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Abstract

Die VZG hat zum November 2020 den Betrieb und die technische Weiterentwicklung übernommen. BARTOC enthält Informationen zu über mehr als 5.000 Wissensorganisationssysteme wie Klassifikationen, Thesauri, Ontologien und Normdateien. Die Inhalte werden durch eine internationale Gruppe von Redakteuren betreut und stehen in verschiedener Form frei zur Verfügung. Die Adresse https://bartoc.org/ und alle BARTOC-URLs bleiben bestehen. Das Redaktionsteam freut sich über Hinweise auf Ergänzungen und Korrekturen.

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Abstract

Arbeit und Wirtschaft, Erde und Kosmos, Globalisierung und Nachhaltigkeit, Industrie, Informationstechnologie, Infrastruktur, Kognition und Wissen, Kultur, Leben und Wohlergehen, Materialien, Mensch und Gesellschaft, Natur und Umwelt, Technologie und zu guter Letzt Wissenschaft - das sind die 14 Oberkategorien der interdisziplinären Forschungsfeldklassifikation.

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Abstract

While thousands of ontologies exist on the web, a unified sys-tem for handling online ontologies - in particular with respect to discov-ery, versioning, access, quality-control, mappings - has not yet surfacedand users of ontologies struggle with many challenges. In this paper, wepresent an online ontology interface and augmented archive called DB-pedia Archivo, that discovers, crawls, versions and archives ontologies onthe DBpedia Databus. Based on this versioned crawl, different features,quality measures and, if possible, fixes are deployed to handle and sta-bilize the changes in the found ontologies at web-scale. A comparison toexisting approaches and ontology repositories is given.

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Abstract

This paper discusses the Hornbostel-Sachs Classification of Musical Instruments. This classification system was originally designed for musical instruments and books about instruments, and was first published in German in 1914. Hornbostel-Sachs has dominated organological discourse and practice since its creation, and this article analyses the scheme's context, background, versions and impact. The position of Hornbostel-Sachs in the history and development of instrument classification is explored. This is followed by a detailed analysis of the mechanics of the scheme, including its decimal notation, the influential broad categories of the scheme, its warrant and its typographical layout. The version history of the scheme is outlined and the relationships between versions is visualised, including its translations, the introduction of the electrophones category and the Musical Instruments Museums Online (MIMO) version designed for a digital environment. The reception of Hornbostel-Sachs is analysed, and its usage, criticism and impact are all considered. As well as dominating organological research and practice for over a century, it is shown that Hornbostel-Sachs also had a significant influence on the bibliographic classification of music.

Footnote

Derived from the article of similar title in the ISKO Encyclopedia of Knowledge Organization Version 1.1 (= 1.0 plus details on electrophones and Wikipedia); version 1.0 published 2019-01-17, this version 2019-05-29. Article category: KOS, specific (domain specific). The author would like to thank the anonymous reviewers for their useful comments, as well as the editor, Professor Birger Hjørland, for all of his insightful comments and ideas.

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Abstract

Auguste Comte is ostensibly the world's most famous classifier of the sciences in modern history. His whole life was dedicated to establishing a classification that conformed to the 'positivist' (non-theological and non-metaphysical) principles he settled on after working with early nineteenth-century French social reformer Henri de Saint-Simon. This article first probes the background to Comte's classifying of the sciences, discussing French and German influences, and the effect of the phrenological movement on his special attitude to psychology and social life. Central sections of the article concern the basic and most mature ordering of the sciences according to his fundamental Course of lectures on classification (1830-42), the development of a tableau to cover psychological issues, and attempts at tables to synthesize his ordering and draw out their implications for socio-political reform and the Church of Humanity he founded. Concluding sections cover key binding principles of his classificatory work, as well as matters of reception, influence, and critical response.

Series

Reviews of concepts in knowledge organization

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Content

# How does Archivo work? Each week Archivo runs several discovery algorithms to scan for new ontologies. Once discovered Archivo checks them every 8 hours. When changes are detected, Archivo downloads and rates and archives the latest snapshot persistently on the DBpedia Databus. # Archivo's mission Archivo's mission is to improve FAIRness (findability, accessibility, interoperability, and reusability) of all available ontologies on the Semantic Web. Archivo is not a guideline, it is fully automated, machine-readable and enforces interoperability with its star rating. - Ontology developers can implement against Archivo until they reach more stars. The stars and tests are designed to guarantee the interoperability and fitness of the ontology. - Ontology users can better find, access and re-use ontologies. Snapshots are persisted in case the original is not reachable anymore adding a layer of reliability to the decentral web of ontologies.