Search (35 results, page 1 of 2)

  • × year_i:[2000 TO 2010}
  • × theme_ss:"Geschichte der Kataloge"
  1. De Rijk Spanhoff, E.: Principle issues : catalog paradigms, old and new (2003) 0.04 
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  2. Steinhagen, E.N.: Historical perspective of a union catalog in Chile : authorities and periodicals (2003) 0.03 
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    Date
    29. 7.2006 20:06:22
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  3. Blake, V.L.P.: Forging the Anglo-American Cataloging Alliance : descriptive cataloging, 1830-1908 (2003) 0.02 
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    Pages
    S.3-22
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  4. Blake, V.L.P.: Forging the Anglo-American cataloging alliance : descriptive cataloging, 1830-1908 (2002) 0.02 
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    Source
    Cataloging and classification quarterly. 35(2002) nos.1/2, S.3-22
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  5. Historical aspects of cataloging and classification (2003) 0.02 
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    Content
    Enthält die Beiträge: Blake, V.L.P.: Forging the Anglo-American Cataloging Alliance: descriptive cataloging, 1830-1908; M. Carpenter, M.: The original 73 rules of the British Museum: a preliminary analysis; De Rijk Spanhoff, E.: Principle issues: catalog paradigms, old and new; Mutula, S.M., Tsvakai, M.: Historical perspectives of cataloguing and classification; Barber, E.E., Tripaldi, N.M., Pisano, S.L.: Facts, approaches, and reflections an classification in the history of Argentine librarianship; MirandaArguedas, A.: Standardization of technical processes in Central American Libraries; Steinhagen, EN.: Historical perspective of a union catalog in Chile: authorities and periodicals; Liu, S.Q., Shen, Z.G.: The development of cataloging in China; Popst, H.: The development of descriptive cataloging in Germany; Croissant, C.R.: RAK or AACR2? : the current discussion in Germany an cataloging rules; Soltani, P.: Historical aspects of cataloging and classification in Iran; Takawashi, T.: Cataloging in Japan: relationship between Japanese and Western cataloging rules; Martinez-Arellano, F.F.: Cataloging and classification history in Mexico; Carter, R.C.: Three book collectors of imperial Spain; Lincoln, T.: Cultural reassertion of Alaska native languages and cultures: libraries' responses; Descriptive standards and the archival profession; Shuler, J.A.: Foundations of government information and bibliographic control in the United States: 1789-1900; Zhou, L.: Characteristics of material organization and classification in the Kinsey Institute Library; Goldberg, J.E.: Development of a universal law classification: a retrospective an Library of Congress Class K; Lubas, R.L.: The evolution of bibliographic control of maps; Guthrie II, L.S.: Monastic cataloging and classification and the beginnings of Class B at the Library of Congress; Bradley, C.J.: Classifying and cataloguing music in American Libraries: a historical overview; Haddad, P.: Cataloging and classification of Pacific and Asian language materials at the National Library of Australia; Russell, B.M.: Description and access in rare books cataloging: a historical survey; Waithe, M.E., Vintro, M.E.: Posthumously plagiarizing Oliva Sabuco: an appeal to cataloging librarians; Walravens, H.: Serials cataloguing in Germany: the historical development; Smiraglia, R.P.: The history of The Work in the modern catalog.
