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Footnote

Rez. in: Mitt VÖB 60(2007) H.3, S.86-89 (C. Müller): "Ross Harvey widmet sich im vorliegenden Buch den aktuellen Methoden und Praktiken im Bereich der Langzeitarchivierung wie sie einerseits in Bibliotheken aber auch in anderen Institutionen, die sich mit der langfristigen Aufbewahrung digitaler Objekte beschäftigen müssen, angewandt werden. Langzeitarchivierung gehört in den letzten Jahren zu den am meisten diskutierten Themen in der Bibliothekswelt. Die Fülle an Materialien, Meinungen und Positionspapieren im Internet ist nahezu unüberschaubar. Den Bedarf an einem praktischen, überschaubaren Band, der sich den komplexen Belangen rund um das Thema digitale Archivierung widmet, möchte der Autor mit diesem Werk decken. Das Buch ist nicht als Gebrauchsanweisung für jene, die technische Maßnahmen zur Langzeitarchivierung durchführen müssen, konzipiert. Es will vielmehr eine Einführung in die Prinzipien, Strategien und Verfahren der Langzeitarchivierung sein, wie sie derzeit in Bibliotheken schon zum Einsatz kommen. Ross Harvey tut dies vor dem Hintergrund der Ergebnisse schon abgeschlossener und noch laufender Forschungen und praktischer Anwendungen in diesem Bereich. Dabei stützt er sich nicht nur auf Erfahrungen aus Bibliotheken, sondern auch auf Erfahrungen anderer Communities, für welche Langzeitarchivierung ein kritischer Punkt ist, wie zum Beispiel die Geowissenschaften. Der Autor beschreibt, dass die Archivierung digitalen Materials viele Herausforderungen birgt, für die vordigitale Modelle der Konservierung nur wenig Unterstützung bieten.
Er spricht ganz klar aus, dass es zu dieser Frage keine schnelle technologische Lösung geben wird. Die Erhaltung digitaler Archive über eine lange Zeit ist neben einer technischen vielmehr auch eine institutionelle Frage. Auch organisatorische und rechtliche Herausforderungen spielen in diesen Bereich hinein. "Preserving Digital Materials" widmet sich vier großen Fragen, die dem Buch auch seine Struktur geben: - Warum bewahren wir digitales Material auf? - Welches digitale Material bewahren wir auf? - Wie tun wir dies? - Wie managen wir die digitale Langzeitarchivierung? . . . Im gesamten Buch ist eine Fülle an Materialien und Studien eingearbeitet. Abgerundet wird dieser ausführliche, aber trotzdem übersichtliche Band durch ein Literaturverzeichnis, welches auch viele Online-Quellen enthält. "Preserving Digital Material" ist nicht für ausgewiesene Langzeitarchivierungsexperten konzipiert, sondern wendet sich an all jene, die sich mit der Digitalen Bibliothek beschäftigen und einen fundierten Einstieg in das Thema Langzeitarchivierung suchen."

RSWK

Digitale Daten / Langzeitarchivierung

Subject

Digitale Daten / Langzeitarchivierung

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Abstract

Museums are under pressure to deliver effective management and presentation of their collections, outreach to their public, cost effective use of all of their resources and the generation of maximum income. This book addresses such topics as what information means in the museum context, who uses it and what they need to do with it, developing a strategy for using information to benefit the museum, making the best use of the knowledge and skills of the museum staff, and acquiring the right mix of technology and managing it to support co-operation between people. Basic principles and practical advice is presented for integrated management of a whole range of information which museums need for productive use of human resources and for choosing and using technology effectively. The needs of small museums are given special attention and case studies show how a range of institutions have responded to the challenge.

LCSH

Information storage and retrieval systems / Museums

Subject

Information storage and retrieval systems / Museums

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Abstract

This book features theoretical and practical perspectives from a range of disciplines on the challenges of using digital media in interpretation and representation of cultural heritage. In "Theorizing Digital Cultural Heritage", experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical theory. The essays in this volume offer this long-missing perspective on the challenges of using digital media in the research, preservation, management, interpretation, and representation of cultural heritage. The contributors - scholars and practitioners from a range of relevant disciplines - ground theory in practice, considering how digital technology might be used to transform institutional cultures, methods, and relationships with audiences. The contributors examine the relationship between material and digital objects in collections of art and indigenous artefacts; the implications of digital technology for knowledge creation, documentation, and the concept of authority; and the possibilities for "virtual cultural heritage" - the preservation and interpretation of cultural and natural heritage through real-time, immersive, and interactive techniques. The essays in "Theorizing Digital Cultural Heritage" will serve as a resource for professionals, academics, and students in all fields of cultural heritage, including museums, libraries, galleries, archives, and archaeology, as well as those in education and information technology. The range of issues considered and the diverse disciplines and viewpoints represented point to new directions for an emerging field.

