Search (15 results, page 1 of 1)

  • × theme_ss:"Objektdokumentation"
  • × type_ss:"a"
  • × year_i:[2000 TO 2010}
  1. Im Dickicht der Fernseharchive : Ein neues Archivsystem unterstützt TV-Redakteure bei der zeitsparenden Zusammenstellung ihrer Beiträge (2003) 0.00 
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    Abstract
    Der Bestand eines Fernseharchivs gleicht auf dem ersten Blick einem Irrgarten. Täglich werden große Mengen an audiovisuellen Informationen über den Äther geschickt und gleichzeitig für eine eventuelle Wiederverwendung digital gespeichert. Die Herausforderung für jeden Archivar besteht darin, aus Millionen von Sendeminuten auf Anfrage möglichst schnell das passende Material zusammenzustellen. Mit diesem Problem befasste sich das EU-Projekt Primavera (Personalized Retrieval und Indexing of Media Assets in Virtual Environments for Real-Time Access). Die darin entwickelte Software testet der Österreichische Rundfunk in Wien seit einem Jahr. Sie wurde vom Fraunhofer-Institut für Integrierte Publikations- und Informationssysteme (IPSI) in Darmstadt, der tecmath AG in Kaiserslautern und dem Instituto Trentino Di Cultura (ITC) in Trient gemeinsam entworfen. Neuer Suchansatz Suchte ein Redakteur bisher in archivierten Sendungen, bestellte er schließlich mehrere, vermutlich passende Mitschnitte. Viele davon erweisen sich jedoch schnell als nutzlos. Nun kann man bereits am Bildschirm anhand von Schlüsselbildern - den Keyframes genannten Standbildern markanter Szenen - eine Vorauswahl treffen. Einzelne Zugriffe auf das System erfolgen über einen Web-Browser, wobei Suchergebnisse grafisch aufberei tet werden. Damit eine Suche erfolgreich ist, müssen die Archivbestände exakt klassifiziert sein. Mit einem Werkzeug namens Piclasso beschleunigt das Programm die Verschlagwortung von bereits vorhandenen Filmen, indem es deren Klassifizierung sozusagen lernt und auf neu hinzukommendes Material automatisch anwendet. Der Archivar hat dabei aber jederzeit die Wahl, ob er einen Vorschlag übernimmt oder nicht. Zudem kann der Nutzer nicht nurtext-, sondern auch bildbezogen suchen.
  2. Dworman, G.O.; Kimbrough, S.O.; Patch, C.: On pattern-directed search of arcives and collections (2000) 0.00 
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    Abstract
    This article begins by presenting and discussing the distinction between record-oriented and pattern-oriented search. Examples or recordoriented (or item-oriented) questions include: "What (or how many, etc.) glass items made prior to 100 A.D. do we have in our collection?" and "How many paintings featuring dogs do we have that were painted during the 19th century, and who painted them?" Standard database systems are well suited to answering such questions, based on the data in, for example, a collections management system. Examples of pattern-oriented questions include: "How does the (apparent) productoin of glass objects vary over time between 400 B.C. and 100 A.D.?" and "What other animals are present in paintings with dogs (painted during the 19th century and in our collection)?" Standard database systems are not well suited to answering these sorts of questions, even though the basic data is properly stored in them. To answer pattern-oriented questions it is the accepted solution to transform the underlying (relational) data to what is called the data cube or cross tabulation form. We discuss how this can be done for non-numeric data, such as are found in museum collections and archives
    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.14-23
  3. Smiraglia, R.P.: Knowledge sharing and content genealogy : extensing the "works" model as a metaphor for non-documentary artefacts with case studies of Etruscan artefacts (2004) 0.00 
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    Abstract
    The harmonization and extension of a taxonomy of works from the documentary to the artefactual domain represents an attempt to further knowledge sharing across cultural boundaries. The uses and users of works, both documentary and artefactual, are global-the need for this advance in the organization of knowledge is therefore also global. Works are the formal records of knowledge, the essential records of human accomplishment. Works are a global phenomenon despite potential cultural variations in their creation and instantiation, and the need to organize works for retrieval is likewise a global phenomenon. Artefacts (sculptures, paintings, realia, documents, books, scores, recordings, etc.) are the physical media collected by repositories of culture (libraries, archives, museums, etc.), and are the means by which works are communicated. Works mutate and derive across time and culture in response to their entrance into a canon of cultural meaning. In the present paper, we review the characteristics of documentary works. Then we extend the metaphor from the documentary environment to the artefactual environment. To carry the metaphor from the documentary domain to the artefactual domain we alter the terms of the definition slightly, thus: 1) instantiation is understood as content genealogy. an epistemological architecture of content-genealogy is presented, demonstrating the potential for mutation and derivation of the representations of artefacts. Case studies of Etruscan artefacts from the University of Pennsylvania Museum of Archaeology and Anthropology are used to demonstrate the inherence of the work in nondocumentary artefacts. An outline of a meta-theory of "works" is presented that harmonizes the documentary and artefactual domains.
    Source
    Knowledge organization and the global information society: Proceedings of the 8th International ISKO Conference 13-16 July 2004, London, UK. Ed.: I.C. McIlwaine
  4. Marty, P.F.: Museum informatics (2009) 0.00 
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    Abstract
    Museum informatics is the study of the sociotechnical interactions that take place at the intersection of people, information, and technology in museums. This entry presents an overview of museum informatics, covering such topics as information representation, information organization and access, information management, information technology, information interactions, and information professionals in museums. It explores the impact of information science and technology on museums, museum professionals, and museum visitors, and argues that museum researchers must take a sociotechnical approach to studying the use of information resources and technologies in museums.