  6. Mulsow, M.: Jede, Autor seine Maske : Die Bibliothek als Theater: Vincentius Placcius erfindet 1708 das Karteikastensystem (2002) 0.01 
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    Content
    ""Larvatus prodeo": Mit diesen Worten erklärt Descartes 1619 gegenüber Beeckmann, er wolle seinen Untersuchungen nur versteckt und hinter einer Maske nachgehen. Simulation und Dissimulation waren in dieser Zeit fast unabdingbare Tugenden für denjenigen, der innovativ und jenseits der gängigen Pfade forschen und veröffentlichen wollte. Um so mehr, wurde es allerdings im Verlauf des siebzehnten Jahrhunderts zu einer Dringlichkeit für die "Historia litteraria", für die Orientierung in den Wissensbeständen also, den Autoren ihre Larven abzunehmen: zumindest post festum, nach dem Abflauen der jeweiligen stürmischen Kontroversen, die ihre Schriften ausgelöst hatten. Man empfand die Masse der nicht zuschreibbaren Titel als ein "Chaos", einen "Orcus", der zu bändigen sei. Diesem Bedarf kam schließlich 1708 der Hamburger Vincentius Placcius nach, mit dem ersten umfassenden Lexikon in dieser Sache, dem monumentalen "Theatrum anonymorum et pseudonymorum". Placcius ist auch der erste gewesen, der die Technik des Karteikastenschrankes publik gemacht hat; er kannte sich also aus mit der Bändigung von Wissen. Helmut Zedelmaier hat jüngst an Placcius erinnert, der als Schüler des Naturwissenschaftlers Joachim Jungius eine "Ars Excerpendi" geschrieben und darin die Entwürfe seines Lehrers veröffentlicht hat (Helmut Zedelmaier, "De ratione excerpendi: Daniel Georg Morhof und das Exzerpieren", in Francoise Waquet, Hrsg., Mapping the World of Learning: The "Polyhistor" of Daniel Georg Morhof, Wiesbaden 2000). Nach Zedelmaier war das Besondere an der von Jungius und Placcius verwendeten Methode, daß sie provisorisch war. Nicht mehr in Bücher mit festgefügten thematischen "Loci" schrieb man jetzt, sondern auf Zettel, die mit einer Halteklammer an metallene Registerkarten geheftet wurden. So konnten die Zettel nach Belieben umsortiert werden, wenn sich neue Bezüge für sie ergaben. Ein solches provisorisches Ordnen mag auch beim Aufspüren von larvierten Autoren geholfen haben. Der gelehrte Detektiv, der sich an ihre Fersen heftete, hatte immer neue Indizien zu kombinieren, bis sich das Rätsel um die Identität des Verfassers lüftete. Was heute die Recherche im Internet leistet, war damals noch Handarbeit. Anonymen- und Pseudonymenkataloge anzulegen ist im späten siebzehnten und frühen achtzehnten Jahrhundert fast zum Modephänomen unter wohlhabenden Gelehrtenavanciert. Wohlhabend: weil zu dieser Tätigkeit eine große Privatbibliothek gehörte, die sich nur mit beträchtlichen finanziellen Mitteln aufbauen ließ, zumal wenn sie seltene Texte oder gar Manuskripte enthalten sollte. Placcius' Buch ist ein Titelkupfer vorangestellt, auf dem ein Gelehrter in seiner detektivischen Tätigkeit mehreren Autoren die Masken vom Gesicht nimmt, so daß ihr wahres Antlitz sichtbar wird. Über der Szenerie hängen bereits eine ganze Reihe von Masken, die von erbrachten Sherlock-Holmes-Leistungen zeugen. Das "Theater", in dem sich diese Demaskierung vollzieht, ist natürlich die Gelehrtenbibliothek, und zwar eine Bibliothek hinter jener Bühne, auf der die larvierten Autoren aufgetreten sind. Im Hintergrund sind ein Merkur und eine Minerva sichtbar, Zeichen der Verbindung von Rhetorik und Vernunft in den Artes, und im tiefsten Hintergrund scheint die ephesinische Artemis auf, die Göttin der Natur, als letzter Referenzpunkt aller Künste. "Jedem das Seine" (suum cuique) steht als Motto über der Darstellung.
    Damit ist offenbar gemeint, daß jeder Autor sein wahres Gesicht zurückerhält, daß nicht mehr die fremde, sondern die eigene Autorität und Person gefragt ist. Präziser ist auf Cicero angespielt, der in "De officiis" von den Rollen spricht, die zu verkörpern uns die Natur aufgegeben habe, und die Regel ausgibt: Bleibe bei dem, was dir eigentümlich ist, nimm nicht andere Charaktere an, sondern sei unverstellt du selbst. Bei dem "suum cuique" ist deshalb "persona" zu ergänzen, so wie auf einer florentinischen Tafel aus dem sechzehnten Jahrhundert: "sua cuique persona". Placcius' Lexikon schafft demnach die von den Autoren künstlich hergestellte Differenz zu sich selbst aus der Welt und bringt Autor und Person wieder zur Deckung. Damit ist freilich ein gesellschaftliches, ja wissenssoziologisches Problem - das der Dissimulation - auf eine einfache moralische Devise zur Authentizität reduziert. Man ist deshalb versucht - um der Reduktion entgegenzusteuern -, das Bild und das Motto andersherum zu lesen, sicherlich