-
Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998)
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- Abstract
- Discusses the possibilities and difficulties encountered when using a thematic index to search contemporary art databanks. Jaconde and Videomuseum, 2 French databanks, are used as examples. the core problems found in the study are the methods and limits of indexing in both systems. A thematic index should be developed that is better adapted to 20th century art, based on the complementary and reciprocal relationship between text and image, and which fully exploits hypertext
- Date
- 1. 8.1996 22:01:00
-
Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997)
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- Date
- 5. 3.1999 17:40:22
-
Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993)
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- Source
- Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
-
Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998)
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- Source
- Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
-
Straten, R. van: Iconography, indexing, ICONCLASS : a handbook (1994)
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- Footnote
- Rez. in: IfB 3(1995) H.2, S.354-356 (A. Karasch)
-
Software-Vergleich Museumsdokumentation 1998 : Ein Bericht der Arbeitsgruppe Software-Vergleich in der Fachgruppe Dokumentation beim Deutschen Museumsbund (1998)
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- Date
- 2. 2.1999 10:56:24
- Series
- Materialien aus dem Westfälischen Museumsamt; Bd.2
-
Cappelini, V.: ¬La telematica e i beni culturali (1995)
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- Source
- Archivi & computer. 1995, no.2, S.167-170
-
Lanzi, E.: ¬The REACH and VIVION projects : improving access to art information (1998)
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- Abstract
- Strategies for sharing, managing and accessing cultural heritage information centred around objects, images and related data are being tested currently through a variety of initiatives and resources. These fall into 3 categories: data sharing projects; image data banks; and rights management. Describes 2 data sharing projects, the Research Libraries Group' REACH and VISIION projects, focusing on core categories, standards and interoperability, metadata, and what might be accomplished through REACH and VISIION
-
Donnellier, C.: Micromusee : la base images des collections specialisees de l'ENSBA (1998)
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- Date
- 2. 1.1999 13:01:58
-
Blanc, O.; Calba, C.: ¬L'¬Etoffe numerique : La Banque d'Images textiles du Musée des Tissus de Lyon (1998)
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- Source
- Art libraries journal. 23(1998) no.2, S.4-7
-
Campbell, C.; Webb, H.; Beglo, J.: Keeping it all together : National Gallery of Canada exhibition records and other exhibition-related material (1998)
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- Source
- Art documentation. 17(1998) no.2, S.46-50
-
Saltzman, A.B.: Art slide sets : online access (1998)
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- Source
- LLA bulletin. 61(1998) no.2, S.68-71
-
Wright, R.: PRESTO - Multimedia archive preservation (2002)
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- Source
- Zeitschrift für Bibliothekswesen und Bibliographie. 49(2002) H.2, S.69-73
-
Becker, H.-G.: MODS2FRBRoo : Ein Tool zur Anbindung von bibliografischen Daten an eine Ontologie für Begriffe und Informationen (2010)
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- Date
- 2. 2.2011 18:17:20
-
Social History and Industrial Classification - SHIC : Sozialgeschichtliche und industrielle Klassifikation - Eine thematische Klassifikation für Museumssammlungen (1999)
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- Abstract
