Search (6 results, page 1 of 1)

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Abstract

Der Text zeigt anhand einer essayistisch selektiven Rückschau in die Zeit vor den Digital Humanities bibliotheks- und informationswissenschaftliche Ansätze zur Entwicklung hypertextueller Werkzeuge für Bibliographie-Verwaltung und Strukturierung des wissenschaftlichen Diskurses - eine zukunftsweisende Idee für eine digitale Geisteswissenschaft zur Unterstützung geisteswissenschaftlicher Denkarbeit jenseits von reinem 'distant thinking'.

Content

Beitrag in einerm Schwerpunkt "Post-Digital Humanities". Vgl.: http://libreas.eu/ausgabe30/frank/.

Source

LIBREAS: Library ideas. no.30, 2016

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Abstract

This study presents preliminary themes surfaced from an ongoing ethnographic study. The research question is: how and where do cultures influence the cataloging practices of using U.S. standards to catalog Chinese materials? The author applies warrant as a lens for evaluating knowledge representation systems, and extends the application from examining classificatory decisions to cataloging decisions. Semantic warrant as a conceptual tool allows us to recognize and name the various rationales behind cataloging decisions, grants us explanatory power, and the language to "visualize" and reflect on the conflicting priorities in cataloging practices. Through participatory observation, the author recorded the cataloging practices of two Chinese catalogers working on the same cataloging project. One of the catalogers is U.S. trained, and another cataloger is a professor of Library and Information Science from China, who is also a subject expert and a cataloger of Chinese special collections. The study shows how the catalogers describe Chinese special collections using many U.S. cataloging and classification standards but from different approaches. The author presents particular cases derived from the fieldwork, with an emphasis on the many layers presented by cultures, principles, standards, and practices of different scope, each of which may represent conflicting warrants. From this, it is made clear that the conflicts of warrants influence cataloging practice. We may view the conflicting warrants as an interpretation of the tension between different semantic warrants and the globalization and localization of cataloging standards.

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Abstract

The Drawings of The Florentine Painters project created the first online database of Florentine Renaissance drawings by applying Linked Open Data (LOD) techniques to a foundational text of the same name, first published by Bernard Berenson in 1903 (revised and expanded editions, 1938 and 1961). The goal was to make Berenson's catalog information-still an essential information resource today-available in a machine-readable format, allowing researchers to access the source content through open data services. This paper provides a technical overview of the methods and processes applied in the conversion of Berenson's catalog to LOD using the CIDOC-CRM ontology; it also discusses the different phases of the project, focusing on the challenges and issues of data transformation and publishing. The project was funded by the Samuel H. Kress Foundation and organized by Villa I Tatti, The Harvard University Center for Italian Renaissance Studies. Catalog: http://florentinedrawings.itatti.harvard.edu. Data Endpoint: http://data.itatti.harvard.edu.

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Abstract

This paper explores a technique to improve searcher access to library collections by providing a faceted search interface built on a data model based on the Functional Requirements for Bibliographic Records (FRBR). The prototype provides a Workcentric view of a moving image collection that is integrated with bibliographic and holdings data. Two sets of facets address important user needs: "what do you want?" and "how/where do you want it?" enabling patrons to narrow, broaden and pivot across facet values instead of limiting them to the tree-structured hierarchy common with existing FRBR applications. The data model illustrates how FRBR is being adapted and applied beyond the traditional library catalog.

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Abstract

What kinds of mental models do library catalogue users have of the bibliographic universe in an age of online and electronic information? Using phenomenography and grounded analysis, it identifies participants' understanding, experience, and conceptualisation of the bibliographic universe, and identifies their expectations when using library catalogues. It contrasts participants' mental models with existing LIS models, and explores the nature of the bibliographic universe. The bibliographic universe can be considered to be a social object that exists because it is inscribed in catalogue records, cataloguing codes, bibliographies, and other bibliographic tools. It is a socially constituted phenomenon.