Search (341 results, page 1 of 18)

  • × theme_ss:"Katalogfragen allgemein"
  1. Papy, F.; Chauvin, S.: Au-delà de la transfiguration du catalogue : Le Visual... Catalog : Mort et transfiguration des catalogues (2005) 0.08 
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    Abstract
    Les étudiants méconnaissent le fonctionnement de leur bibliothèque universitaire et sont victimes de l'abondance documentaire. De plus, les catalogues informatisés, au regard des autres vecteurs d'information électronique, apparaissent désormais comme archaïques. Au service commun de la documentation de l'Université Paris VIII, un outil expérimental complète l'Opac depuis octobre 2004 : le Visual... Catalog. Cette interface introduit l'hypertextualité et transpose graphiquement les données du catalogue.
    Type
    a
  2. Bertrand, R.: ¬Le catalogue, les bibliothèques et la modernité (1991) 0.06 
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    Abstract
    The conventional library catalogue us doomed to oblivion and is a tool that is becoming obsolete under the pressure and development of new information technologies
    Type
    a
  3. Smiraglia, R.P.: Works as signs and canons : towards an epistemology of the work (2000) 0.06 
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    Abstract
    Works and items form documentary entities-packages that contain and may deliver one or more creative, communicative conceptions. At the most basic level a work is a set of ideas created and set into a document using text, with the intention of being communicated to a receiver. Works are essential vehicles for communication of information across temporal and cultural boundaries. As such, works demonstrate the characteristics of signs and symbols. Further, works may have membership in a canon. A taxonomic definition of the work is presented, which encompasses the cultural and documentary characteristics of works. This definition can be seen as a precursor to epistemological understanding of signifying documentary entities. Works and items are joined variously to form documentary entities--packages that contain and may deliver one or more creative, communicative conceptions. At the most basic level a work is a set of ideas created and set into a document using text, with the intention of being communicated to a receiver. A work may have many texts, and may appear in many documents and even in many documentary forms. Marco and Navarro (1993) have suggested that epistemological analysis of the paradigms of knowledge are essential for the design and implementation of cognitive strategies to guide documentary analysis. Such is the case with the understanding of the work component of the documentary entity. Marco and Navarro also assert the usefulness of taxonomy as a key element of the epistemological analysis of paradigms. Works have been variously defined in the literature of information science, knowledge organization, linguistics, musicology, and literary criticism, among others. Works are essential vehicles for communication of information across temporal and cultural boundaries. In this paper a taxonomic definition of the work is presented. This definition encompasses the cultural and documentary characteristics of works. This definition can be seen as a precursor to epistemological understanding of signifying documentary entities
    Source
    Dynamism and stability in knowledge organization: Proceedings of the 6th International ISKO-Conference, 10-13 July 2000, Toronto, Canada. Ed.: C. Beghtol et al
    Type
    a
  4. Desrichard, Y.: ¬Les formats et normes de catalogage : evolutions et perspectives (1998) 0.05 
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    Abstract
    The work of Joint Steering Committee for the Revision of Anglo-American Cataloguing rules gave rise to a confernce in Toronto, Canada, in Oct 1997. some contributors elaborated on prepared texts about precise points concerning the evolution of rules in general, and those of the AACR in particular. The evolution of the notion of the catalogue and that of the practice of cataloguing were the focus of contributions and debates at an electronic forum set up specially for the occasion. Synthesizes the topics discussed including: hypertext navigation within the body of catalogues or documents, the creation of metadata included in the electronic documents themselves, the evolution of the notion of authority, and the advent of a set of universal characters permitting liberation from the problems of transliteration
    Type
    a
  5. Cheng, L.-y.: On bibliographic(al) control (1998) 0.04 
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    Abstract
    Bibliographic(al) control is important for retrieving documents in the library. Reviews previous studies in order to understand bibliographic(al) control from its very beginnings up to the present information age. The history, meaning, scope and functions of bibliographic(al) control are included. Finally, various catalogues are reviewed and discussed
    Type
    a
  6. Wissen, D.: Web2.0-Opac bietet mehr Service : Dritter Medientag in Frankfurt an der Oder / Neue Produkte und Dienstleistungen vorgestellt (2011) 0.03 
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    Content
    Folgende Neuerungen im Web2.0-Opac stehen den Lesern zur Verfügung: - Durch Mashups können weitere Informationen zu Suchworten oder markierten Begriffen aufgespürt werden in Wikipedia, Google-Buchsuche, You-Tube, Amazon. - Ein Rating erlaubt den Lesern die Bewertung einzelner Medien mit Sternen und die Empfehlung an Freunde per E-Mail. - Mit Social Bookmarks (Links zu Facebook, Twitter, MySpace, Mr. Wrong, et cetera) gelangen Leser per Mausklick zum Medium in ihrer Bibliothek. Merklisten können weitergegeben oder veröffentlicht werden. - Bibliotheks-News und Informationen zum Leserkonto sind per RSS-Feed zu abonnieren.
