Search (64 results, page 3 of 4)

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Abstract

Chen arranged with an Art History instructor to require 20 medieval art images in papers received from 29 students. Participants completed a self administered presearch and postsearch questionnaire, and were interviewed after questionnaire analysis, in order to collect both the keywords and phrases they planned to use, and those actually used. Three MLIS student reviewers then mapped the queries to Enser and McGregor's four categories, Jorgensen's 12 classes, and Fidel's 12 feature data and object poles providing a degree of match on a seven point scale (one not at all to 7 exact). The reviewers give highest scores to Enser and McGregor;'s categories. Modifications to both the Enser and McGregor and Jorgensen schemes are suggested

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Abstract

The arts, humanities, and social sciences commonly borrow concepts and methods from the sciences, but interdisciplinary borrowing seldom occurs in the opposite direction. Research on narrative discourse is relevant to problems of documentary storage and retrieval, for the arts and humanities in particular, but also for other broad areas of knowledge. This paper views the potential application of narrative discourse analysis to information storage and retrieval problems from 2 perspectives: 1) analysis and comparison of narrative documents in all disciplines may be simplified if fundamental categories that occur in narrative documents can be isolated; and 2) the possibility of subdividing the world of knowledge initially into narrative and non-narrative documents is explored with particular attention to Werlich's work on text types

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Abstract

Reports on a study of children's intentions, purposes, search terms, strategies, successes and breakdowns in accessing fiction. Data was gathered using naturalistic methods of persistent, intensive observation and questioning with children in several school library media centres in the USA, including 997 OPAC transactions. Analyzes the data and highlights aspects of the broader context of the system which may help in development of mechanisms for electronic access

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Abstract

This paper is an attempt to develop some concepts and objectives to use as theoretical basis for the descriptive cataloging of pictures. Although the basic objectives to be met when describing books and pictures are similar, the means used to achieve these objectives may be different. The purpose of developing a theoretical basis for picture cataloging is to provide the reader with the means of evaluating, adapting, and applying presently existing codes and formats, or for devising new codes and formats; this paper does not attempt to construct an actual code, nor to present methodical evaluations of present practices.

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Abstract

This paper suggests a theoretical basis for identifying and classifying the kinds of subjects a picture may have, using previously developed principles of cataloging and classification, and concepts taken from the philosophy of art, from meaning in language, and from visual perception. The purpose of developing this theoretical basis is to provide the reader with a means for evaluating, adapting, and applying presently existing indexing languages, or for devising new languages for pictorial materials; this paper does not attempt to invent or prescribe a particular indexing language.

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Abstract

The purpose of this paper is to provide an overview of aboutness and conceptual analysis, essential concepts for LIS practitioners to understand. Aboutness refers to the subject matter and genre/form properties of a resource. It is identified during conceptual analysis, which yields an aboutness statement, a summary of a resource's aboutness. While few scholars have discussed the aboutness determination process in detail, the methods described by Patrick Wilson, D.W. Langridge, Arlene G. Taylor, and Daniel N. Joudrey provide exemplary frameworks for determining aboutness and are presented here. Discussions of how to construct an aboutness statement and the challenges associated with aboutness determination follow.

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Source

Knowledge organization in the 21st century: between historical patterns and future prospects. Proceedings of the Thirteenth International ISKO Conference 19-22 May 2014, Kraków, Poland. Ed.: Wieslaw Babik

