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Rosenfeld, L.; Morville, P.: Information architecture for the World Wide Web : designing large-scale Web sites (2007)
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- Abstract
- The scale of web site design has grown so that what was once comparable to decorating a room is now comparable to designing buildings or even cities. Designing sites so that people can find their way around is an ever-growing challenge as sites contain more and more information. In the past, Information Architecture for the World Wide Web has helped developers and designers establish consistent and usable structures for their sites and their information. This edition of the classic primer on web site design and navigation is updated with recent examples, new scenarios, and new information on best practices. Readers will learn how to present large volumes of information to visitors who need to find what they're looking for quickly. With topics that range from aesthetics to mechanics, this valuable book explains how to create interfaces that users can understand easily.
- Date
- 22. 3.2008 16:18:27
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Rosenfeld, L.; Morville, P.: Information architecture for the World Wide Web : designing large-scale Web sites (1998)
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- Abstract
- Some web sites "work" and some don't. Good web site consultants know that you can't just jump in and start writing HTML, the same way you can't build a house by just pouring a foundation and putting up some walls. You need to know who will be using the site, and what they'll be using it for. You need some idea of what you'd like to draw their attention to during their visit. Overall, you need a strong, cohesive vision for the site that makes it both distinctive and usable. Information Architecture for the World Wide Web is about applying the principles of architecture and library science to web site design. Each web site is like a public building, available for tourists and regulars alike to breeze through at their leisure. The job of the architect is to set up the framework for the site to make it comfortable and inviting for people to visit, relax in, and perhaps even return to someday. Most books on web development concentrate either on the aesthetics or the mechanics of the site. This book is about the framework that holds the two together. With this book, you learn how to design web sites and intranets that support growth, management, and ease of use. Special attention is given to: * The process behind architecting a large, complex site * Web site hierarchy design and organization Information Architecture for the World Wide Web is for webmasters, designers, and anyone else involved in building a web site. It's for novice web designers who, from the start, want to avoid the traps that result in poorly designed sites. It's for experienced web designers who have already created sites but realize that something "is missing" from their sites and want to improve them. It's for programmers and administrators who are comfortable with HTML, CGI, and Java but want to understand how to organize their web pages into a cohesive site. The authors are two of the principals of Argus Associates, a web consulting firm. At Argus, they have created information architectures for web sites and intranets of some of the largest companies in the United States, including Chrysler Corporation, Barron's, and Dow Chemical.
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Morville, P.: Ambient findability : what we find changes who we become (2005)
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- Abstract
- How do you find your way in an age of information overload? How can you filter streams of complex information to pull out only what you want? Why does it matter how information is structured when Google seems to magically bring up the right answer to your questions? What does it mean to be "findable" in this day and age? This eye-opening new book examines the convergence of information and connectivity. Written by Peter Morville, author of the groundbreakin Information Architecture for the World Wide Web, the book defines our current age as a state of unlimited findability. In other words, anyone can find anything at any time. Complete navigability. Morville discusses the Internet, GIS, and other network technologies that are coming together to make unlimited findability possible. He explores how the melding of these innovations impacts society, since Web access is now a standard requirement for successful people and businesses. But before he does that, Morville looks back at the history of wayfinding and human evolution, suggesting that our fear of being lost has driven us to create maps, charts, and now, the mobile Internet.
The book's central thesis is that information literacy, information architecture, and usability are all critical components of this new world order. Hand in hand with that is the contention that only by planning and designing the best possible software, devices, and Internet, will we be able to maintain this connectivity in the future. Morville's book is highlighted with full color illustrations and rich examples that bring his prose to life. Ambient Findability doesn't preach or pretend to know all the answers. Instead, it presents research, stories, and examples in support of its novel ideas. Are w truly at a critical point in our evolution where the quality of our digital networks will dictate how we behave as a species? Is findability indeed the primary key to a successful global marketplace in the 21st century and beyond. Peter Morville takes you on a thought-provoking tour of these memes and more -- ideas that will not only fascinate but will stir your creativity in practical ways that you can apply to your work immediately.
- Footnote
- Das zweite Kapitel ("A Brief History of Wayfinding") beschreibt, wie Menschen sich in Umgebungen zurechtfinden. Dies ist insofern interessant, als hier nicht erst bei Informationssystemen oder dem WWW begonnen wird, sondern allgemeine Erkenntnisse beispielsweise über die Orientierung in natürlichen Umgebungen präsentiert werden. Viele typische Verhaltensweisen der Nutzer von Informationssystemen können so erklärt werden. So interessant dieses Thema allerdings ist, wirkt das Kapitel leider doch nur wie eine Zusammenstellung von Informationen aus zweiter Hand. Offensichtlich ist, dass Morville nicht selbst an diesen Themen geforscht hat, sondern die Ergebnisse (wenn auch auf ansprechende Weise) zusammengeschrieben hat. Dieser Eindruck bestätigt sich auch in weiteren Kapiteln: Ein flüssig geschriebener Text, der es jedoch an einigen Stellen an Substanz fehlen lässt. Kapitel drei, "Information Interaction" beginnt mit einem Rückgriff auf Calvin Mooers zentrale Aussage aus dem Jahre 1959: "An information retrieval system will tend not to be used whenever it is more painful and troublesome for a customer to have information than for him not to have it." In der Tat sollte man sich dies bei der Erstellung von Informationssystemen immer vergegenwärtigen; die Reihe der Systeme, die gerade an dieser Hürde gescheitert sind, ist lang. Das weitere Kapitel führt in einige zentrale Konzepte der Informationswissenschaft (Definition des Begriffs Information, Erläuterung des Information Retrieval, Wissensrepräsentation, Information Seeking Behaviour) ein, allerdings ohne jeden Anspruch auf Vollständigkeit. Es wirkt vielmehr so, dass der Autor sich die gerade für sein Anliegen passenden Konzepte auswählt und konkurrierende Ansätze beiseite lässt. Nur ein Beispiel: Im Abschnitt "Information Interaction" wird relativ ausführlich das Konzept des Berrypicking nach Marcia J. Bates präsentiert, allerdings wird es geradezu als exklusiv verkauft, was es natürlich bei weitem nicht ist. Natürlich kann es nicht Aufgabe dieses Buchs sein, einen vollständigen Überblick über alle Theorien des menschlichen Suchverhaltens zu geben (dies ist an anderer Stelle vorbildlich geleistet worden'), aber doch wenigstens der Hinweis auf einige zentrale Ansätze wäre angebracht gewesen. Spätestens in diesem Kapitel wird klar, dass das Buch sich definitiv nicht an Informationswissenschaftler wendet, die auf der einen Seite mit den grundlegenden Themen vertraut sein dürften, andererseits ein wenig mehr Tiefgang erwarten würden. Also stellt sich die Frage - und diese ist zentral für die Bewertung des gesamten Werks.
