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Abstract

Nowadays, tremendous information sources are preserved, ranging from those of a traditional nature like libraries and museums to new formats like electronic databases and the World Wide Web. Making these sources consistent, easily accessible, and as complete as possible is challenging. Almost a century ago, people like Paul Otlet were already fully aware of this need and tried to develop ways of making human knowledge more accessible using the resources and technology available at that time. Otlet's ideas about a Universal Network of Documentation and the Universal Book are clear examples of such efforts. Computer science currently provides the means to build digital spaces that consist of (multimedia) information sources connected through the Internet. In this article, we give a nontechnical overview of the current state of the art in information management. Next, we focus on those aspects of Otlet's work that deal with the organization of knowledge and information sources. Then we study the potential connections between Otlet's work and the state of the art of computerized information management from a computer scientist's point of view. Finally, we consider some of the problems and challenges that information management still faces today and what computer science professionals have in common with, and can still learn from, Otlet and his work.

Type

a

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Abstract

The author discusses the architectural plans of the Mundaneum made in the 1930s by the Belgian modernist architect Maurice Heymans in the footsteps of Le Corbusier and in collaboration with Paul Otlet. The Mundaneum was the utopian concept of a world center for the accumulation, organization, and dissemination of knowledge, invented by the visionary encyclopedist and internationalist Paul Otlet. In Heymans's architecture, a complex architectural metaphor is created for the Mundaneum, conveying its hidden meaning as a center of initiation into synthesized knowledge. In particular, this article deconstructs the metaphorical architectural complex designed by Heymans and focuses on how the architectural spaces as designed by Heymans are structured in analogy to schemes for the organization of knowledge made by Otlet. In three different designs of the Mundaneum, the analogy is studied between, on the one hand, the architectural structure (designed by Heymans) and, on the other hand, the structure of the cosmology, the book Monde, and the vision of knowledge dissemination as invented by Otlet. The article argues that the analogies between the organization of architectural space and knowledge, as expressed in the drawings of Heymans and Otlet, are elaborated by means of a mode of visual thinking that is parallel to and rooted in the art of memory and utopian imagination.

Type

a