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Abstract

It is vital for library and information science to understand the subject indexing process thoroughly. However, document analysis, the first and most important step in indexing, has not received sufficient attention. As this is an exceptionally hard problem, we still do not dispose of a sound indexing theory. Therefore we have difficulties in teaching indexing and in explaining why a given subject representation is "better" than another. Technological advancements have not helped to close this fundamental gap. To proceed, we should ask the right questions instead. Several types of indexer inconsistencies can be explained as acceptable, yet different conceptualizations which resulting of the variety of groups dealing with a problem from their respective viewpoints. Multiple indexed documents are regarded as the normal case. Intersubjectively replicable indexing results are often questionable or do not constitute interesting cases of indexing at all. In the context of my ongoing dissertation in which I intend to develop an enhanced indexing theory by investigating improvements within a social sciences domain, this paper explains user-oriented selective depth analysis and why I chose that configuration. Strongly influenced by Mai's dissertation, I also communicate my first insights concerning current indexing theories. I agree that I cannot ignore epistemological stances and philosophical issues in language and meaning related to indexing and accept the openness of the interpretive nature of the indexing process. Although I present arguments against the employment of an indexing language as well, it is still indispensable in situations which demand easier access and control by devices. Despite the enormous difficulties the user-oriented and selective depth analysis poses, I argue that it is both feasible and useful if one achieves careful guidance of the possible interpretations. There is some hope because the number of useful interpretations is limited: Every summary is tailored to a purpose, audience and situation. Domain, discourse and social practice entail additional constraints. A pluralistic method mix that focusses on ecologically valid, holistic contexts and employs qualitative methods is recommended. Domain analysis urgently has to be made more practical and applicable. Only then we will be able to investigate empirically domains in order to identify their structures shaped by the corresponding discourse communities. We plan to represent the recognized problem structures and indexing questions of relevance to a small domain in formal, ontological computer models -- if we can find such stable knowledge structures. This would allow us to tailor dynamically summaries for user communities. For practical purposes we suggest to assume a less demanding position than Hjorland's "totality of the epistemological potential". It is sufficent that we identify and represent iteratively the information needs of today's user groups in interactive knowledge-based systems. The best way to formalize such knowledge gained about discourse communities is however unknown. Indexers should stay in direct contact with the community they serve or be part of it to ensure agreement with their viewpoints. Checklist/request-oriented indexing could be very helpful but it remains to be demonstrated how well it will be applicable in the social sciences. A frame-based representation or at least a sophisticated grouping of terms could help to express relational knowledge structures. There remains much work to do since in practice no one has shown yet how such an improved indexing system would work and if the indexing results were really "better".

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Abstract

In order to explain how indexers chose their keywords and how their results can differ between each other, focuses on certain properties of the terms rather than on the terms themselves. Bases the study on 4 premises borrowed from research in semiotics, cognitive science, discourse analysis and reading theories. Reports on the methodology used, and some of the findings obtained by comparing properties of indexing terms with the content of titles and abstracts of 844 bibliographic records extracted from a database on environment. Characterizes some tendencies of the special reading which indexing constitutes as a series of properties of the selected or rejected works and explains the differences among several indexers by the porperties toward which they are inclined

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Abstract

The paper is divided into 3 parts. The 1st develops a framework for evaluating the indexing needs of the humanities with reference to 4 sets of contrasts: user (need)-oriented vs. document-oriented indexing; subject indexing vs. attribute indexing; scientific writing vs. humanistic writing; and topical relevance vs. logical relevance vs. evidential relevance vs. aesthetic relevance. The indexing needs for the humanities range broadly across these contrasts. The 2nd part establishes the centrality of relationships to the communication of indexable matter and examines the advantages and disadvantages of means used for their expression inboth natural languages and indexing languages. The use of relational structure, such as a frame, is shown to represent perhaps the best available option. The 3rd part illustrates where the use of relational structures in humanities indexing would help meet some of the needs previously identified. Although not a panacea, the adoption of frame-based indexing in the humanities might substantially improve the retrieval of its literature

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Abstract

Argues that the integration of computational psycholinguistics can improve corporate communication, and thus become a new strategic tool. An electronic dictionary was created of basic, neutral and negative connotations for nouns, verbs and adjectives appearing in press releases and other communication media, which can be updated with client specific words. The focus on negative messages has the objective of detecting who, why and how publics are criticized, to learn from the vocabulary of opinion leaders and to improve issues management proactively. Suggests a new form of analysis called 'computational linguistic context analysis' (CLCA) by analyzing nominal groups of negative words, rather than monitoring content analysis in the traditional way. Concludes that CLCA can be used to analyze large quantities of press cuttings about a company and could, theoretically, be used to analyze the structure, language and style of a particular journalist to whom it is planned to send a press release or article

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Abstract

Analysis of user viewing and query-matching behavior furnishes additional evidence that the relevance of retrieved images for system users may arise from descriptions of objects and content-based elements that are not evident or not even present in the image. This investigation looks at how users assign pre-determined query terms to retrieved images, as well as looking at a post-retrieval process of image engagement to user cognitive assessments of meaningful terms. Additionally, affective/emotion-based query terms appear to be an important descriptive category for image retrieval. A system for capturing (eliciting) human interpretations derived from cognitive engagements with viewed images could further enhance the efficiency of image retrieval systems stemming from traditional indexing methods and technology-based content extraction algorithms. An approach to such a system is posited.

