Search (57 results, page 1 of 3)

  • × theme_ss:"Objektdokumentation"
  1. Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997) 0.06
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    Date
    5. 3.1999 17:40:22
    Type
    a
  2. Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.04
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    Source
    Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
    Type
    a
  3. Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998) 0.03
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    Source
    Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
    Type
    a
  4. Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998) 0.03
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    Abstract
    Discusses the possibilities and difficulties encountered when using a thematic index to search contemporary art databanks. Jaconde and Videomuseum, 2 French databanks, are used as examples. the core problems found in the study are the methods and limits of indexing in both systems. A thematic index should be developed that is better adapted to 20th century art, based on the complementary and reciprocal relationship between text and image, and which fully exploits hypertext
    Date
    1. 8.1996 22:01:00
    Type
    a
  5. Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000) 0.00
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    Type
    a
  6. Ferbeek, E.; Hellevort, M.: ¬Het afficheproject : onderwerpsontsluiting van affiches (1993) 0.00
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    Abstract
    A preliminary survey of poster collections in libraries, museums, and archives in the Netherlands revealed a wealth of material about which little was known. A deteiled survey was, therefore, undertaken in 1992 by the Rijksdienst Beeldende Kunst of 14 institutiions known to hold poster collections. As a result of the project the Database Nederlandse Affiches has been compiled to record details of the 72.000 items identified. Other institutions have now begun to submit details of their holdings to the database
    Type
    a
  7. Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000) 0.00
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    Abstract
    This article examines the sociotechnological impact of introducing collaborative technologies into the Spurlock Museum, a museum of world history and culture at the University of Illinois
    Type
    a
  8. Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992) 0.00
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    Abstract
    Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
    Type
    a
  9. Steffens, M.: Bibliothek im Museum : Bibliothekarisch orientierte Sammlungsverwaltung mit dem Datenbanksystem Allegro/HANS (1995) 0.00
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    Type
    a
  10. Will, L.: ¬The indexing of museum objects (1993) 0.00
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    Type
    a
  11. Gülich, C.: EDV-Objektdokumentation im Verbund : Westfälische Museen auf neuen Wegen? (1996) 0.00
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    Type
    a
  12. Delouis, D.: Telecommunications in museums (1993) 0.00
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    Abstract
    Describes the Remote Access to Museum Archive project, a CEC funded project which aims to promote access to museums documentary databases in museums via telecommunications. Describes existing museum databases which are remotely accessible. The RAMA project aims to interconnect the image documentary databases of seven European museums. Describes its progress, and prospects for creation of an electronic museum
    Type
    a
  13. Straten, R. van: Iconography, indexing, ICONCLASS : a handbook (1994) 0.00
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    Footnote
    Rez. in: IfB 3(1995) H.2, S.354-356 (A. Karasch)
  14. Leuchte, U.; Schirmbeck, H.-J.: BIADOK: das Projekt eines automatisierten und rechnergestützten Kunst- und Informationszentrums in Berlin (1992) 0.00
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    Type
    a
  15. Düro, M.; Schweibenz, W.: Metadaten für Museen (2002) 0.00
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    Type
    a
  16. Blanc, O.; Calba, C.: ¬L'¬Etoffe numerique : La Banque d'Images textiles du Musée des Tissus de Lyon (1998) 0.00
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    Abstract
    Describes a project launched in 1992 to computerize the collections of the Musée des Tissus in Lyon. Known as Système d'Organisation et d'Inventaire Étendu a la Récherche (SOIERIE), it is a tool for internal archiving and management and an image databank. Describes the background to the project, data and equipment, consultation, the users and the current situation
    Type
    a
  17. Saltzman, A.B.: Art slide sets : online access (1998) 0.00
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    Abstract
    Ellender Memorial Library at Nicholls State University, Louisiana has a slide collection including 10,000 slides in 60 sets devoted to art. Describes how the cataloguer solved the problem of entering sufficiently detailed records of this part of the collection on the OPAC of a small college library, using the OCLC authority file for artists' names and NUTPLUS which offers access via any combination of 15 data elements including e.g., aspects of the subject, call and item numbers and location of the works of art. NUTPLUS is now available in a new version, called Ultra-Plus Advanced, from Fairhaven Software of Stoughton, Massachusetts
    Type
    a
  18. Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993) 0.00
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    Abstract
    The Micro Gallery is a computerised, interactive, public access information system located in the Sainsbury Wing of the National Gallery in London. It provides detailed information about the Gallery's collection of paintings in an accessible form, using digitised colour images and touch screen technology. Discusses the evolution of the system, its reception and the projects it has spawned
    Type
    a
  19. Michard, A.; Pham Dac, D.: Description of collections and encyclopedias on the Web using XML (1998) 0.00
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    Abstract
    Cataloguing artworks relies on the availability of classification schemes, often represented by hierarchical thesauri. Comments on the limitations of current practices and tools and proposes a new approach for the cooperative production of multilingual and multicultural classification schemes exploiting some features of the oncoming Extensible Markup Language based Web
    Type
    a
  20. Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009) 0.00
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    Abstract
    In 1996, with funding from the Henry Luce Foundation, Jack Lenor Larsen and an advisory committee composed of distinguished museum and design professionals developed Objects Classified by Mediums in response to the concern that existing systems do not provide the tools for comparing information on objects. A common understanding and definitions of terms are crucial to the success of a classification project meant to cross institutional and national boundaries. Objects Classified by Mediums seeks to organize areas of study in fiber, clay, metal, wood, and so on, to allow curators and scholars to compare information on similar methods used, build a conceptual framework for the greater understanding of whole categories of objects rather than as isolated works, and provide a finding tool for cross-cultural and cross-disciplinary investigation.
    Type
    a

Years

Languages

  • e 27
  • d 24
  • f 3
  • nl 2
  • i 1
  • More… Less…

Types

  • a 50
  • m 5
  • s 2
  • r 1
  • More… Less…