    Source
    Encyclopedia of library and information sciences. 3rd ed. Ed.: M.J. Bates
  5. Düro, M.; Schweibenz, W.: Metadaten für Museen (2002) 0.00 
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    Source
    Information - Wissenschaft und Praxis. 53(2002) H.6, S.339-346
  6. Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.33-38
  7. Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.39-48
  8. Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009) 0.00 
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    Abstract
    In 1996, with funding from the Henry Luce Foundation, Jack Lenor Larsen and an advisory committee composed of distinguished museum and design professionals developed Objects Classified by Mediums in response to the concern that existing systems do not provide the tools for comparing information on objects. A common understanding and definitions of terms are crucial to the success of a classification project meant to cross institutional and national boundaries. Objects Classified by Mediums seeks to organize areas of study in fiber, clay, metal, wood, and so on, to allow curators and scholars to compare information on similar methods used, build a conceptual framework for the greater understanding of whole categories of objects rather than as isolated works, and provide a finding tool for cross-cultural and cross-disciplinary investigation.
    Footnote
    Beitrag im Schwerpunktthema "Perspectives on design: information technologies and creative practices"
    Source
    Journal of the American Society for Information Science and Technology. 60(2009) no.9, S.1907-1914
  9. Paternò, F.; Mancini, C.: Effective levels of adaptation to different types of users in interactive museum systems (2000) 0.00 
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    Abstract
    Users interact with museum application interfaces for many reasons. There are various types of users, who want to perform various tasks, in various contexts, that can access the same Web site. Thus, it is important to have user interfaces able to adapt to these different user requirements to facilitate the accomplishment of the desired goals. Most current interfaces to museum information do not take into account this variety of types of users, thus providing interfaces that some users find confusing to achieve their goals. In this article we discuss the various possible levels of support that can be given to different users during navigation of museum information. In particular, we focus our attention on how to obtain adaptable and adaptive interfaces using the web site for the Marble Museum, which we have designed and developed, as a source of examples for our discussion of possible solutions
    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.5-13
  10. Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.24-32
  11. Krause, S.: CIDOC - Conceptual Reference Model : oder: das Schweizer Taschenmesser für die Museums- und Kulturinformatik (2002) 0.00 
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    Source
    Information - Wissenschaft und Praxis. 53(2002) H.6, S.333-338
  12. Koch, W.: Gedanken zur Museumsdokumentation (2002) 0.00 
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    Information - Wissenschaft und Praxis. 53(2002) H.6, S.327-332
  13. Küster-Heise, K.; Mitschke, S.: Terminologie in der Museumsarbeit unter besonderer Berücksichtigung des Aspekts der Textilterminologie (2009) 0.00 
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    Information - Wissenschaft und Praxis. 60(2009) H.3, S.159-161
  14. O'Keefe, E.; Oldal, M.: Cataloging Cultural Objects (CCO) (2009) 0.00 
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    Source
    Encyclopedia of library and information sciences. 3rd ed. Ed.: M.J. Bates
  15. Maier, G.: Neue Zugänge zu Archivgut über das Internet : Das BSZ als Dienstleister für die Staatliche Archivverwaltung Baden-Württemberg (2003) 0.00 
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    Abstract
    Elektronische Technologien durchdringen zunehmend alle Lebens- und Arbeitsbereiche wie Politik, Wirtschaft, Wissenschaft und Kultur. Vor allem durch die breite Nutzung des Internets formiert sich die so genannte Informationsgesellschaft. Innerhalb dieser haben Archive zusammen mit Bibliotheken und Museen für die Sicherung und Bereitstellung des Kulturerbes einen bedeutenden Stellenwert. Im Zeitalter globaler Kommunikation treten so neben konventionelle Formen des Informationsangebots zunehmend auch neue Wege der Informationsvermittlung. Die Staatliche Archivverwaltung Baden-Württemberg als traditioneller Dienstleister für Verwaltung und Forschung entwickelt sich in den letzten Jahren verstärkt zu einem öffentlichen Informationsdienstleister. Dabei werden auch neue Kooperationsformen eingeschlagen, wozu auch die Zusammenarbeit mit dem Bibliotheksservice-Zentrum Baden-Württemberg (BSZ) gehört. Im Mittelpunkt steht die Entwicklung eines kundenorientierten, mehrstufigen Internetangebots, das bis zur Präsentation von digitalisiertem Archivgut auf der untersten Stufe reicht. So wurden in den letzten Jahren neue Lösungen für Online-Findmittel mit Präsentationsmodulen für digitalisiertes Archivgut entwickelt, die die Basis für die Teilnahme an verschiedenen Portal-Projekten bilden. Durch die Digitalisierung von Archivgut besteht die Möglichkeit, interessierten Bürgern, Wissenschaftlern, Studenten und Schülern den Zugang zu den Quellen über Online-Medien wie dem Internet zu ermöglichen. Dadurch können einerseits die wertvollen Originale und Unikate geschützt werden, andererseits erhält der Nutzer unabhängig von Ort und Zeit völlig neue Zugriffsmöglichkeiten auf Archivgut. In diesem Beitrag werden verschiedene Internet-Angebote und Technologien der Staatlichen Archivverwaltung Baden-Württemberg vorgestellt, die neue Möglichkeiten des Zugangs zu Archivgut bilden. Dabei werden folgende Themenbereiche angesprochen: - Abbildung archivischer Information im Internet - Mehrdimensionaler Zugang zu Archivinformationen durch Internet-Portale - Online-Findmittel und digitalisierte Archivalien im Internet - Technologien für Online-Angebote

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