Search (27 results, page 1 of 2)

  • × theme_ss:"Objektdokumentation"
  • × type_ss:"a"
  1. Aha, S.: Arbeitsplatz Museum : Grundlagen der Digitalisierung von Arbeitsvorgängen an Beispielen aus der Museumspraxis in Berlin-Brandenburg (1996) 0.03 
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    Source
    Die digitale Revolution: Deutscher Dokumentartag 1996, Neue Universität Heidelberg, 24.-26.9.1996. Hrsg.: W. Neubauer
  2. Petschar, H.: Vom Zettel- zum Bildkatalog : das Projekt "Digitales Bildarchiv" an der Österreichischen Nationalbibliothek - ein Werkstattbericht (2002) 0.02 
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    Abstract
    Das Bildarchiv der Österreichischen Nationalbibliothek ist die größte Bilddokumentationsstelle Österreichs und die Zentrale für Bildbestellungen aus allen Sammlungen der Österreichischen Nationalbibliothek. Mehr als 1,5 Millionen Bildobjekte aus allen Sammlungen der Österreichischen Nationalbibliothek können mit Abschluss des Projektes über Internet recherchiert und als analoge oder digitale Kopien, sowie zur Ansicht im Archiv bestellt werden. Die größte Herausforderung für die Neustrukturierung des Bildarchivs und die Einführung digitaler Services seit 1999 bestand in der Bewältigung von Massendaten, d.h. von mehr als 1,5 Millionen Bildobjekten und einem Zettelkatalog mit etwa 1,2 Millionen Metadaten. Seit Juli 2001 ist der gesamte Bestand des Archivs online verfügbar. Damit ist die Basis für eine systematische Objektdigitalisierung im Bildarchiv der Österreichischen Nationalbibliothek gegeben.
  3. Mensing, P.: Planung und Durchführung von Digitalisierungsprojekten am Beispiel nicht-textueller Materialien (2010) 0.01 
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    Series
    Themen: Digitale Bibliothek
  4. Marty, P.F.: Museum informatics (2009) 0.01 
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    Abstract
    Museum informatics is the study of the sociotechnical interactions that take place at the intersection of people, information, and technology in museums. This entry presents an overview of museum informatics, covering such topics as information representation, information organization and access, information management, information technology, information interactions, and information professionals in museums. It explores the impact of information science and technology on museums, museum professionals, and museum visitors, and argues that museum researchers must take a sociotechnical approach to studying the use of information resources and technologies in museums.
    Source
    Encyclopedia of library and information sciences. 3rd ed. Ed.: M.J. Bates
  5. Düro, M.; Schweibenz, W.: Metadaten für Museen (2002) 0.00 
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    Source
    Information - Wissenschaft und Praxis. 53(2002) H.6, S.339-346
  6. Wolters, C.: Fragen der Terminologie bei der EDV-gestützten Bestandserschließung im Museum (1991) 0.00 
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    Source
    Wissenschaftliche Information im europäischen Rahmen: 23. Arbeits- und Fortbildungstagung der ASpB / Sektion 5 im DBV, 13.-16.3.1991 in München
  7. Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.00 
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    Source
    Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
  8. Wolters, C.: Objektdokumentation im Museum (1990) 0.00 
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    Source
    Grundlagen der praktischen Information und Dokumentation: ein Handbuch zur Einführung in die fachliche Informationsarbeit. 3. Aufl. Hrsg.: M. Buder u.a. Bd.1
  9. Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.33-38
  10. Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.39-48
  11. Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992) 0.00 
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    Abstract
    Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
    Source
    Library and information research news. 15(1992) no.55, S.3-8
  12. Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009) 0.00 
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    Abstract
    In 1996, with funding from the Henry Luce Foundation, Jack Lenor Larsen and an advisory committee composed of distinguished museum and design professionals developed Objects Classified by Mediums in response to the concern that existing systems do not provide the tools for comparing information on objects. A common understanding and definitions of terms are crucial to the success of a classification project meant to cross institutional and national boundaries. Objects Classified by Mediums seeks to organize areas of study in fiber, clay, metal, wood, and so on, to allow curators and scholars to compare information on similar methods used, build a conceptual framework for the greater understanding of whole categories of objects rather than as isolated works, and provide a finding tool for cross-cultural and cross-disciplinary investigation.
    Footnote
    Beitrag im Schwerpunktthema "Perspectives on design: information technologies and creative practices"
    Source
    Journal of the American Society for Information Science and Technology. 60(2009) no.9, S.1907-1914
  13. Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993) 0.00 
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    Abstract