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Content

This paper examines three themes in the design of search support services: linking different genres of reference resources (e.g. bibliographies, biographical dictionaries, catalogs, encyclopedias, place name gazetteers); the division of vocabularies by facet (e.g. What, Where, When, and Who); and mapping between both similar and dissimilar vocabularies. Different vocabularies within a facet can be used in conjunction, e.g. a place name combined with spatial coordinates for Where. In practice, vocabularies of different facets are used in combination in the representation or description of complex topics. Rich opportunities arise from mapping across vocabularies of dissimilar reference genres to recreate the amenities of a reference library. In a network environment, in which vocabulary control cannot be imposed, semantic correspondence across diverse vocabularies is a challenge and an opportunity.

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Abstract

Sentiment analysis is an emerging technique that caters for semantic orientation and opinion mining. It is increasingly used to analyze online reviews and posts for identifying people's opinions and attitudes to products and events in order to improve business performance of companies and aid to make better organizing strategies of events. This paper presents an innovative approach to combining the outputs of sentiment classifiers under the framework of belief functions. It consists of the formulation of sentiment classifier outputs in the triplet evidence structure and the development of general formulas for combining triplet functions derived from sentiment classification results via three evidential combination rules along with comparative analyses. The empirical studies have been conducted on examining the effectiveness of our method for sentiment classification individually and in combination, and the results demonstrate that the best combined classifiers by our method outperforms the best individual classifiers over five review datasets.

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Content

1. Introduction The document at hand is often regarded as the most important entity for analysis in the indexing situation. The indexer's focus is directed to the "entity and its faithful description" (Soergel, 1985, 227) and the indexer is advised to "stick to the text and the author's claims" (Lancaster, 2003, 37). The indexer's aim is to establish the subject matter based an an analysis of the document with the goal of representing the document as truthfully as possible and to ensure the subject representation's validity by remaining neutral and objective. To help indexers with their task they are guided towards particular and important attributes of the document that could help them determine the document's subject matter. The exact attributes the indexer is recommended to examine varies, but typical examples are: the title, the abstract, the table of contents, chapter headings, chapter subheadings, preface, introduction, foreword, the text itself, bibliographical references, index entries, illustrations, diagrams, and tables and their captions. The exact recommendations vary according to the type of document that is being indexed (monographs vs. periodical articles, for instance). It is clear that indexers should provide faithful descriptions, that indexers should represent the author's claims, and that the document's attributes are helpful points of analysis. However, indexers need much more guidance when determining the subject than simply the documents themselves. One approach that could be taken to handle the Situation is a useroriented approach in which it is argued that the indexer should ask, "how should I make this document ... visible to potential users? What terms should I use to convey its knowledge to those interested?" (Albrechtsen, 1993, 222). The basic idea is that indexers need to have the users' information needs and terminology in mind when determining the subject matter of documents as well as when selecting index terms.

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Abstract

In this paper a framework for the construction and organization of knowledge organization and representation languages in the context of digital photograph collections is presented. It analyses exigencies of photographs as documentary objects, as well as several models of indexing, different proposals of languages and a theoretical revision of ontologies in this research field, in relation to visual documents. In considering the photograph as an analysis object, it is appropriate to study all its attributes: features, components or properties of an objeet that can be represented in an information processing system. The attributes which are related to visual features include cognitive and affective answers and elements that describe spatial, semantic, symbolic or emotional features about a photograph. In any case, it is necessary to treat: a) morphological and material attributes (emulsion, state of preservation); b) biographical attributes: (school or trend, publication or exhibition); c) attributes of content: what and how a photograph says something; d) relational attributes: visual documents establish relationships with other documents that can be analysed in order to understand them.

