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Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000)
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Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997)
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- Date
- 5. 3.1999 17:40:22
-
Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000)
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Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993)
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- Source
- Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
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Hesse, P.: Von Null auf Hundert : Anwendung einer Datenbank zur Objektverwaltung in den Reiss-Engelhorn-Museen Mannheim (2003)
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-
Chenhall, R.; Blackaby, J.R.; Greeno, P.: ¬The revised nomenclature for museum cataloging : a revised and expanded version of Robert G. Chenhall's system for classifying man-made objects (1989)
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-
Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998)
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- Source
- Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
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Wolters, C.: Object databases and thesauri for small museums (1991)
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- Classification, data analysis, and knowledge organization: models and methods with applications. Proc. of the 14th annual conf. of the Gesellschaft für Klassifikation, Univ. of Marburg, 12.-14.3.1990. Ed.: H.-H. Bock u. P. Ihm
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Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998)
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- Date
- 1. 8.1996 22:01:00
-
Cataloging cultural objects: . Chicago: American Library Association, 396 p. ISBN 978-0-8389-3564-4 (pbk.) : a guide to describing cultural work and their images (2006)
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- Footnote
- Rez. in: KO 34(2007) no.4, S. 264-265 (L.C. Howarth): "At a time when cataloguing code revision is continuing apace with the consolidation of the International Standard Bibliographic Description (ISBD), the drafting of RDA: Resource Description and Access, and the development of common principles for an international cataloguing code (International Meeting of Experts on an International Cataloguing Code [IME ICC]), the publication of a guide for cataloguing cultural objects is timely and purposeful. Compiling this data content standard on behalf of the Visual Resources Association, the five editors - with oversight from an advisory board - have divided the guide into three parts. Following a brief introduction outlining the purpose, intended audience, and scope and methodology for the publication, Part One, General Guidelines, explains both what the Cataloging Cultural Objects (CCO) guide is "a broad document that includes rules for formatting data, suggestions for required information, controlled vocabulary requirements, and display issues" (p. I) and is not "not a metadata element set per se" (p. 1). Part Two, Elements, is further divided into nine chapters dealing with one or more metadata elements, and describing the relationships between and among each element. Part Three, Authorities, discusses what elements to include in building authority records. A Selected Bibliography, Glossary, and Index, respectively, round out the guide.
As the editors note in their introduction, "Standards that guide data structure, data values, and data content form the basis for a set of tools that can lead to good descriptive cataloging, consistent documentation, shared records, and increased end-user access" (p. xi). The VRA Core Categories, for example, represent a set of metadata elements expressed within an XML structure (data structure). Likewise, the Art Architecture Thesaurus contains sets of terms and relationships, or defined data values. While much effort has been expended on developing both data structures and values, the editors argue, the third leg of the stool, data content, has received less attention. Unlike the library community with its Anglo-American Cataloging Rules [sic though RDA is referenced in the Selected Bibliography], or its archival equivalent, Describing Archives: A Content Standard (DACS), those in the domain of cultural heritage responsible for describing and documenting works of art, architecture, cultural artifacts, and their respective images, have not had the benefit of such data content standards. CCO is intended to address (or redress) that gap, emphasizing the exercise of good judgment and cataloguer discretion over the application of "rigid rules" [p. xii], and building on existing standards. ... Overall, Cataloging Cultural Objects with its attending guidelines for descriptive metadata and authority control for "one-of-a-kind cultural objects" should merit a place among the "well-established" data content standards of the library and archival communities that CCO references with obvious regard."
-
Mensing, P.: Planung und Durchführung von Digitalisierungsprojekten am Beispiel nicht-textueller Materialien (2010)
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