gegen die intendierte Verlaufsrichtung des Stechers. Der Gelehrte im Vordergrund erscheint dann als jemand, der Masken verteilt, "personae" vergibt, und zwar "jedem die seine". Diese Blickrichtung wäre diejenige der Autoren selbst, die in der Absicht, sich zu larvieren, eine Wahl treffen müssen, welche "persona" sie annehmen Wollen, durch welche Maske sie zu sprechen gedenken. Der "Ineptus religiosus", ein anonymer Text aus der Mitte des siebzehnten Jahrhunderts, empfiehlt denn auch ganz ohne Scham: "Halte besonders diejenigen für auserlesene Bücher, welche ohne Namen des Verfassers herauskommen und auch keinen Ort des Drucks angeben." Die Leine voll Masken, die über der Bibliothek gespannt ist, bezeichnet dann die pluralisierte Situation der frühen Neuzeit mit ihrer Vielfalt von wählbaren Traditionen, und der Gelehrte ist nun ein - freilich subversiver - Requisiteur, der aus seiner Kenntnis der Wissens- und Traditionsvorräte heraus den Autoren bei der Suche nach der passenden Rolle hilft. Der dissimulierende Autor ist dabei notwendig ein Eklektiker geworden, denn bei einer Pluralisierung von Autoritäten hilft nur die connaisseurhafte Auswahl, wenn man auf der Bühne der Öffentlichkeit, die im Hintergrund sichtbar wird" Erfolg haben will. Es ist dieser Blick aus der Autorenrichtung, aus der Richtung der "invention of traditions", den die Besinnung auf die Vervielfältigung der Pseudonyme in der frühen Neuzeit und die Versuche, ihnen mit Zettelkästen beizukommen, lehrten. Denn jenseits des Polizeiblicks auf die Karteien von Verdächtigen, von Schwindlern und Betrügern gab es tatsächlich in der Frühaufklärung eine literargeschichtliche Beschäftigung mit anonymen Werken. In gleichsam subversiver Verwendung der Gelehrsamkeit ä la Placcius stellte man sich eine "Bibliotheca Vulcani" zusammen, nämlich Notizen über verbotene und verbrannte Bücher. Es waren Schriften, die "dem Vulcan geopfert" worden waren, die gleich Märtyrern den Feuertod erlitten hatten. Diese Zettelsammlung konnte dann als Archiv für neue radikale "Schandtaten" dienen. Sie stiftete zur Intertextualität an: Werke des philosophischen Untergrundes um 1700 tragen oft fiktive Verfasser- oder Druckernamen, die den Text in die Tradition etwa von Spinoza, der politischen Widerstandsliteratur oder dem Renaissancenaturalismus stellen. Je nach Wahl der Maske, die man auf der langen Leine des Zettelkastens zur Ansicht hatte."
    Type
    a
  7. Carpenter, M.: ¬The original 73 rules of the British Museum : a preliminary analysis (2003) 0.01 
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    Content
    Vgl. auch: Crestadoro, A.: The art of making catalogues of libraries: or, a method to obtain in a short time a most perfect, complete, and satisfactory printed catalog of the British Museum Library / by a reader therein [i.e. A. Crestadoro]. London: Published and sold by The Literary, Scientific & Artistic Reference Office 1856.
    Type
    a
  8. Carpenter, M.: ¬The original 73 rules of the British Museum : a preliminary analysis (2002) 0.00 
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    Abstract
    The well-known 91 rules of the 1841 British Museum catalog, adopted in July 1839, had an ancestor in a draft of 73 rules from March 1839, a document that might be called the original rules of Anthony Panizzi. The code, finally sanctioned by the British Museum Trustees, has some substantial differences from the original draft, differences that seem to foreshadow later discussion on cataloging rules. In this preliminary analysis, some of these differences are described. Additionally, the origin of the rules is discussed.
    Content
    Vgl. auch: Crestadoro, A.: The art of making catalogues of libraries: or, a method to obtain in a short time a most perfect, complete, and satisfactory printed catalog of the British Museum Library / by a reader therein [i.e. A. Crestadoro]. London: Published and sold by The Literary, Scientific & Artistic Reference Office 1856.
    Type
    a
  9. Creider, L.S.: ¬A comparison of the Paris Principles and the International Cataloguing Principles (2009) 0.00 
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    Abstract
    After more than forty-five years of cataloging experience with the Paris Principles and their impact on the international sharing of bibliographic data, the process of replacing them with a wider and deeper set of International Cataloguing Principles is nearing completion. This paper compares the scope, technological context, process of decision-making, conceptual framework, and amount of change involved in the adoption of the two different statements.