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Abstract

This paper explains at least some of the major problems related to the subject indexing process and proposes a new approach to understanding the process, which is ordinarily described as a process that takes a number of steps. The subject is first determined, then it is described in a few sentences and, lastly, the description of the subject is converted into the indexing language. It is argued that this typical approach characteristically lacks an understanding of what the central nature of the process is. Indexing is not a neutral and objective representation of a document's subject matter but the representation of an interpretation of a document for future use. Semiotics is offered here as a framework for understanding the "interpretative" nature of the subject indexing process. By placing this process within Peirce's semiotic framework of ideas and terminology, a more detailed description of the process is offered which shows that the uncertainty generally associated with this process is created by the fact that the indexer goes through a number of steps and creates the subject matter of the document during this process. The creation of the subject matter is based on the indexer's social and cultural context. The paper offers an explanation of what occurs in the indexing process and suggests that there is only little certainty to its result.

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Abstract

Purpose - An empirical study has shown that the real process of subject cataloging does not correspond entirely to theoretical descriptions in textbooks and international standards. The purpose of this is paper is to address the issue of whether it be possible for catalogers who have not received formal training to perform subject cataloging in a different way to their trained colleagues. Design/methodology/approach - A qualitative study was conducted in 2001 among five Slovenian public library catalogers. The resulting model is compared to previous findings. Findings - First, all catalogers attempted to determine what the book was about. While the American catalogers tried to understand the topic and the author's intent, the Slovenian catalogers appeared to focus on the topic only. Slovenian and American academic library catalogers did not demonstrate any anticipation of possible uses that users might have of the book, while this was important for American public library catalogers. All catalogers used existing records to build new ones and/or to search for subject headings. The verification of subject representation with the indexing language was the last step in the subject cataloging process of American catalogers, often skipped by Slovenian catalogers. Research limitations/implications - The small and convenient sample limits the findings. Practical implications - Comparison of subject cataloging processes of Slovenian and American catalogers, two different groups, is important because they both contribute to OCLC's WorldCat database. If the cataloging community is building a universal catalog and approaches to subject description are different, then the resulting subject representations might also be different. Originality/value - This is one of the very few empirical studies of subject cataloging and indexing.

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Abstract

Purpose - To provide a better-informed view of the extent of the semantic gap in image retrieval, and the limited potential for bridging it offered by current semantic image retrieval techniques. Design/methodology/approach - Within an ongoing project, a broad spectrum of operational image retrieval activity has been surveyed, and, from a number of collaborating institutions, a test collection assembled which comprises user requests, the images selected in response to those requests, and their associated metadata. This has provided the evidence base upon which to make informed observations on the efficacy of cutting-edge automatic annotation techniques which seek to integrate the text-based and content-based image retrieval paradigms. Findings - Evidence from the real-world practice of image retrieval highlights the existence of a generic-specific continuum of object identification, and the incidence of temporal, spatial, significance and abstract concept facets, manifest in textual indexing and real-query scenarios but often having no directly visible presence in an image. These factors combine to limit the functionality of current semantic image retrieval techniques, which interpret only visible features at the generic extremity of the generic-specific continuum. Research limitations/implications - The project is concerned with the traditional image retrieval environment in which retrieval transactions are conducted on still images which form part of managed collections. The possibilities offered by ontological support for adding functionality to automatic annotation techniques are considered. Originality/value - The paper offers fresh insights into the challenge of migrating content-based image retrieval from the laboratory to the operational environment, informed by newly-assembled, comprehensive, live data.

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Abstract

Purpose - If an information retrieval system is going to be of value to the user then it must give meaning to the information which matches the meaning given to it by the user. The meaning given to music varies according to who is interpreting it - the author/composer, the performer, cataloguer or the listener - and this affects how music is organized and retrieved. This paper aims to examine the meaning of music, how meaning is communicated and suggests this may affect music retrieval. Design/methodology/approach - Musicology is used to define music and examine its functions leading to a discussion of how music has been organised and described. Various ways of establishing the meaning of music are reviewed, focussing on established musical analysis techniques. It is suggested that traditional methods are of limited use with digitised popular music. A discussion of semiotics and a review of semiotic analysis in western art music leads to a discussion of semiotics of popular music and examines ideas of Middleton, Stefani and Tagg. Findings - Agreeing that music exists when communication takes place, a discussion of selected communication models leads to the proposal of a revised version of Tagg's model, adjusting it to include listener feedback. Originality/value - The outcome of the analysis is a revised version of Tagg's communication model, adapted to reflect user feedback. It is suggested that this revised communication model reflects the way in which meaning is given to music.