Search (58 results, page 1 of 3)

  • × theme_ss:"Objektdokumentation"
  1. Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997) 0.03 
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    Date
    5. 3.1999 17:40:22
    Type
    a
  2. Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.02 
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    Source
    Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
    Type
    a
  3. Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998) 0.02 
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    Source
    Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
    Type
    a
  4. Saro, C.; Wolters, C.: EDV-gestützte Bestandserschließung in kleineren und mittleren Museen : Including an English Summary und einem Anhang "Projekt 'Kleine Museen' mit "Beispiele für Druckprodukte" (1988) 0.01 
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    Abstract
    Museen sind gesellschaftliche Kultureinrichtungen, die für eine interessierte Öffentlichkeit ein qualifiziertes Informationsangebot über die materiellen Zeugnisse von Kunst-, Kultur- und Naturgeschichte bereitstellen sollen. Ohne systematische Erfassung der musealen Sammlungsbestände und die darauf fußende wissenschaftliche Erschließung und Dokumentation vermögen sie dieser Aufgabenstellung und Anforderung aber nicht gerecht zu werden. Zum kulturpflegerischen Auftrag der Landschaftsverbände gehört gemäß §5 Abs. lc der Landschaftsverbandsordnung für das Land Nordrhein-Westfalen vom 15.5.1953 (in der Neufassung vom 25.8.1984) die "Pflege und Förderung der Heimatmuseen". Da hierfür Inventarisierung und Dokumentation eine Grundvoraussetzung bilden, haben sich die Museumsämter der Landschaftsverbände Rheinland und Westfalen-Lippe seit ihrer Gründung dieser Aufgabe in den Museen ihres Zuständigkeitsbereiches intensiv angenommen. Vor dem Hintergrund rasch wachsender und zunehmend unüberschaubarer Dokumentationsbestände in den aufgebauten Zentralarchiven der Museumsämter - Anfang der 80er-Jahre waren bereits über 65.000 Karteikarten und eine entsprechende Anzahl Fotos archiviert - gewann die Auflösung der lediglich nach dem Provenienzsystem (Ordnung nach Museen) zusammengefaßten Informationsträger äußerste Dringlichkeit. Vordringliche Aufgabe war die Erschließung und Nutzbarmachung der Zentralarchive für einen großen Benutzerkreis über eine differenzierte Sachgruppensystematik mit alphabetischen, Konkordanz- und Verweisregistern, um differenzierte Fragestellungen und einen raschen, direkten und möglichst umfassenden Zugriff auf die Objekte zu ermöglichen. Da eine "konventionelle" Durchführung dieser Arbeiten äußerst personal-, zeit- und kostenintensiv sowie mit hoher Fehlerquote verbunden gewesen wäre, begannen die Museumsämter die Realisierung der systematischen Neustrukturierung ihrer Zentralarchive mit Hilfe EDV-gestützter Verfahren im Rahmen eines 1984 angelaufenen Kooperationsprojektes mit dem Berliner Institut für Museumskunde der Staatlichen Museen Preußischer Kulturbesitz. Nach Abschluß der ersten, bis 1987 terminierten Projektphase dürfen die Beteiligten an dieser Stelle mit großer Genugtuung und nicht ohne Stolz feststellen, daß sich die gemeinsamen Anstrengungen gelohnt haben. Es gelang einerseits eine Ordnungshilfe für die Archive der Museumsämter bereitzustellen (Grobklassifikation) und erste Erfahrungen im Datenverarbeitungsbereich zu sammeln, zum anderen praxisorientierte, generell nutzbare Regelwerke (Thesauri) zu erarbeiten. Da das Institut für Museumskunde und das Konrad-Zuse-Zentrum für Informationstechnik Berlin überdies im Rahmen cles Projektes Software für eine PC-Version des GOS-Datenbanksystems entwickelt haben, die im Laufe dieses Jahres verfügbar sein wird, könnten die Museumsämter die dringend erforderliche Sachkompetenz erwerben, um die zunehmende Nachfrage der Museen in Nordrhein-Westfalen nach Beratung und Entscheidungshilfe bei Fragen und Problemen der EDV-gestützten Erschließung ihrer Sammlungsbestände zu befriedigen.
  5. Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998) 0.01 
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    Abstract
    Discusses the possibilities and difficulties encountered when using a thematic index to search contemporary art databanks. Jaconde and Videomuseum, 2 French databanks, are used as examples. the core problems found in the study are the methods and limits of indexing in both systems. A thematic index should be developed that is better adapted to 20th century art, based on the complementary and reciprocal relationship between text and image, and which fully exploits hypertext
    Date
    1. 8.1996 22:01:00
    Type
    a
  6. Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000) 0.00 
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    Type
    a
  7. Ferbeek, E.; Hellevort, M.: ¬Het afficheproject : onderwerpsontsluiting van affiches (1993) 0.00 
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    Abstract
