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  • × author_ss:"Yee, M.M."
  • × theme_ss:"Formalerschließung"
  1. Yee, M.M.: New perspectives on the shared cataloging environment and a MARC 21 shopping list (2004) 0.03
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    Date
    10. 9.2000 17:38:22
    Type
    a
  2. Yee, M.M.: What is a work? : part 1: the user and the objects of the catalog (1994) 0.03
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    Abstract
    Part 1 of a series of articles, exploring the concept of 'the work' in cataloguing practice, which attempts to construct a definition of the term based on AACR theory and practice. The study begins with a consideration of the objects of the catalogue, their history and the evidence that bears on the question of the degree to which the user needs access to the work, as opposed to a particular edition of the work
    Footnote
    Vgl. auch: Pt.2: Cataloging and classification quarterly. 19(1994) no.2, S.5-22; Pt.3: Cataloging and classification quarterly. 20(1995) no.1, S.25-46; Pt.4: Cataloging and classification quarterly. 20(1995) no.2, S.3-24
    Type
    a
  3. Yee, M.M.: What is a work? : part 3: the Anglo-American cataloging codes (1995) 0.02
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    Abstract
    Anglo-American codes are examined to determine the implicit or acting concept of work in each, in order to trace the development of our current implicit concept of work, as embodied in AACR2R. The following conditions are examined, using comparison tables. (1) same work with different appendages (illustrated works, music with text, texts with commentary and/or biographical/critical material, scholia); (2) separately published parts of a work produced by the exercise of several different functions; (3) appendages to a work published separately (commentaries without text, concordances, continuations, indexes, sequels, supplements); (4) change in title of a work. A trend away from the collocation of the editions of a work called for by the second objective of the catalog is identified. It is suggested that this tendency stems from failure to take advantage of newer technologies for building catalogs
    Footnote
    Vgl. auch: Pt.1: Cataloging and classification quarterly. 19(1994) no.1, S.9-28; Pt.2: Cataloging and classification quarterly. 19(1994) no.2, S.5-22; Pt.4: Cataloging and classification quarterly. 20(1995) no.2, S.3-24
    Type
    a
  4. Yee, M.M.: What is a work? : part 4: cataloging theorists and a definition abstract (1995) 0.02
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    Abstract
    4th in a series of articles dealing with the concept and application of 'work' in cataloguing. Discusses the general concept of 'work' regardless of format, based on the writings of cataloguing theorists. Identifies a number of different criteris used to define the concept of work including criteria to do with creativity and/or single personal authorship, content, text or symbol strings, medium, identity and representation, and interchangeability, as well as the concept of work as product. Proposes a number of functions to be carried out by the ideal definition of work, and concludes by offering a definition
    Footnote
    Vgl. auch: Pt.1: Cataloging and classification quarterly. 19(1994) no.1, S.9-28; Pt.2: Cataloging and classification quarterly. 19(1994) no.2, S.5-22; Pt.3: Cataloging and classification quarterly. 20(1995) no.1, S.25-46.
    Type
    a
  5. Yee, M.M.: What is a work? : part 2: the Anglo-American cataloging codes (1994) 0.02
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    Abstract
    Anglo-American codes are examined to determine the implicit or acting concept of work in each, in order to trace the development of our current implicit concept of work, as embodied in AACR2R. The following conditions are examined, using comparison tables: (1) contraction of a work (abridgements, condensations, digests, epitomes, outlines, chrestomathies, excerpts, extracts, selections); and (2) change in substance of a work (adaptations, dramatizations, free translations, novelizations, paraphrases, versifications, films or filmstrips of a text, musical arrangements, musical amplifications, musical settings, musical simplifications, musical transcriptions, musical versions, parodies, imitations, performances, reproductions of art works, revisions, editing, enlargements, expansion, updating, translation).
    Source
    Cataloging and classification quarterly. 19(1994) no.2, S.5-22
    Type
    a
  6. Yee, M.M.: Attempts to deal with the 'crisis in cataloging' at the Library of Congress in the 1940s (1987) 0.00
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    Type
    a
  7. Yee, M.M.: ¬The concept of work for moving image materials (1993) 0.00
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    Abstract
    First in a series of articles dealing with the general concept of work as it applies to the cataloguing of materials. In a well designed catalogue, 2 items treated as the same work will display together and be represented as manifestations (editions) or copies of the same work to the user interested in a particular work. Discusses the concepts of work and related work as they apply to moving image works, and recommends their application to woving image works
    Type
    a
  8. Yee, M.M.: FRBR and moving image materials (2007) 0.00
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    Type
    a
  9. Yee, M.M.: Moving image cataloging : how to create and how to use a moving image catalog (2007) 0.00
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    Abstract
    Libraries, archives and museums hold a wide variety of moving images, all of which require the same level of attention to issues of organisation and access as their print counterparts. Consequently, the people who create collection level records and metadata for these resources need to be equally conversant in the principles of cataloguing. The author covers both descriptive (AACR2R, AMIM and FIAF rules) and subject cataloguing (with a focus on LCSH). In the process, the reader is encouraged to think critically and to be prepared to make decisions in ambiguous situations where solutions to problems are not always obvious or clearly dictated by specific rules.
    Content
    Introduction to moving image cataloging -- Introduction to a data structure standard; how to create a cataloging record; automation complexities and OPAC searching -- Moving image works, expressions and manifestations; introduction to uniform titles; relationships; represented and presented works -- Work identification and authorship; authority control -- Complications with names of persons and corporate bodies; location of FRBR entities; OPAC searching complications -- Introduction to subject analysis -- More on subject analysis -- Newsfilm access; OPAC searching -- Subject access to fiction; genre/form access -- Digitization and the future of cataloging
  10. Yee, M.M.: Integration of nonbook materials in AACR2 (1983) 0.00
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    Type
    a
  11. Yee, M.M.: Cataloging compared to descriptive bibliography, abstracting and indexing services, and metadata (2007) 0.00
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    Type
    a