    Type
    a
  7. Hafter, R.: ¬The performance of card catalogs : a review of research (1979) 0.03 
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    Date
    3.10.2000 20:48:22
    Type
    a
  8. Tennant, R.: ¬The print perplex : building the future catalog (1998) 0.03 
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    Source
    Library journal. 123(1998) no.19, S.22-24
    Type
    a
  9. Treichler, W.: Katalogisierungsregeln, Kataloge und Benützer in schweizerischen Bibliotheken (1986) 0.02 
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    Date
    8.10.2000 14:22:27
    Type
    a
  10. Martin, S.K.: ¬The union catalogue : summary and future directions (1982) 0.02 
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    Date
    6. 1.2007 14:49:22
    Type
    a
  11. Jochum, U.: ¬Eine Theorie der Verweisung (1998) 0.02 
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    Source
    Bibliothek: Forschung und Praxis. 22(1998) H.2, S.235-243
    Type
    a
  12. Aliprand, J.M.: ¬The Unicode Standard : its scope, design prin. ciples, and prospects for international cataloging (2000) 0.02 
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    Date
    10. 9.2000 17:38:22
    Type
    a
  13. Gödert, W.: Inhaltliche Erschließung mehrbändiger Werke : oder eine Notiz zu der Frage, was wir als bibliographische Identität betrachten wollen? (1994) 0.02 
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    Date
    20. 4.2020 20:22:29
    Type
    a
  14. LeBlanc, J.; Kurth, M.: ¬An operational model for library metadata maintenance (2008) 0.02 
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    Abstract
    Libraries pay considerable attention to the creation, preservation, and transformation of descriptive metadata in both MARC and non-MARC formats. Little evidence suggests that they devote as much time, energy, and financial resources to the ongoing maintenance of non-MARC metadata, especially with regard to updating and editing existing descriptive content, as they do to maintenance of such information in the MARC-based online public access catalog. In this paper, the authors introduce a model, derived loosely from J. A. Zachman's framework for information systems architecture, with which libraries can identify and inventory components of catalog or metadata maintenance and plan interdepartmental, even interinstitutional, workflows. The model draws on the notion that the expertise and skills that have long been the hallmark for the maintenance of libraries' catalog data can and should be parlayed towards metadata maintenance in a broader set of information delivery systems.
    Date
    10. 9.2000 17:38:22
    19. 6.2010 19:22:28
    Type
    a
  15. Hillmann, D.I.: "Parallel universes" or meaningful relationships : envisioning a future for the OPAC and the net (1996) 0.02 
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    Source
    Cataloging and classification quarterly. 22(1996) nos.3/4, S.97-103
    Type
    a
  16. Miksa, S.D.: ¬The challenges of change : a review of cataloging and classification literature, 2003-2004 (2007) 0.02 
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    Date
    10. 9.2000 17:38:22
    Type
    a
  17. Theimer, S.: ¬A cataloger's resolution to become more creative : how and why (2012) 0.02 
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    Abstract
    Creativity is now a core requirement for successful organizations. Libraries, like all organizations, need to produce and utilize new ideas to improve user service and experiences. With changes in cataloging such as Resource Description and Access (RDA), the opportunity to rethink cataloging practices is here now. Everyone has creative potential, although catalogers may have both a personality and work environment that make it more difficult. To be able to maximize creative capacity, catalogers need the proper work environment, support from their organization, and a plan for accomplishing creative goals. Given that environment, catalogers may create ideas that will shape the future. (RDA).
    Date
    29. 5.2015 11:08:22
    Type
    a
  18. Bowman, J.H.: ¬The catalog as barrier to retrieval : Part 1: hyphens and ampersands in titles (2000) 0.01 
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    Abstract
    An Internet survey of 38 different OPAC systems, at eighty different libraries, was undertaken to investigate the effect on retrieval of the presence of the hyphen or the ampersand in titles. Title and Keyword searches were performed. In Title search, 22 of the systems treat the hyphen as equivalent to a space, while in Keyword the number is 16. The other systems treat it in various different ways (even including the equivalent of NOT), which means that results of searching multiple catalogs are very inconsistent. The ampersand may be ignored, treated as a special character, or treated as "and," again with very inconsistent results. Various recommendations are made with a view to improving consistency of performance.
    Type
    a
  19. Morgan, E.L.: Possible solutions for incorporating digital information mediums into traditional library cataloging services (1996) 0.01 
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    Abstract
    This article first compares and contrasts the essential, fundamental differences between traditional and digital information mediums. It then reexamines the role of the online public access catalog (OPAC), refines the definition of library's catalog, and advocates the addition of Internet resources within the OPAC. Next, the article describes the building of the Alex Catalog, a catalog of Internet resources in the in the form of MARC records. Finally, this article outlines a process of integrating the futher inclusion of other Internet resources into OPACs as well as some of the obstacles such a process manifests.
    Source
    Cataloging and classification quarterly. 22(1996) nos.3/4, S.143-170
    Type
    a
  20. Visintin, G.: Passaggi (1998) 0.01 
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    Date
    22. 2.1999 20:40:57
    Type
    a

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