- SHIC liefert eine breite interdisziplinäre Struktur für die Einteilung von Objekten, Photographien, Archivmaterial Tonbandaufnahmen. lnformationsdateien und aller weiterer Formen musealen Materials auf dem Gebiet der menschlichen Geschichte. Sie kann abstrakte Begriffe sowie Materialien von sehr allgemeiner Natur zusätzlich zu genauer definierten Stücken bewältigen. Die Klassifikation hat eine hierarchische Struktur mit Stufen, die vom Allgemeinen bis zum Spezifischen gehen. In der Regel sind die höheren Stufen begrifflich, während die niedrigeren Stufen direkter auf dem Gebiet begründet sind. Objekte Lind Ideen werden entsprechend der Aktivitätssphäre angeordnet, mit der sie Primär verbunden sind. Das Ziel der Klassifikation ist es. Objekte etc. auf ihre Funktion im Kontext rnit anderen Objekten zu beziehen. Der Hammer eines Zimmermannes könnte mit allen weiteren Schlagwerkzeugen, ohne Rücksicht auf die Gewerke and Industriezweige, in denen sie benutzt wurden, klassifiziert werden, aber dies ist nicht das Ziel von SHIC. 2. Der Aufbau von SHIC Es gibt vier primäre Rubriken (Abschnitte), die alle Aktivitäten des Menschen als eines gesellschaftlichen Wesens umfassen: Abschnitt 1: Gesellschaftliches Leben Abschnitt 2: Häusliches und Familiäres Leben Abschnitt 3: Persönliches Leben Abschnitt 4: Arbeitsleben Diese vier Abschnitte werden als von gleicher Bedeutsamkeit betrachtet, aller schließen sich nicht immer wechselseitig ans. Es müssen gelegentlich eigenmächtige Entscheidungen angewendet werden, um die Zuordnung des Materials zu bestimmen. Der Rest der Klassifikation ist als eine Hierarchie mit einer Dezimalstruktur angeordnet, die die Anwendung einer Zahlenkodierung erleichtert. Die nächsten vier Sturen unter den Abschnitten sind in absteigender Ordnung als Abteilung, Klasse Gruppe und Untergruppe bekannt. Jede Rubrik innerhalb dieser Stufen kann in zehn Untergruppen zwischen 0 und 9 unterteilt werden. Von diesen Untergruppen ist die erste (0) immer für allgemeines oder Material unbekannter Herkunft reserviert. und die letzte (9) wird gewöhnlich benutzt, um unbedeutende vermischte Kategorien zusammenzufassen, die nicht anderweitig in die anderen Rubriken eingefügt werden können. Sie können dann, wenn nötig, auf der nächst unteren Stufe getrennt werden.
- Footnote
- Erstes Erscheinen: 1983 - Übersetzte und überarbeitete Fassung / 2. Auflage 1994 einschließlich der Revision 2.1 VOM Juni 1996 (Museum der Arbeit, Hamburg 1999)
-
Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992)
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- Abstract
- Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
-
Petschar, H.: Vom Zettel- zum Bildkatalog : das Projekt "Digitales Bildarchiv" an der Österreichischen Nationalbibliothek - ein Werkstattbericht (2002)
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- Source
- Zeitschrift für Bibliothekswesen und Bibliographie. 49(2002) H.2, S.59-68
-
Becker, H.-G.; Förster, F.: Vernetztes Wissen : Ereignisse in der bibliografischen Dokumentation (2010)
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- Date
- 2. 2.2011 18:16:47
-
Orna, E.; Pettitt, C.: Information management in museums (1998)
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- Footnote
- Rez. in: B.I.T.online 2(1999) H.4, S.511-512 (S. Schwarzenberger)
-
Cataloging culutural objects : a guide to describing cultural works and their images (2003)
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- Abstract
- It may be jumping the gun a bit to review this publication before it is actually published, but we are nothing if not current here at Current Cites, so we will do it anyway (so sue us!). This publication-in-process is a joint effort of the Visual Resources Association and the Digital Library Federation. It aims to "provide guidelines for selecting, ordering, and formatting data used to populate catalog records" relating to cultural works. Although this work is far from finished (Chapters 1, 2, 7, and 9 are available, as well as front and back matter), the authors are making it available so pratictioners can use it and respond with information about how it can be improved to better aid their work. A stated goal is to publish it in print at some point in the future. Besides garnering support from the organizations named above as well as the Getty, the Mellon Foundation and others, the effort is being guided by experienced professionals at the top of their field. Get the point? If you're involved with creating metadata relating to any type of cultural object and/or images of such, this will need to be either on your bookshelf, or bookmarked in your browser, or both
