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  • × theme_ss:"Rechtsfragen"
  1. Vereinbarung über Vervielfältigung kopiergeschützter Werke (2005) 0.01 
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    Content
    ""Zur Sammlung und Archivierung von Musikaufnahmen insbesondere für wissenschaftliche und kulturelle Zwecke darf Die Deutsche Bibliothek künftig auch kopiergeschützte Produkte kopieren", erklärt Gerd Gebhardt, Vorsitzender der deutschen Phonoverbände. Gleiches gilt auch für Werke aus Buchverlagen: "Nicht nur Bücher, sondern auch durch Rechtemanagementsysteme geschützte CD-ROMs oder eBooks dürfen von Der Deutschen Bibliothek nun zur Weitergabe an Berechtigte vervielfältigt werden", erklärt Wulf D. von Lucius, Vorsitzender des Urheberrechtsausschusses des Börsenvereins des Deutschen Buchhandels. Musikwirtschaft und Buchbranche haben zu diesem Zweck eine Vereinbarung mit Der Deutschen Bibliothek getroffen. Hiermit sind die berechtigten Interessen Der Deutschen Bibliothek und einzelner Nutzer, aber auch die Interessen der Rechteinhaber und Verwerter gesichert. Der Verbreitung von Kopien wird zunehmend mit Kopierschutz- und Digital Rights Management Systemen begegnet. Von dem im Urheberrechtsgesetz festgesetzten Verbot der Umgehung solcher technischer Schutzmaßnahmen ist auch Die Deutsche Bibliothek in ihrem Sammel-, Bereitstellungs- und Archivierungsauftrag als Nationalbibliothek betroffen. Um eine Langzeitarchivierung der von der Nationalbibliothek zu sammelnden Veröffentlichungen gewährleisten zu können, müssen die Medien in regelmäßigen Abständen an die aktuellen Datenformate, Betriebssysteme und Datenträger angepasst werden. Das Urheberrechtsgesetz sieht so genannte Schrankenregelungen vor, nach denen der Zugang zu urheberrechtlich geschützten Werken zu bestimmten Zwecken, wie zum Beispiel für wissenschaftliche und kulturelle Nutzungen, zulässig ist. Die letzte Novelle des Gesetzes, deren einschlägige Regelungen im September 2004 in Kraft getreten sind, sieht hierfür ausdrücklich die Möglichkeit von Vereinbarungen zwischen Verbänden vor, um diese Nutzungen auch von kopiergeschützten Medien zu ermöglichen. Als erste Branchen haben nun die Musikwirtschaft und die Buchbranche diese Möglichkeit genutzt und mit Der Deutschen Bibliothek eine vertragliche Vereinbarung geschlossen. "Die jetzt geschlossene Vereinbarung erlaubt Der Deutschen Bibliothek eine rationelle Erfüllung ihres gesetzlichen Auftrages und schafft Klarheit für den Umgang mit geschützten Medien wie Tonträgern und CD-ROMs im Verhältnis zu den Nutzern der Einrichtungen. Damit wird Rechtssicherheit für die Arbeit Der Deutschen Bibliothek geschaffen.", erklärt Elisabeth Niggemann, Generaldirektorin Der Deutschen Bibliothek. Nach der geschlossenen Vereinbarung darf Die Deutsche Bibliothek Vervielfältigungen für die eigene Archivierung, für den wissenschaftlichen Gebrauch von Nutzern, für Sammlungen für den Schul- oder Unterrichtsgebrauch, für Unterricht und Forschung sowie von vergriffenen Werken anfertigen. Um Missbrauch zu vermeiden, wird Die Deutsche Bibliothek das Interesse von Nutzern zur Anfertigung einer solchen gebührenpflichtigen Vervielfältigung prüfen und die Kopien möglichst mit personalisierten digitalen Wasserzeichen versehen. Ansprechpartner. Stephan Jockel, Pressesprecher, Die Deutsche Bibliothek. Tel.: 069 / 15 25 10 05, Claudia Paul, Referentin Presse und Information, Börsenverein des Deutschen Buchhandels. Tel.: 069 / 1306 293, Dr. Hartmut Spiesecke, Leiter der Presse- und Öffentlichkeitsarbeit, Bundesverband der Phonographischen Wirtschaft. Tel.: 030 / 59 00 38 22"
    Type
    a
  2. Urheberrecht und digitale Technologie : Arbeitssitzung des Instituts für Urheber- und Medienrecht am 22. April 1994 (1994) 0.01 
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  3. cis: Nationalbibliothek will das deutsche Internet kopieren (2008) 0.00 
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    Date
    24.10.2008 14:19:22
  4. Bull, H.P. u.a.: Zukunft der informationellen Selbstbestimmung (2016) 0.00 
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    Date
    22. 2.2018 12:13:57
  5. Lyons, P.: ¬The role of copyright in a digital environment (1991) 0.00 
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  6. Harrington, A.: Copyright law and the Internet (1996) 0.00 
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    Abstract
    A solicitor specializing in information technology and intellectual property law warns that Internet publishers ignore copyright at their peril and highlights some of the legal implications for cyberspace
    Type
    a
  7. Warner, J.: Information society or cash nexus? : A study of the United States as a copyright haven (1999) 0.00 
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  8. White, A.: Copyright law, information services and the challenge of multimedia (1993) 0.00 
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  9. Whitwell, S.C.A.: Internet public library : same metaphors, new service (1997) 0.00 
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    Abstract
    Describes the Internet Public Library (IPL), a Web service provided by staff at the University of Michigan School of Information which makes available a wide range of full text files arranged according to the DDC and which tries to replicate many of the features of a public library in a Web environemnt. Reports the views of the group behind the project on a range of issues to do with the IPL, the Web, copyright and other legal aspects of electronic information, and the future of libraries
    Type
    a
  10. Warner, J.: Creativity for Feist (2013) 0.00 
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    Abstract
