-
Wright, R.: PRESTO - Multimedia archive preservation (2002)
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- Source
- Zeitschrift für Bibliothekswesen und Bibliographie. 49(2002) H.2, S.69-73
-
Ménard, E.; Mas, S.; Alberts, I.: Faceted classification for museum artefacts : a methodology to support web site development of large cultural organizations (2010)
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- Date
- 29. 8.2010 12:31:55
- Footnote
- Beitrag in einem Special Issue: Content architecture: exploiting and managing diverse resources: proceedings of the first national conference of the United Kingdom chapter of the International Society for Knowedge Organization (ISKO)
- Theme
- Klassifikationssysteme im Online-Retrieval
-
Smiraglia, R.P.: Knowledge sharing and content genealogy : extensing the "works" model as a metaphor for non-documentary artefacts with case studies of Etruscan artefacts (2004)
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- Abstract
- The harmonization and extension of a taxonomy of works from the documentary to the artefactual domain represents an attempt to further knowledge sharing across cultural boundaries. The uses and users of works, both documentary and artefactual, are global-the need for this advance in the organization of knowledge is therefore also global. Works are the formal records of knowledge, the essential records of human accomplishment. Works are a global phenomenon despite potential cultural variations in their creation and instantiation, and the need to organize works for retrieval is likewise a global phenomenon. Artefacts (sculptures, paintings, realia, documents, books, scores, recordings, etc.) are the physical media collected by repositories of culture (libraries, archives, museums, etc.), and are the means by which works are communicated. Works mutate and derive across time and culture in response to their entrance into a canon of cultural meaning. In the present paper, we review the characteristics of documentary works. Then we extend the metaphor from the documentary environment to the artefactual environment. To carry the metaphor from the documentary domain to the artefactual domain we alter the terms of the definition slightly, thus: 1) instantiation is understood as content genealogy. an epistemological architecture of content-genealogy is presented, demonstrating the potential for mutation and derivation of the representations of artefacts. Case studies of Etruscan artefacts from the University of Pennsylvania Museum of Archaeology and Anthropology are used to demonstrate the inherence of the work in nondocumentary artefacts. An outline of a meta-theory of "works" is presented that harmonizes the documentary and artefactual domains.
- Date
- 29. 8.2004 19:05:56
- Source
- Knowledge organization and the global information society: Proceedings of the 8th International ISKO Conference 13-16 July 2004, London, UK. Ed.: I.C. McIlwaine
-
Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009)
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- Footnote
- Beitrag im Schwerpunktthema "Perspectives on design: information technologies and creative practices"
-
Saltzman, A.B.: Art slide sets : online access (1998)
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- Date
- 10. 9.2000 17:54:29
-
Campbell, C.; Webb, H.; Beglo, J.: Keeping it all together : National Gallery of Canada exhibition records and other exhibition-related material (1998)
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- Abstract
- The National Gallery of Canada Library and Archives functions as Canada's national art and supports research on a national and international basis. Given this important mandate and the research interest in art exhibitions, it was important to catalogue the exhibition-related material and to publicize National Gallery holdings. Describes the project of creating an online finding aid for exhibition records and other material related to more than 1900 exhibitions held between 1880 and the present at the National Gallery of Canada. Sets out the goals and many benefits of the project
-
Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000)
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- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.33-38
-
Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000)
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- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.39-48
-
Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000)
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- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.24-32
-
Lanzi, E.: ¬The REACH and VIVION projects : improving access to art information (1998)
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- Source
- Art documentation. 17(1998) no.1, S.15-18
-
Michard, A.; Pham Dac, D.: Description of collections and encyclopedias on the Web using XML (1998)
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- Source
- Archives and museum informatics. 12(1998) no.1, S.39-79
-
Paternò, F.; Mancini, C.: Effective levels of adaptation to different types of users in interactive museum systems (2000)
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- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.5-13
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Dworman, G.O.; Kimbrough, S.O.; Patch, C.: On pattern-directed search of arcives and collections (2000)
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- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.14-23
