Search (62 results, page 1 of 4)

  • × theme_ss:"Objektdokumentation"
  1. Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997) 0.04 
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    Date
    5. 3.1999 17:40:22
    Type
    a
  2. Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.03 
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    Source
    Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
    Type
    a
  3. Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998) 0.02 
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    Source
    Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
    Type
    a
  4. Steffens, M.: Bibliothek im Museum : Bibliothekarisch orientierte Sammlungsverwaltung mit dem Datenbanksystem Allegro/HANS (1995) 0.02 
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    Type
    a
  5. Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998) 0.02 
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    Abstract
    Discusses the possibilities and difficulties encountered when using a thematic index to search contemporary art databanks. Jaconde and Videomuseum, 2 French databanks, are used as examples. the core problems found in the study are the methods and limits of indexing in both systems. A thematic index should be developed that is better adapted to 20th century art, based on the complementary and reciprocal relationship between text and image, and which fully exploits hypertext
    Date
    1. 8.1996 22:01:00
    Type
    a
  6. Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000) 0.02 
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    Type
    a
  7. Düro, M.; Schweibenz, W.: Metadaten für Museen (2002) 0.02 
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    Type
    a
  8. Wolters, C.: Objektdokumentation im Museum (1990) 0.02 
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    Source
    Grundlagen der praktischen Information und Dokumentation: ein Handbuch zur Einführung in die fachliche Informationsarbeit. 3. Aufl. Hrsg.: M. Buder u.a. Bd.1
    Type
    a
  9. Straten, R. van: Iconography, indexing, ICONCLASS : a handbook (1994) 0.01 
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    Footnote
    Rez. in: IfB 3(1995) H.2, S.354-356 (A. Karasch)
    Type
    m
  10. Abell-Seddon, B.: Museum catalogues : a foundation for computer processing (1987) 0.01 
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  11. Chenhall, R.; Blackaby, J.R.; Greeno, P.: ¬The revised nomenclature for museum cataloging : a revised and expanded version of Robert G. Chenhall's system for classifying man-made objects (1989) 0.01 
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  12. Ferbeek, E.; Hellevort, M.: ¬Het afficheproject : onderwerpsontsluiting van affiches (1993) 0.01 
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    Abstract
    A preliminary survey of poster collections in libraries, museums, and archives in the Netherlands revealed a wealth of material about which little was known. A deteiled survey was, therefore, undertaken in 1992 by the Rijksdienst Beeldende Kunst of 14 institutiions known to hold poster collections. As a result of the project the Database Nederlandse Affiches has been compiled to record details of the 72.000 items identified. Other institutions have now begun to submit details of their holdings to the database
    Type
    a
  13. Becker, H.-G.: MODS2FRBRoo : Ein Tool zur Anbindung von bibliografischen Daten an eine Ontologie für Begriffe und Informationen (2010) 0.01 
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    Imprint
    Frankfurt. / M. : DGI
    Source
    Semantic web & linked data: Elemente zukünftiger Informationsinfrastrukturen ; 1. DGI-Konferenz ; 62. Jahrestagung der DGI ; Frankfurt am Main, 7. - 9. Oktober 2010 ; Proceedings / Deutsche Gesellschaft für Informationswissenschaft und Informationspraxis. Hrsg.: M. Ockenfeld
    Type
    a
  14. Software-Vergleich Museumsdokumentation 1998 : Ein Bericht der Arbeitsgruppe Software-Vergleich in der Fachgruppe Dokumentation beim Deutschen Museumsbund (1998) 0.01 
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    Abstract
    Zwar gibt es seit Jahren Erfahrungsberichte über die Arbeit mit einzelnen EDV-Programmen für die Museumsdokumentation, ein genereller Überblick ist jedoch noch nicht publiziert worden. 19 Anbieter stellten sich einem Softwarevergleich (Allegro-HANS; CMB Storager 2.2; Dada 3.0; Dr.Doc 4.1; FAUST 3; FirstRumos 97; GOS 3.7; HiDA3; ImageFinder Museo 2.0; IMDAS -Pro 1.1.0; M-Box 2.1; MOVplus; robotron*BIDOK/M; AUGIAS-Museum 3.0; DAVID 1.0; LARS; MuseArch 3.0; Museumsverwaltung 3.11; MUSYS)
    Language
    m
    Object
    M-BOX
    robotron*BIDOK/M
    Type
    m
  15. Hübner, M.: Integrierte und vielschichtige Dokumentation von Kunstwerken (1991) 0.01 
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  16. O'Keefe, E.; Oldal, M.: Cataloging Cultural Objects (CCO) (2009) 0.01 
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    Abstract
    The entry provides an overview of the data content standard, Cataloging Cultural Objects (CCO), developed by the Visual Resources Association (VRA), and published in 2006 by the American Library Association (ALA). CCO fills a gap in the array of descriptive standards by providing guidelines for visual resources curators, museum documentation specialists, archivists, librarians, or anyone engaged in the documentation of works of art and architecture, objects of material culture, and their images. The entry begins by placing CCO within the context of object and visual image cataloging and the broader framework of data content standards. Following the organization of the guide, which is divided into three parts, General Guidelines, Elements, and Authorities, it summarizes the main features of CCO. Finally, it evaluates CCO in terms of its suitability for use by the metadata communities that form its intended audience, and its sustainability.