    Type
    a
  10. Walravens, H.: Serials cataloging in Germany : the historical development (2003) 0.00 
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    Abstract
    This paper outlines the development of serials cataloguing in Germany, which started with entries usually in systematic catalogues. Cataloguing codes were developed first by individual major libraries; the establishment of a Prussian union catalogue called for generally recognized rules, but these focused mainly on sorting and filing. When, in the 1960s, the Prussian Instructions were given up in favor of RAK (Regeln für Alphabetische Katalogisierung), ISBD was adopted for the descriptive part. As to modern international cooperation, this paper explains that the main obstacles are not so much different cataloguing codes but the lack of consensus on the definition of a serial title. Recent revision efforts missed the opportunity of accepting an International Standard Serials Title.
    Type
    a
  11. Hanson, E.R.; Daily, J.E.: Catalogs and cataloging : history (2009) 0.00 
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    Abstract
    The catalog is the enduring means of access to information about the collection of a library. Without such information, use of a library would be limited to browsing the shelves in hopes of finding materials of interest. Hanson and Daily trace the development of catalogs from ancient times to the middle of the twentieth century. In parallel they also trace the history of cataloging rules and principles through the many codes of practice that have been developed over the years. The authors' speculation on what computerized catalogs might be like in the future, once developed, provides an interesting sidelight on the thinking of the era preceding the automation of catalogs.
    Type
    a
  12. Mühlner, M.: ¬"Der erste Bibliothekar, den Deutschland je aufzuweisen hatte" : Johann Michael Francke (1717-1775) (2000) 0.00 
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  13. Keitz, W. von: ¬Die "Bibliotheca Alexandrina" : Zerstörung eines Mythos (2000) 0.00 
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  14. Liu, S.; Shen, Z.: ¬The development of cataloging in China (2002) 0.00 
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    Abstract
    With a long history, cataloging has evolved with changes in society, economy, and technology in China. This paper presents Chinese cataloging history in four parts, with emphasis on the last two parts: the founding of the People's Republic of China in 1949 and the development of cataloging after 1979 when China opened its doors to the world. Particularly important has been the rapid growth of online cataloging in recent years. The China Academic Library and Information System (CALIS), as a successful online cataloging model, is emphasized. Through investigation of the entire history of Chinese cataloging, three distinct features can be stated: (1) Standardization- switching from the Chinese traditional way to aligning with international standards, (2) Cooperation-from decentralized and self-supporting systems to sharing systems, (3) Computerization and networking-from manual operation to computer-based online operation. At the end of this paper, a set of means by which to enhance online cataloging and resource sharing is suggested.
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  15. Martínez-Arellano, F.F.: Cataloging and classification history in Mexico (2002) 0.00 
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    Abstract
    This article discusses cataloging and classification history in Mexico and how cataloging and classification have evolved according to the changes that libraries and library science have experienced on both a national and international level. The first part of the article refers to the first half of the twentieth century, detailing the origins of cataloging and classification history. The second part presents discussion of the development and consolidation of both cataloging and classification during the second half of the twentieth century. The article also discusses subject headings, automation, centralization, and union catalogs in Mexico. It discusses past difficulties in creating a union catalog at a national level and the advantages of automated systems in helping to develop this needed union catalog. The article discusses the need to resume publication of the Bibliografía Mexicana. One of the main problems that Mexican libraries have faced is a scarcity of librarians adequately prepared to perform cataloging and classification of their collections. This lack of librarians is even more acute in the Mexican states. There are insufficient numbers of students in library schools to provide the staffing that libraries demand not only for cataloguing and classification but also for many other library activities.
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  16. Walravens, H.: Serials cataloging in Germany : the historical development (2003) 0.00 
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    Abstract
    This paper outlines the development of serials cataloguing in Germany, which started with entries usually in systematic catalogues. Cataloguing codes were developed first by individual major libraries; the establishment of a Prussian union catalogue called for generally recognized rules, but these focused mainly on sorting and filing. When, in the 1960s, the Prussian Instructions were given up in favor of RAK (Regeln für Alphabetische Katalogisierung), ISBD was adopted for the descriptive part. As to modern international cooperation, this paper explains that the main obstacles are not so much different cataloguing codes but the lack of consensus on the definition of a serial title. Recent revision efforts missed the opportunity of accepting an International Standard Serials Title.
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  17. Mutula, S.M.; Tsvakai, M.: Historical perspectives of cataloguing and classification (2003) 0.00 
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  18. Liu, S.Q.; Shen, Z.G.: ¬The development of cataloging in China (2003) 0.00 
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  19. Martinez-Arellano, F.F.: Cataloging and classification history in Mexico (2003) 0.00 
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  20. Soltani, P.: Historical aspects of cataloging and classification in Iran (2003) 0.00 
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