    This paper develops an understanding of creativity to meet the requirements of the decision of the Supreme Court of the United States in Feist v. Rural (1991). The inclusion of creativity in originality, in a minimal degree of creativity, and in a creative spark below the level required for originality, is first established. Conditions for creativity are simultaneously derived. Clauses negatively implying creativity are then identified and considered. The clauses that imply creativity can be extensively correlated with conceptions of computability. The negative of creativity is then understood as an automatic mechanical or computational procedure or a so routine process that results in a highly routine product. Conversely, creativity invariantly involves a not mechanical procedure. The not mechanical is then populated by meaning, in accord with accepted distinctions, drawing on a range of discourses. Meaning is understood as a different level of analysis to the syntactic or mechanical and also as involving direct human engagement with meaning. As direct engagement with meaning, it can be connected to classic concepts of creativity, through the association of dissimilars. Creativity is finally understood as not mechanical human activity above a certain level of routinicity. Creativity is then integrated with a minimal degree of creativity and with originality. The level of creativity required for a minimal degree is identified as intellectual. The combination of an intellectual level with a sufficient amount of creativity can be read from the exchange values connected with the product of creative activity. Humanly created bibliographic records and indexes are then possible correlates to, or constituents of, a minimal degree of creativity. A four-stage discriminatory process for determining originality is then specified. Finally, the strength and value of the argument are considered.
    Type
    a
  11. Maguire, M.: Secure SGML : a proposal to the information community (1994) 0.00 
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    Abstract
    Explores some of the practical difficulties associated with the management information as a commodity, and sketches a framework in which to address the problem in the context of electronic publishing. The strategy is based on the integration of 2 groups of technologies, collectively refereed to as 'secure SGML' which merges the platform-independent data representation offered by the Standard Generalized Markup Language (SGML) and related standards with the privacy and authentication functions offered by recent advances in key cryptography. This scheme allows implementation of a licensing strategy, thereby providing a means of addressing problematic copyright and public policy issues associated with digital media. Libraries can play a key role in the installation and maintenance of the infrastructure required to support new forms of information transaction
    Type
    a
  12. U.S. copyright office report on legal protection for databases (1997) 0.00 
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    Abstract
    The US Copyright Office has issued a 111 page report of Congress giving an impartial overview on the question of legal protection for databases. The bulk of the report discusses issues raised by interested parties at meetings during 1997 and it is intended as a starting point for Congress to consider whether there is a need for a new form of statutory protection and, if so, how legislation could avoid negative consequences. Copies of the report are posted on the Internet site at http://www.loc.gov/copyright, under the heading 'What's new'
    Type
    a
  13. Zhao, D.G.; Ramsden, A.: Report on the ELINOR electronic library project (1995) 0.00 
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    Abstract
    A pilot system was implemented in 1993. The pilot system is now being extended in terms of the subject coverage and network access. Covers the user aspect, the system architecture and copyright management of the ELINOR (Electronic Library INformation Online Retrieval) electronic library
    Type
    a
  14. Metha, A.: Are CD-ROM LANs a thing of the past? (1996) 0.00 
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  15. Yu, H.: Web accessibility and the law : recommendations for implementation (2002) 0.00 
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    Abstract
    The proliferation of information in electronic format does not guarantee its accessibility. The fact that many Web sites are not accessible to large segments of the disabled community has created a "digital divide". The accessibility barriers are systemic. In recent years, there has been a growing body of significant laws and standards concerning Web accessibility that impact people with disabilities. Ways of breaking down these barriers to a fuller accessibility implementation do exist, including education to raise awareness of Web accessibility, nationwide policy and guidelines for accessibility, and Web-based applications and tools to facilitate Web accessibility, to name a few.
    Content
    Part of a Special Issue: Accessibility of web-based information resources for people with disabilities: part 2. Vgl. auch unter: http://www.emeraldinsight.com/10.1108/07378830210452613.
    Type
    a
  16. Bielefield, A.; Cheeseman, L.: Technology and copyright law : a guidebook for the library, research, and teaching professions (1997) 0.00 
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  17. Müller, I.: ¬Das geistige Eigentum als Schleuderware? : Aspekte des Urheberrechts und der verwandten Schutzrechte in der Informationsgesellschaft (2003) 0.00 
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  18. Peukert, A.; Sonnenberg, M.: ¬Das Urheberrecht und der Wandel des wissenschaftlichen Kommunikationssystems (2016) 0.00 
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  19. Morris, S.: Metadata and rights (2000) 0.00 
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Authors

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  • r 1
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