    The Micro Gallery is a computerised, interactive, public access information system located in the Sainsbury Wing of the National Gallery in London. It provides detailed information about the Gallery's collection of paintings in an accessible form, using digitised colour images and touch screen technology. Discusses the evolution of the system, its reception and the projects it has spawned
  14. Lanzi, E.: ¬The REACH and VIVION projects : improving access to art information (1998) 0.00 
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    Abstract
    Strategies for sharing, managing and accessing cultural heritage information centred around objects, images and related data are being tested currently through a variety of initiatives and resources. These fall into 3 categories: data sharing projects; image data banks; and rights management. Describes 2 data sharing projects, the Research Libraries Group' REACH and VISIION projects, focusing on core categories, standards and interoperability, metadata, and what might be accomplished through REACH and VISIION
  15. Paternò, F.; Mancini, C.: Effective levels of adaptation to different types of users in interactive museum systems (2000) 0.00 
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    Abstract
    Users interact with museum application interfaces for many reasons. There are various types of users, who want to perform various tasks, in various contexts, that can access the same Web site. Thus, it is important to have user interfaces able to adapt to these different user requirements to facilitate the accomplishment of the desired goals. Most current interfaces to museum information do not take into account this variety of types of users, thus providing interfaces that some users find confusing to achieve their goals. In this article we discuss the various possible levels of support that can be given to different users during navigation of museum information. In particular, we focus our attention on how to obtain adaptable and adaptive interfaces using the web site for the Marble Museum, which we have designed and developed, as a source of examples for our discussion of possible solutions
    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.5-13
  16. Delouis, D.: Telecommunications in museums (1993) 0.00 
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    Source
    Information services and use. 13(1993) no.4, S.335-146
  17. Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998) 0.00 
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    Source
    Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
  18. Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.24-32
  19. Kampffmeyer, U.; Klönne, K.-H.: Moderne Informationsverarbeitung im Büro : elektronische Archivierung und Vorgangsbearbeitung (1993) 0.00 
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    Abstract
    Die zukünftige Informationsverarbeitung integriert Personal Computer und die 'low cost' Workstationen in die moderne Rechnerwelt und übernimmt dabei universelle Aufgaben der Bürokommunikation - vom intelligenten Telefon über den Einsatz als Fax-Gerät, zur Abfrage externer Datenbanken und als Arbeitsplatzrechner in vielfältigen Anwendungen. Dabei werden alle Information in digitaler Form gespeichert und bearbeitet. Elektronische Archivierung und Vorgangsbearbeitung nehmen dabei eine Schlüsselstellung innerhalb der modernen Informationsverarbeitung ein und ermöglichen erhebliche Qualitäts-, Zeit- und Wettbewerbsgewinne. Das Angebotsspektrum ist vielfältiger und preislich günstiger geworden. Die elektronische Vorgangsbearbeitung und der Einsatz digitaler optischer Speicher ('optical filing' in Verbindung mit 'image processing'), wird damit auch für kleinere Unternehmen interessant. Die Spannweiter reicht heute von großen individuellen und unternehmensweiten Lösungen bis hin zum komfortablen Einzelplatzsystem. Die optische Speichertechnologie stellt dabei die Basis für die Behandlung und Verarbeitung großer Daten- und Informationsmengen dar
    Theme
    Information Resources Management
  20. Rauprich, S.: Wissen durch Informationsstrukturierung : Über die Anwendungsmöglichkeiten der Informatik in der Kunstgeschichte (1998) 0.00 
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    Abstract
    Das starke Anwachsen neuer und die Inkonsistenz vorhandener Informationen fordert auch im Bereich der Kunstgeschichte, über neue Verfahren zur Informationsbeherrschung nachzudenken. Information kann nur beherrscht werden, wenn ihre Strukturierung gelingt. Nach einer Übersicht über die klassischen Verfahren zur Beschriebung kunstgeschichtlicher Objekte und ihre bislang praktizierten Dokumentationsverfahren wird ein ganzheitliches Informationsmodell auf der Basis objektorientierter Attributierung vorgeschlagen, wobei die kunstgeschichtlichen Objekte aller Gattungen selbst den Kern des Modells darstellen. Die Taxonomie der Objekteigenschaften wird dabei aus dem Entstehungsprinzip der kunstgeschichtlichen Objekte hergeleitet. Je nach gewählter Sicht werden durch die Bildung generischer Klassen die an sich beliebig vielfältigen Attribute auf ein praktikables Maß komprimiert. Die objektorientierte Attributierung kann so alle Dokumentationsaufgaben, die für die Zwecke der Kunstobjektlogistik bis hin zur kunstwissenschaftlichen Analytik notwendig sind, auf effiziente Art unterstützen
    Source
    nfd Information - Wissenschaft und Praxis. 49(1998) H.7, S.407-413

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  • d 14
  • e 13

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