Content

Enthält die Beiträge: Rise and fall of the post-photographic museum : technology and the transformation of art / Peter Walsh -- Materiality of virtual technologies : a new approach to thinking about the impact of multimedia in museums / Andrea Witcomb -- Beyond the cult of the replicant-- museums and historical digital objects : traditional concerns, new discourses / Fiona Cameron -- Te Ahu Hiko : cultural heritage and indigenous objects, people, and environments / Deidre Brown -- Redefining digital art : disrupting borders / Beryl Graham -- Online activity and offlline community : cultural institutions and new media art / Sarah Cook -- Crisis of authority : new lamps for old / Susan Hazan -- Digital cultural communication : audience and remediation / Angelina Russo and Jerry Watkins -- Digital knowledgescapes : cultural, theoretical, practical and usage issues facing museum collection databases in a digital epoch / Fiona Cameron and Helena Robinson -- Art is redeemed, mystery is gone : the documentation of contemporary art / Harald Kraemer -- Cultural information standards-- political territory and rich rewards / Ingrid Mason -- Finding a future for digital cultural heritage resources using contextual information frameworks / Gavan McCarthy -- Engaged dialogism in virtual space : an exploration of research strategies for virtual museums / Suhas Deshpande, Kati Geber, and Corey Timpson -- Localized, personalized, and constructivist : a space for online museum learning / Ross Parry and Nadia Arbach -- Speaking in Rama : panoramic vision in cultural heritage visualization / Sarah Kenderdine -- Dialing up the past / Erik Champion and Bharat Dave -- Morphology of space in virtual heritage / Bernadette Flynn -- Toward tangible virtualities : tangialities / Slavko Milekic -- Ecological cybernetics, virtual reality, and virtual heritage / Maurizio Forte -- Geo-storytelling : a living archive of spatial culture / Scot T. Refsland, Marc Tuters, and Jim Cooley -- Urban heritage representations in hyperdocuments / Rodrigo Paraizo and José Ripper Kós -- Automatic archaeology : bridging the gap between virtual reality, artificial intelligence, and archaeology / Juan Antonio Barceló.

Footnote

The major strength of Theorizing Digital Cultural Heritage: A Critical Discourse is the balance of theory and practice achieved by its authors through the inclusion of discussion on digital culture exhibits and programs. By describing the work being done at diverse cultural institutions life is given to theoretical discussions. By relating theory to practice, the work becomes accessible to a broader range of readers. Further, these essays provide many examples of how libraries and museums could partner with each other in the realm of digital culture. The field of museum studies is dealing with the same issues as information and library science with regards to data organization, user behavior, object classification, and documentation schemas. Also, the emphasis on the users of digital cultural heritage and how individuals make meaningful connections with art, history, and geography is another asset of the book. Each chapter is well researched resulting in helpful and extensive bibliographies on various aspects of digital culture. Overall, the work is rich in discussion, description and illustrative examples that cover the subject of digital cultural heritage in terms of depth and breadth. The primary weakness of the title is on the focus on museum studies in the discourse on digital cultural heritage. There is much to be shared and discovered across other cultural institutions such as libraries and local historical societies and a more interdisciplinary approach to the essays included would have captured this. The overwhelming emphasis on museums, unfortunately, may cause some researching and studying digital cultural heritage from another perspective to overlook this work; thereby further dividing the efforts and communication of knowledge in this area. This work is highly recommended for collections on museum studies, cultural heritage, art history and documentation, library and information science, and archival science. This work would be most useful to educators and researchers interested in a theoretical understanding of cultural institutions and user interactions in view of the social and political impact of the evolving digital state of cultural heritage rather than in the specific technologies and specific user studies on the digital cultural heritage. Theorizing Digital Cultural Heritage is an insightful work that will encourage further discourse and research."