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  • × theme_ss:"Metadaten"
  • × theme_ss:"Semantic Web"
  1. Broughton, V.: Automatic metadata generation : Digital resource description without human intervention (2007) 0.02
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    Date
    22. 9.2007 15:41:14
  2. Tillett, B.B.: AACR2 and metadata : library opportunities in the global semantic Web (2003) 0.02
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    Abstract
    Explores the opportunities for libraries to contribute to the proposed global "Semantic Web." Library name and subject authority files, including work that IFLA has done related to a new view of "Universal Bibliographic Control" in the Internet environment and the work underway in the U.S. and Europe, are making a reality of the virtual international authority file on the Web. The bibliographic and authority records created according to AACR2 reflect standards for metadata that libraries have provided for years. New opportunities for using these records in the digital world are described (interoperability), including mapping with Dublin Core metadata. AACR2 recently updated Chapter 9 on Electronic Resources. That process and highlights of the changes are described, including Library of Congress' rule interpretations.
  3. Metadata and semantics research : 10th International Conference, MTSR 2016, Göttingen, Germany, November 22-25, 2016, Proceedings (2016) 0.01
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  4. Franklin, R.A.: Re-inventing subject access for the semantic web (2003) 0.01
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    Date
    30.12.2008 18:22:46
  5. Baroncini, S.; Sartini, B.; Erp, M. Van; Tomasi, F.; Gangemi, A.: Is dc:subject enough? : A landscape on iconography and iconology statements of knowledge graphs in the semantic web (2023) 0.01
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    Abstract
    In the last few years, the size of Linked Open Data (LOD) describing artworks, in general or domain-specific Knowledge Graphs (KGs), is gradually increasing. This provides (art-)historians and Cultural Heritage professionals with a wealth of information to explore. Specifically, structured data about iconographical and iconological (icon) aspects, i.e. information about the subjects, concepts and meanings of artworks, are extremely valuable for the state-of-the-art of computational tools, e.g. content recognition through computer vision. Nevertheless, a data quality evaluation for art domains, fundamental for data reuse, is still missing. The purpose of this study is filling this gap with an overview of art-historical data quality in current KGs with a focus on the icon aspects. Design/methodology/approach This study's analyses are based on established KG evaluation methodologies, adapted to the domain by addressing requirements from art historians' theories. The authors first select several KGs according to Semantic Web principles. Then, the authors evaluate (1) their structures' suitability to describe icon information through quantitative and qualitative assessment and (2) their content, qualitatively assessed in terms of correctness and completeness. Findings This study's results reveal several issues on the current expression of icon information in KGs. The content evaluation shows that these domain-specific statements are generally correct but often not complete. The incompleteness is confirmed by the structure evaluation, which highlights the unsuitability of the KG schemas to describe icon information with the required granularity. Originality/value The main contribution of this work is an overview of the actual landscape of the icon information expressed in LOD. Therefore, it is valuable to cultural institutions by providing them a first domain-specific data quality evaluation. Since this study's results suggest that the selected domain information is underrepresented in Semantic Web datasets, the authors highlight the need for the creation and fostering of such information to provide a more thorough art-historical dimension to LOD.