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Abstract

Purpose The Integrative Levels Classification (ILC) is a comprehensive "freely faceted" knowledge organization system not previously expressed as SKOS (Simple Knowledge Organization System). This paper reports and reflects on work converting the ILC to SKOS representation. Design/methodology/approach The design of the ILC representation and the various steps in the conversion to SKOS are described and located within the context of previous work considering the representation of complex classification schemes in SKOS. Various issues and trade-offs emerging from the conversion are discussed. The conversion implementation employed the STELETO transformation tool. Findings The ILC conversion captures some of the ILC facet structure by a limited extension beyond the SKOS standard. SPARQL examples illustrate how this extension could be used to create faceted, compound descriptors when indexing or cataloguing. Basic query patterns are provided that might underpin search systems. Possible routes for reducing complexity are discussed. Originality/value Complex classification schemes, such as the ILC, have features which are not straight forward to represent in SKOS and which extend beyond the functionality of the SKOS standard. The ILC's facet indicators are modelled as rdf:Property sub-hierarchies that accompany the SKOS RDF statements. The ILC's top-level fundamental facet relationships are modelled by extensions of the associative relationship - specialised sub-properties of skos:related. An approach for representing faceted compound descriptions in ILC and other faceted classification schemes is proposed.

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Abstract

In the last few years, the size of Linked Open Data (LOD) describing artworks, in general or domain-specific Knowledge Graphs (KGs), is gradually increasing. This provides (art-)historians and Cultural Heritage professionals with a wealth of information to explore. Specifically, structured data about iconographical and iconological (icon) aspects, i.e. information about the subjects, concepts and meanings of artworks, are extremely valuable for the state-of-the-art of computational tools, e.g. content recognition through computer vision. Nevertheless, a data quality evaluation for art domains, fundamental for data reuse, is still missing. The purpose of this study is filling this gap with an overview of art-historical data quality in current KGs with a focus on the icon aspects. Design/methodology/approach This study's analyses are based on established KG evaluation methodologies, adapted to the domain by addressing requirements from art historians' theories. The authors first select several KGs according to Semantic Web principles. Then, the authors evaluate (1) their structures' suitability to describe icon information through quantitative and qualitative assessment and (2) their content, qualitatively assessed in terms of correctness and completeness. Findings This study's results reveal several issues on the current expression of icon information in KGs. The content evaluation shows that these domain-specific statements are generally correct but often not complete. The incompleteness is confirmed by the structure evaluation, which highlights the unsuitability of the KG schemas to describe icon information with the required granularity. Originality/value The main contribution of this work is an overview of the actual landscape of the icon information expressed in LOD. Therefore, it is valuable to cultural institutions by providing them a first domain-specific data quality evaluation. Since this study's results suggest that the selected domain information is underrepresented in Semantic Web datasets, the authors highlight the need for the creation and fostering of such information to provide a more thorough art-historical dimension to LOD.