    Type
    a

Authors

Years

Themes