Search (34 results, page 2 of 2)

  • × theme_ss:"Objektdokumentation"
  1. Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000) 0.01 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.39-48
  2. Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992) 0.01 
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    Abstract
    Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
    Source
    Library and information research news. 15(1992) no.55, S.3-8
  3. Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009) 0.01 
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    Abstract
    In 1996, with funding from the Henry Luce Foundation, Jack Lenor Larsen and an advisory committee composed of distinguished museum and design professionals developed Objects Classified by Mediums in response to the concern that existing systems do not provide the tools for comparing information on objects. A common understanding and definitions of terms are crucial to the success of a classification project meant to cross institutional and national boundaries. Objects Classified by Mediums seeks to organize areas of study in fiber, clay, metal, wood, and so on, to allow curators and scholars to compare information on similar methods used, build a conceptual framework for the greater understanding of whole categories of objects rather than as isolated works, and provide a finding tool for cross-cultural and cross-disciplinary investigation.
    Footnote
    Beitrag im Schwerpunktthema "Perspectives on design: information technologies and creative practices"
    Source
    Journal of the American Society for Information Science and Technology. 60(2009) no.9, S.1907-1914
  4. Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993) 0.00 
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    Abstract
    The Micro Gallery is a computerised, interactive, public access information system located in the Sainsbury Wing of the National Gallery in London. It provides detailed information about the Gallery's collection of paintings in an accessible form, using digitised colour images and touch screen technology. Discusses the evolution of the system, its reception and the projects it has spawned
  5. Paternò, F.; Mancini, C.: Effective levels of adaptation to different types of users in interactive museum systems (2000) 0.00 
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    Abstract
    Users interact with museum application interfaces for many reasons. There are various types of users, who want to perform various tasks, in various contexts, that can access the same Web site. Thus, it is important to have user interfaces able to adapt to these different user requirements to facilitate the accomplishment of the desired goals. Most current interfaces to museum information do not take into account this variety of types of users, thus providing interfaces that some users find confusing to achieve their goals. In this article we discuss the various possible levels of support that can be given to different users during navigation of museum information. In particular, we focus our attention on how to obtain adaptable and adaptive interfaces using the web site for the Marble Museum, which we have designed and developed, as a source of examples for our discussion of possible solutions
    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.5-13
  6. Delouis, D.: Telecommunications in museums (1993) 0.00 
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    Source
    Information services and use. 13(1993) no.4, S.335-146
  7. Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.24-32
  8. Kampffmeyer, U.; Klönne, K.-H.: Moderne Informationsverarbeitung im Büro : elektronische Archivierung und Vorgangsbearbeitung (1993) 0.00 
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    Abstract
    Die zukünftige Informationsverarbeitung integriert Personal Computer und die 'low cost' Workstationen in die moderne Rechnerwelt und übernimmt dabei universelle Aufgaben der Bürokommunikation - vom intelligenten Telefon über den Einsatz als Fax-Gerät, zur Abfrage externer Datenbanken und als Arbeitsplatzrechner in vielfältigen Anwendungen. Dabei werden alle Information in digitaler Form gespeichert und bearbeitet. Elektronische Archivierung und Vorgangsbearbeitung nehmen dabei eine Schlüsselstellung innerhalb der modernen Informationsverarbeitung ein und ermöglichen erhebliche Qualitäts-, Zeit- und Wettbewerbsgewinne. Das Angebotsspektrum ist vielfältiger und preislich günstiger geworden. Die elektronische Vorgangsbearbeitung und der Einsatz digitaler optischer Speicher ('optical filing' in Verbindung mit 'image processing'), wird damit auch für kleinere Unternehmen interessant. Die Spannweiter reicht heute von großen individuellen und unternehmensweiten Lösungen bis hin zum komfortablen Einzelplatzsystem. Die optische Speichertechnologie stellt dabei die Basis für die Behandlung und Verarbeitung großer Daten- und Informationsmengen dar
    Theme
    Information Resources Management
  9. Rauprich, S.: Wissen durch Informationsstrukturierung : Über die Anwendungsmöglichkeiten der Informatik in der Kunstgeschichte (1998) 0.00 
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    Abstract
