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  • × author_ss:"Gangemi, A."
  • × theme_ss:"Wissensrepräsentation"
  1. Assem, M. van; Gangemi, A.; Schreiber, G.: Conversion of WordNet to a standard RDF/OWL representation (2006) 0.00
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    Abstract
    This paper presents an overview of the work in progress at the W3C to produce a standard conversion of WordNet to the RDF/OWL representation language in use in the SemanticWeb community. Such a standard representation is useful to provide application developers a high-quality resource and to promote interoperability. Important requirements in this conversion process are that it should be complete and should stay close to WordNet's conceptual model. The paper explains the steps taken to produce the conversion and details design decisions such as the composition of the class hierarchy and properties, the addition of suitable OWL semantics and the chosen format of the URIs. Additional topics include a strategy to incorporate OWL and RDFS semantics in one schema such that both RDF(S) infrastructure and OWL infrastructure can interpret the information correctly, problems encountered in understanding the Prolog source files and the description of the two versions that are provided (Basic and Full) to accommodate different usages of WordNet.
  2. Baroncini, S.; Sartini, B.; Erp, M. Van; Tomasi, F.; Gangemi, A.: Is dc:subject enough? : A landscape on iconography and iconology statements of knowledge graphs in the semantic web (2023) 0.00
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    Abstract
    In the last few years, the size of Linked Open Data (LOD) describing artworks, in general or domain-specific Knowledge Graphs (KGs), is gradually increasing. This provides (art-)historians and Cultural Heritage professionals with a wealth of information to explore. Specifically, structured data about iconographical and iconological (icon) aspects, i.e. information about the subjects, concepts and meanings of artworks, are extremely valuable for the state-of-the-art of computational tools, e.g. content recognition through computer vision. Nevertheless, a data quality evaluation for art domains, fundamental for data reuse, is still missing. The purpose of this study is filling this gap with an overview of art-historical data quality in current KGs with a focus on the icon aspects. Design/methodology/approach This study's analyses are based on established KG evaluation methodologies, adapted to the domain by addressing requirements from art historians' theories. The authors first select several KGs according to Semantic Web principles. Then, the authors evaluate (1) their structures' suitability to describe icon information through quantitative and qualitative assessment and (2) their content, qualitatively assessed in terms of correctness and completeness. Findings This study's results reveal several issues on the current expression of icon information in KGs. The content evaluation shows that these domain-specific statements are generally correct but often not complete. The incompleteness is confirmed by the structure evaluation, which highlights the unsuitability of the KG schemas to describe icon information with the required granularity. Originality/value The main contribution of this work is an overview of the actual landscape of the icon information expressed in LOD. Therefore, it is valuable to cultural institutions by providing them a first domain-specific data quality evaluation. Since this study's results suggest that the selected domain information is underrepresented in Semantic Web datasets, the authors highlight the need for the creation and fostering of such information to provide a more thorough art-historical dimension to LOD.
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