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  • × theme_ss:"Formalerschließung"
  • × theme_ss:"Geschichte der Kataloge"
  1. Schmidt, G.: Panizzis Regeln für den alphabetischen Katalog : zur Entstehungsgeschichte der 91 'Rules for the compilation of the catalogue' (1982) 0.00
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    Footnote
    Vgl. auch: Crestadoro, A.: The art of making catalogues of libraries: or, a method to obtain in a short time a most perfect, complete, and satisfactory printed catalog of the British Museum Library / by a reader therein [i.e. A. Crestadoro]. London: Published and sold by The Literary, Scientific & Artistic Reference Office 1856.
  2. Carpenter, M.: ¬The original 73 rules of the British Museum : a preliminary analysis (2003) 0.00
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    Content
    Vgl. auch: Crestadoro, A.: The art of making catalogues of libraries: or, a method to obtain in a short time a most perfect, complete, and satisfactory printed catalog of the British Museum Library / by a reader therein [i.e. A. Crestadoro]. London: Published and sold by The Literary, Scientific & Artistic Reference Office 1856.
  3. Creider, L.S.: ¬A comparison of the Paris Principles and the International Cataloguing Principles (2009) 0.00
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    Abstract
    After more than forty-five years of cataloging experience with the Paris Principles and their impact on the international sharing of bibliographic data, the process of replacing them with a wider and deeper set of International Cataloguing Principles is nearing completion. This paper compares the scope, technological context, process of decision-making, conceptual framework, and amount of change involved in the adoption of the two different statements.
  4. Dobreski, B.; Kwasnik, B.: Changing depictions of persons in library practice : spirits, pseudonyms, and human books (2017) 0.00
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    Abstract
    Among knowledge organizing institutions, libraries have a rich history of depicting persons as information. From personal authority records to descriptions of oral history interviews, libraries have amassed data on persons from a variety of perspectives. Within this set of traditions, however, subtle but significant shifts in practice and conception have occurred, particularly concerning how persons are interpreted and depicted and how such depictions are justified. To explore these issues, we looked to four specific library traditions: authority work, community information, oral history, and "human library" events. Within these traditions, we identified six standards guiding the representation of persons. We performed a content analysis of these standards, along with a semantic alignment and comparison of descriptive elements. From this analysis, we reconstructed an historical timeline and a set of narratives capturing changing definitions of people, a shifting focus from names to identities, and an increasing acceptance of varied sources of justification. Findings show not only a number of critical variations within library practices but also practical and ethical issues concerning the responsibility of libraries as well as the redistribution and reuse of library data on the web.
  5. Bianchini, C.; Guerrini, M.: From bibliographic models to cataloguing rules : remarks on FRBR, ICP, ISBD, and RDA and the relationships between them (2009) 0.00
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    Abstract
    This article discusses the changes that are occurring in the world of cataloguing. It argues that these changes need to be coordinated. It also discusses the feature of current OPACs, FRBR, the Paris Principles and its proposed replacement (ICP), AACR2 and its proposed replacement (RDA), ISBD, and the relationships between and among these standards. It argues that the syntax of ISBD is an essential component of RDA and all future international and national cataloguing codes.
  6. Denton, W.: FRBR and the history of cataloging (2007) 0.00
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    Abstract
    An explanation of where FRBR (Functional Requirements for Bibliographic Records) comes from, given by a look at the work of librarians such as Panizzi, Cutter, Ranganathan, and Lubetzky, and an examination of four themes in the history of library cataloging: the use of axioms to explain the purpose of catalogs, the importance of user needs, the idea of the "work," and standardization and internationalization.

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