    A preliminary survey of poster collections in libraries, museums, and archives in the Netherlands revealed a wealth of material about which little was known. A deteiled survey was, therefore, undertaken in 1992 by the Rijksdienst Beeldende Kunst of 14 institutiions known to hold poster collections. As a result of the project the Database Nederlandse Affiches has been compiled to record details of the 72.000 items identified. Other institutions have now begun to submit details of their holdings to the database
    Type
    a
  8. Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000) 0.00 
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    Abstract
    This article examines the sociotechnological impact of introducing collaborative technologies into the Spurlock Museum, a museum of world history and culture at the University of Illinois
    Type
    a
  9. Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992) 0.00 
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    Abstract
    Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
    Type
    a
  10. Steffens, M.: Bibliothek im Museum : Bibliothekarisch orientierte Sammlungsverwaltung mit dem Datenbanksystem Allegro/HANS (1995) 0.00 
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  11. Will, L.: ¬The indexing of museum objects (1993) 0.00 
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    a
  12. Gülich, C.: EDV-Objektdokumentation im Verbund : Westfälische Museen auf neuen Wegen? (1996) 0.00 
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  13. Delouis, D.: Telecommunications in museums (1993) 0.00 
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    Abstract
    Describes the Remote Access to Museum Archive project, a CEC funded project which aims to promote access to museums documentary databases in museums via telecommunications. Describes existing museum databases which are remotely accessible. The RAMA project aims to interconnect the image documentary databases of seven European museums. Describes its progress, and prospects for creation of an electronic museum
    Type
    a
  14. Straten, R. van: Iconography, indexing, ICONCLASS : a handbook (1994) 0.00 
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    Footnote
    Rez. in: IfB 3(1995) H.2, S.354-356 (A. Karasch)
  15. Leuchte, U.; Schirmbeck, H.-J.: BIADOK: das Projekt eines automatisierten und rechnergestützten Kunst- und Informationszentrums in Berlin (1992) 0.00 
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  16. Düro, M.; Schweibenz, W.: Metadaten für Museen (2002) 0.00 
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  17. Blanc, O.; Calba, C.: ¬L'¬Etoffe numerique : La Banque d'Images textiles du Musée des Tissus de Lyon (1998) 0.00 
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    Abstract
    Describes a project launched in 1992 to computerize the collections of the Musée des Tissus in Lyon. Known as Système d'Organisation et d'Inventaire Étendu a la Récherche (SOIERIE), it is a tool for internal archiving and management and an image databank. Describes the background to the project, data and equipment, consultation, the users and the current situation
    Type
    a
  18. Saltzman, A.B.: Art slide sets : online access (1998) 0.00 
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    Abstract
    Ellender Memorial Library at Nicholls State University, Louisiana has a slide collection including 10,000 slides in 60 sets devoted to art. Describes how the cataloguer solved the problem of entering sufficiently detailed records of this part of the collection on the OPAC of a small college library, using the OCLC authority file for artists' names and NUTPLUS which offers access via any combination of 15 data elements including e.g., aspects of the subject, call and item numbers and location of the works of art. NUTPLUS is now available in a new version, called Ultra-Plus Advanced, from Fairhaven Software of Stoughton, Massachusetts
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  19. Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993) 0.00 
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    Abstract
    The Micro Gallery is a computerised, interactive, public access information system located in the Sainsbury Wing of the National Gallery in London. It provides detailed information about the Gallery's collection of paintings in an accessible form, using digitised colour images and touch screen technology. Discusses the evolution of the system, its reception and the projects it has spawned
    Type
    a
  20. Michard, A.; Pham Dac, D.: Description of collections and encyclopedias on the Web using XML (1998) 0.00 
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    Abstract
    Cataloguing artworks relies on the availability of classification schemes, often represented by hierarchical thesauri. Comments on the limitations of current practices and tools and proposes a new approach for the cooperative production of multilingual and multicultural classification schemes exploiting some features of the oncoming Extensible Markup Language based Web
    Type
    a

Authors

Years

Languages

  • e 27
  • d 25
  • f 3
  • nl 2
  • i 1
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Types

  • a 50
  • m 6
  • s 2
  • r 1
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Themes

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Classifications