Search (6 results, page 1 of 1)

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Abstract

Catalogers' judgment has been frequently mentioned, but rarely has been researched in formal studies. The purpose of this article is to investigate catalogers' judgment through an exploration of the texts collected in the database of Library and Information Science Source. Verbs, adjectives, and nouns intimately associated with catalogers' judgment were extracted, analyzed, and grouped into 16 categories, which lead to 5 conceptual descriptions. The results of this study provide cataloging professionals with an overall picture on aspects of catalogers' judgment, which may help library school students and graduates and novice catalogers to become independent and confident decision makers relating to cataloging work.

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Abstract

In this paper, we focus on applying sentiment analysis to resources from online art collections, by exploiting, as information source, tags intended as textual traces that visitors leave to comment artworks on social platforms. We present a framework where methods and tools from a set of disciplines, ranging from Semantic and Social Web to Natural Language Processing, provide us the building blocks for creating a semantic social space to organize artworks according to an ontology of emotions. The ontology is inspired by the Plutchik's circumplex model, a well-founded psychological model of human emotions. Users can be involved in the creation of the emotional space, through a graphical interactive interface. The development of such semantic space enables new ways of accessing and exploring art collections. The affective categorization model and the emotion detection output are encoded into W3C ontology languages. This gives us the twofold advantage to enable tractable reasoning on detected emotions and related artworks, and to foster the interoperability and integration of tools developed in the Semantic Web and Linked Data community. The proposal has been evaluated against a real-word case study, a dataset of tagged multimedia artworks from the ArsMeteo Italian online collection, and validated through a user study.

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Abstract

Aboutness ranks amongst our field's greatest bugbears. What is a work about? How can this be known? This mirrors debates within the philosophy of language, where the concept of representation has similarly evaded satisfactory definition. This paper proposes that we abandon the strong sense of the word aboutness, which seems to promise some inherent relationship between work and subject, or, in philosophical terms, between word and world. Instead, we seek an etymological reset to the older sense of aboutness as "in the vicinity, nearby; in some place or various places nearby; all over a surface." To distinguish this sense in the context of information studies, we introduce the term episemantics. The authors have each independently applied this term in slightly different contexts and scales (Hauser 2018a; Tennis 2016), and this article presents a unified definition of the term and guidelines for applying it at the scale of both words and works. The resulting weak concept of aboutness is pragmatic, in Star's sense of a focus on consequences over antecedents, while reserving space for the critique and improvement of aboutness determinations within various contexts and research programs. The paper finishes with a discussion of the implication of the concept of episemantics and methodological possibilities it offers for knowledge organization research and practice. We draw inspiration from Melvil Dewey's use of physical aroundness in his first classification system and ask how aroundness might be more effectively operationalized in digital environments.

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Abstract

Purpose - The paper aims to explain the character and causes of obsolescence in assigned subject descriptors. Design/methodology/approach - The paper takes the form of a conceptual analysis with examples and reference to existing literature. Findings - Subject description comes in two forms: assigning the name or code of a subject to a document and assigning a document to a named subject category. Each method associates a document with the name of a subject. This naming activity is the site of tensions between the procedural need of information systems for stable records and the inherent multiplicity and instability of linguistic expressions. As languages change, previously assigned subject descriptions become obsolescent. The issues, tensions, and compromises involved are introduced. Originality/value - Drawing on the work of Robert Fairthorne and others, an explanation of the unavoidable obsolescence of assigned subject headings is presented. The discussion relates to libraries, but the same issues arise in any context in which subject description is expected to remain useful for an extended period of time.

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Date

22. 1.2012 13:02:10

Source

Knowledge organization. 39(2012) no.1, S.13-22

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Source

Knowledge organization in the 21st century: between historical patterns and future prospects. Proceedings of the Thirteenth International ISKO Conference 19-22 May 2014, Kraków, Poland. Ed.: Wieslaw Babik