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Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997) 0.03

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Date: 5. 3.1999 17:40:22
Source: c't. 1997, H.5, S.284

Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.02

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Source: Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier

Wolters, C.: Objektdokumentation im Museum (1990) 0.02

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Source: Grundlagen der praktischen Information und Dokumentation: ein Handbuch zur Einführung in die fachliche Informationsarbeit. 3. Aufl. Hrsg.: M. Buder u.a. Bd.1

Mensing, P.: Planung und Durchführung von Digitalisierungsprojekten am Beispiel nicht-textueller Materialien (2010) 0.02
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Content

Darin auch: "2.7 Erschließung der Digitalisate Die formale Erschließung von gedruckten Beständen wird in Deutschland nach RAK-WB bzw. RAK-OB durchgeführt. Im Gegensatz zu Druckwerken, die meist alle wichtigen Informationen selbst enthalten (Impressum), sind in oder an Kunstwerken und Bildern meist keine Angaben wie Autor, Künstler oder Entstehungsjahr zu finden. Für die Formalerfassung von Nichtbuchmaterialien sind in Deutschland die "Regeln für die alphabetische Katalogisierung von Nichtbuchmaterialien" anzuwenden (RAK-NBM), eine Erweiterung der o.g. RAK. Zur Erschließung von Kunstwerken wurde seit den 70er Jahren des 20. Jhds. die Marburger-Index-Datenbank (MIDAS) entwickelt, die auf dem AKL, ICONCLASS und auch RAK aufbaut. MIDAS findet hauptsächlich in Museen Anwendung, konnte sich aber aufgrund der nicht verbindlichen Nutzung nicht durchsetzen. Ebenfalls aus dem Museumsbereich stammt CIDOC CRM, das seit 2006 ISO-zertifiziert ist (ISO 21127:2006) und der Datenfeldkatalog zur Grundinventarisation. Um die inhaltliche Erschließung von Bibliotheksbeständen einheitlich gestalten zu können, wurde die Schlagwortnormdatei entwickelt. Diese Datei ist universell ausgerichtet und ist daher für Spezialgebiete nicht tief genug ausgearbeitet. Im kunsthistorischen Bereich sind daher außerdem u.a. der AA und der AGM von Bedeutung. Als Klassifizierungssystem steht ICONCLASS zur Verfügung. Bei der inhaltlichen Erschließung ist darauf zu achten, dass irrelevante Informationen nicht zur unnötigen Vergrößerung des Kataloges führen. Um durchgängig eine größtmögliche Nutzerorientierung bieten zu können, sollten die gewünschten Prioritäten der Erschließung in einer Richtlinie festgehalten werden. Zur Interpretation von Bildern wurde von Panofsky ein 3-Stufen-Modell entwickelt, dass sich in prä- oder vor-ikonografische, ikonografische Beschreibung und ikonologische Interpretation unterteilen lässt. In der ersten Stufe werden nur die dargestellten Dinge oder Personen skizziert, ohne ihre Bedeutung zueinander zu interpretieren. Dies erfolgt erst in der zweiten Stufe. Hier wird das Ahema des Kunstwerkes allerdings ohne weitere Deutung benannt. In der dritten Stufe wird schließlich geklärt, warum dieses Werk so geschaffen wurde und nicht anders.

Source

Bibliotheksdienst. 44(2010) H.5, S.411-433

Leuchte, U.; Schirmbeck, H.-J.: BIADOK: das Projekt eines automatisierten und rechnergestützten Kunst- und Informationszentrums in Berlin (1992) 0.01

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Source: Bibliotheksdienst. 26(1992) H.8, S.1186-1189

Steffens, M.: Bibliothek im Museum : Bibliothekarisch orientierte Sammlungsverwaltung mit dem Datenbanksystem Allegro/HANS (1995) 0.01

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Source: Bibliotheksdienst. 29(1995) H.1, S.51-57

Gülich, C.: EDV-Objektdokumentation im Verbund : Westfälische Museen auf neuen Wegen? (1996) 0.01

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Source: Laurentius. 13(1996) H.1, S.15-19

Düro, M.; Schweibenz, W.: Metadaten für Museen (2002) 0.01

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Source: Information - Wissenschaft und Praxis. 53(2002) H.6, S.339-346

Wolters, C.: Object databases and thesauri for small museums (1991) 0.01

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Source: Classification, data analysis, and knowledge organization: models and methods with applications. Proc. of the 14th annual conf. of the Gesellschaft für Klassifikation, Univ. of Marburg, 12.-14.3.1990. Ed.: H.-H. Bock u. P. Ihm

Straten, R. van: Iconography, indexing, ICONCLASS : a handbook (1994) 0.01

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Footnote: Rez. in: IfB 3(1995) H.2, S.354-356 (A. Karasch)

Kampffmeyer, U.; Klönne, K.-H.: Moderne Informationsverarbeitung im Büro : elektronische Archivierung und Vorgangsbearbeitung (1993) 0.01

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Source: Cogito. 9(1993) H.5, S.30-35

Petschar, H.: Vom Zettel- zum Bildkatalog : das Projekt "Digitales Bildarchiv" an der Österreichischen Nationalbibliothek - ein Werkstattbericht (2002) 0.01

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Source: Zeitschrift für Bibliothekswesen und Bibliographie. 49(2002) H.2, S.59-68

Becker, H.-G.; Förster, F.: Vernetztes Wissen : Ereignisse in der bibliografischen Dokumentation (2010) 0.01

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Source: Zeitschrift für Bibliothekswesen und Bibliographie. 57(2010) H.1, S.15-25

Gülich, C.: EDV-Objektdokumentation im Verbund : Westfälische Museen auf neuen Wegen? (1995) 0.00

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Source: Schnittstelle. 3(1995) H.1, S.7-11

Krause, S.: CIDOC - Conceptual Reference Model : oder: das Schweizer Taschenmesser für die Museums- und Kulturinformatik (2002) 0.00

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Source: Information - Wissenschaft und Praxis. 53(2002) H.6, S.333-338

Frese, K.: Papierarchiv ade! : Großunternehmen der Chemie im Informationsverbund (1994) 0.00

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Source: Cogito. 10(1994) H.6, S.17-19

Rauprich, S.: Wissen durch Informationsstrukturierung : Über die Anwendungsmöglichkeiten der Informatik in der Kunstgeschichte (1998) 0.00

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Source: nfd Information - Wissenschaft und Praxis. 49(1998) H.7, S.407-413

Campbell, C.; Webb, H.; Beglo, J.: Keeping it all together : National Gallery of Canada exhibition records and other exhibition-related material (1998) 0.00

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Wright, R.: PRESTO - Multimedia archive preservation (2002) 0.00

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Source: Zeitschrift für Bibliothekswesen und Bibliographie. 49(2002) H.2, S.69-73

Becker, H.-G.: MODS2FRBRoo : Ein Tool zur Anbindung von bibliografischen Daten an eine Ontologie für Begriffe und Informationen (2010) 0.00

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