    Type
    a
  17. Orna, E.; Pettitt, C.: Information management in museums (1998) 0.01 
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    Abstract
    Museums are under pressure to deliver effective management and presentation of their collections, outreach to their public, cost effective use of all of their resources and the generation of maximum income. This book addresses such topics as what information means in the museum context, who uses it and what they need to do with it, developing a strategy for using information to benefit the museum, making the best use of the knowledge and skills of the museum staff, and acquiring the right mix of technology and managing it to support co-operation between people. Basic principles and practical advice is presented for integrated management of a whole range of information which museums need for productive use of human resources and for choosing and using technology effectively. The needs of small museums are given special attention and case studies show how a range of institutions have responded to the challenge.
    Type
    m
  18. Cataloging cultural objects: . Chicago: American Library Association, 396 p. ISBN 978-0-8389-3564-4 (pbk.) : a guide to describing cultural work and their images (2006) 0.01 
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    Abstract
    For the first time, under the leadership of the Visual Resources Association, a cross section of five visual and cultural heritage experts, along with scores of reviewers from varied institutions, have created a new data content standard focused on cultural materials. This cutting-edge reference offers practical resources for cataloging and flexibility to meet the needs of a wide range of institutions - from libraries to museums to archives to visual collections. Consistently following these guidelines for selecting, ordering, and formatting data used to populate metadata elements in cultural materials' catalog records: promotes good descriptive cataloging and reduces redundancy; builds a foundation of shared documentation; creates data sharing opportunities; and, complements existing standards
    Editor
    Baca, M. et al
    Footnote
    Rez. in: KO 34(2007) no.4, S. 264-265 (L.C. Howarth): "At a time when cataloguing code revision is continuing apace with the consolidation of the International Standard Bibliographic Description (ISBD), the drafting of RDA: Resource Description and Access, and the development of common principles for an international cataloguing code (International Meeting of Experts on an International Cataloguing Code [IME ICC]), the publication of a guide for cataloguing cultural objects is timely and purposeful. Compiling this data content standard on behalf of the Visual Resources Association, the five editors - with oversight from an advisory board - have divided the guide into three parts. Following a brief introduction outlining the purpose, intended audience, and scope and methodology for the publication, Part One, General Guidelines, explains both what the Cataloging Cultural Objects (CCO) guide is "a broad document that includes rules for formatting data, suggestions for required information, controlled vocabulary requirements, and display issues" (p. I) and is not "not a metadata element set per se" (p. 1). Part Two, Elements, is further divided into nine chapters dealing with one or more metadata elements, and describing the relationships between and among each element. Part Three, Authorities, discusses what elements to include in building authority records. A Selected Bibliography, Glossary, and Index, respectively, round out the guide.
    As the editors note in their introduction, "Standards that guide data structure, data values, and data content form the basis for a set of tools that can lead to good descriptive cataloging, consistent documentation, shared records, and increased end-user access" (p. xi). The VRA Core Categories, for example, represent a set of metadata elements expressed within an XML structure (data structure). Likewise, the Art Architecture Thesaurus contains sets of terms and relationships, or defined data values. While much effort has been expended on developing both data structures and values, the editors argue, the third leg of the stool, data content, has received less attention. Unlike the library community with its Anglo-American Cataloging Rules [sic though RDA is referenced in the Selected Bibliography], or its archival equivalent, Describing Archives: A Content Standard (DACS), those in the domain of cultural heritage responsible for describing and documenting works of art, architecture, cultural artifacts, and their respective images, have not had the benefit of such data content standards. CCO is intended to address (or redress) that gap, emphasizing the exercise of good judgment and cataloguer discretion over the application of "rigid rules" [p. xii], and building on existing standards. ... Overall, Cataloging Cultural Objects with its attending guidelines for descriptive metadata and authority control for "one-of-a-kind cultural objects" should merit a place among the "well-established" data content standards of the library and archival communities that CCO references with obvious regard."
    Type
    m
  19. Wolters, C.: Wie muß man seine Daten formulieren bzw. strukturieren, damit ein Computer etwas Vernünftiges damit anfangen kann? : Mit einem Glossar von Carlos Saro (1991) 0.00 
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  20. Social History and Industrial Classification - SHIC : Sozialgeschichtliche und industrielle Klassifikation - Eine thematische Klassifikation für Museumssammlungen (1999) 0.00 
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