    Das starke Anwachsen neuer und die Inkonsistenz vorhandener Informationen fordert auch im Bereich der Kunstgeschichte, über neue Verfahren zur Informationsbeherrschung nachzudenken. Information kann nur beherrscht werden, wenn ihre Strukturierung gelingt. Nach einer Übersicht über die klassischen Verfahren zur Beschriebung kunstgeschichtlicher Objekte und ihre bislang praktizierten Dokumentationsverfahren wird ein ganzheitliches Informationsmodell auf der Basis objektorientierter Attributierung vorgeschlagen, wobei die kunstgeschichtlichen Objekte aller Gattungen selbst den Kern des Modells darstellen. Die Taxonomie der Objekteigenschaften wird dabei aus dem Entstehungsprinzip der kunstgeschichtlichen Objekte hergeleitet. Je nach gewählter Sicht werden durch die Bildung generischer Klassen die an sich beliebig vielfältigen Attribute auf ein praktikables Maß komprimiert. Die objektorientierte Attributierung kann so alle Dokumentationsaufgaben, die für die Zwecke der Kunstobjektlogistik bis hin zur kunstwissenschaftlichen Analytik notwendig sind, auf effiziente Art unterstützen
    Source
    nfd Information - Wissenschaft und Praxis. 49(1998) H.7, S.407-413
  10. Krause, S.: CIDOC - Conceptual Reference Model : oder: das Schweizer Taschenmesser für die Museums- und Kulturinformatik (2002) 0.00 
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    Source
    Information - Wissenschaft und Praxis. 53(2002) H.6, S.333-338
  11. Koch, W.: Gedanken zur Museumsdokumentation (2002) 0.00 
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    Source
    Information - Wissenschaft und Praxis. 53(2002) H.6, S.327-332
  12. Dworman, G.O.; Kimbrough, S.O.; Patch, C.: On pattern-directed search of arcives and collections (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.14-23
  13. Maier, G.: Neue Zugänge zu Archivgut über das Internet : Das BSZ als Dienstleister für die Staatliche Archivverwaltung Baden-Württemberg (2003) 0.00 
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    Abstract
    Elektronische Technologien durchdringen zunehmend alle Lebens- und Arbeitsbereiche wie Politik, Wirtschaft, Wissenschaft und Kultur. Vor allem durch die breite Nutzung des Internets formiert sich die so genannte Informationsgesellschaft. Innerhalb dieser haben Archive zusammen mit Bibliotheken und Museen für die Sicherung und Bereitstellung des Kulturerbes einen bedeutenden Stellenwert. Im Zeitalter globaler Kommunikation treten so neben konventionelle Formen des Informationsangebots zunehmend auch neue Wege der Informationsvermittlung. Die Staatliche Archivverwaltung Baden-Württemberg als traditioneller Dienstleister für Verwaltung und Forschung entwickelt sich in den letzten Jahren verstärkt zu einem öffentlichen Informationsdienstleister. Dabei werden auch neue Kooperationsformen eingeschlagen, wozu auch die Zusammenarbeit mit dem Bibliotheksservice-Zentrum Baden-Württemberg (BSZ) gehört. Im Mittelpunkt steht die Entwicklung eines kundenorientierten, mehrstufigen Internetangebots, das bis zur Präsentation von digitalisiertem Archivgut auf der untersten Stufe reicht. So wurden in den letzten Jahren neue Lösungen für Online-Findmittel mit Präsentationsmodulen für digitalisiertes Archivgut entwickelt, die die Basis für die Teilnahme an verschiedenen Portal-Projekten bilden. Durch die Digitalisierung von Archivgut besteht die Möglichkeit, interessierten Bürgern, Wissenschaftlern, Studenten und Schülern den Zugang zu den Quellen über Online-Medien wie dem Internet zu ermöglichen. Dadurch können einerseits die wertvollen Originale und Unikate geschützt werden, andererseits erhält der Nutzer unabhängig von Ort und Zeit völlig neue Zugriffsmöglichkeiten auf Archivgut. In diesem Beitrag werden verschiedene Internet-Angebote und Technologien der Staatlichen Archivverwaltung Baden-Württemberg vorgestellt, die neue Möglichkeiten des Zugangs zu Archivgut bilden. Dabei werden folgende Themenbereiche angesprochen: - Abbildung archivischer Information im Internet - Mehrdimensionaler Zugang zu Archivinformationen durch Internet-Portale - Online-Findmittel und digitalisierte Archivalien im Internet - Technologien für Online-Angebote
  14. Cataloging culutural objects : a guide to describing cultural works and their images (2003) 0.00 
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    Abstract
    It may be jumping the gun a bit to review this publication before it is actually published, but we are nothing if not current here at Current Cites, so we will do it anyway (so sue us!). This publication-in-process is a joint effort of the Visual Resources Association and the Digital Library Federation. It aims to "provide guidelines for selecting, ordering, and formatting data used to populate catalog records" relating to cultural works. Although this work is far from finished (Chapters 1, 2, 7, and 9 are available, as well as front and back matter), the authors are making it available so pratictioners can use it and respond with information about how it can be improved to better aid their work. A stated goal is to publish it in print at some point in the future. Besides garnering support from the organizations named above as well as the Getty, the Mellon Foundation and others, the effort is being guided by experienced professionals at the top of their field. Get the point? If you're involved with creating metadata relating to any type of cultural object and/or images of such, this will need to be either on your bookshelf, or bookmarked in your browser, or both

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