Search (16 results, page 1 of 1)

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Abstract

The purpose of this volume is to extend our understanding of the work entity and its role in information retrieval. Basic definitions are reviewed to provide a summary of current thought about works, their role in the catalog, and the potential for better accommodating them in future information retrieval environments. A discussion of entities for information retrieval and works as entities follows. Research in knowledge organization is summarized, indicating ways in which ontology, epistemology, and semiotics have lately been used as looking glasses through which to view the social informational roles of works.

Content

Beitrag eines Themenheftes "Works as entities for information retrieval"

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Abstract

Works are key entities in the universe of recorded knowledge. Works are those deliberate creations (known variously as opera, oeuvres, Werke, etc.) that constitute individual sets of created conceptions that stand as the formal records of knowledge. In the information retrieval domain, the work as opposed to the document, has only recently received focused attention. In this paper, the definition of the work as an entity for information retrieval is examined. A taxonomic definition (that is, a definition built around a taxonomy) is presented. An epistemological perspective aids in understanding the components of the taxonomic definition. Works, thus defined as entities for information retrieval, are seen to constitute sets of varying instantiations of abstract creations. These variant instantiations must be explicitly identified in future systems for documentary information retrieval. An expanded perception of works, such as that presented in this paper, helps us understand the variety of ways in which mechanisms for their control and retrieval might better be shaped in future.

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Abstract

From a historical perspective, one could consider the modern library catalog to be that bibliographical apparatus that stretches at least from Thomas Hyde's catalog for the Bodleian Library at Oxford to the near present. Mai and other recent authors have suggested postmodern approaches to knowledge organization. In these, we realize that there is no single and unique order of knowledge or documents but rather there are many appropriate orders, all of them contextually dependent. Works (oeuvres, opera, Werke, etc.), as are musical works, literary works, works of art, etc., are and always have been key entities for information retrieval. Yet catalogs in the modern era were designed to inventory (first) and retrieve (second) specific documents. From Hyde's catalog for the Bodleian until the late twentieth century, developments are epistemologically pragmatic--reflected in the structure of catalog records, in the rules for main entry headings, and in the rules for filing in card catalogs. After 1980 developments become empirical-reflected in research conducted by Tillett, Yee, Smiraglia, Leazer, Carlyle, and Vellucci. The influence of empiricism on the pragmatic notion of "the work" has led to increased focus on the concept of the work. The challenge for the postmodern online catalog is to fully embrace the concept of "the work," finally to facilitate it as a prime objective for information retrieval.

Imprint

New York : Haworth Information Press

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Abstract

From a historical perspective, one could consider the modern library catalog to be that bibliographical apparatus that stretches at least from Thomas Hyde's catalog for the Bodleian Library at Oxford to the near present. Mai and other recent authors have suggested postmodern approaches to knowledge organization. In these, we realize that there is no single and unique order of knowledge or documents but rather there are many appropriate orders, all of them contextually dependent. Works (oeuvres, opera, Werke, etc.), as are musical works, literary works, works of art, etc., are and always have been key entities for information retrieval. Yet catalogs in the modern era were designed to inventory (first) and retrieve (second) specific documents. From Hyde's catalog for the Bodleian until the late twentieth century, developments are epistemologically pragmatic--reflected in the structure of catalog records, in the rules for main entry headings, and in the rules for filing in card catalogs. After 1980 developments become empirical-reflected in research conducted by Tillett, Yee, Smiraglia, Leazer, Carlyle, and Vellucci. The influence of empiricism on the pragmatic notion of "the work" has led to increased focus on the concept of the work. The challenge for the postmodern online catalog is to fully embrace the concept of "the work," finally to facilitate it as a prime objective for information retrieval.

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Content

Beitrag eines Themenheftes "Works as entities for information retrieval"

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Abstract

Metadata schemas tend to be rationally ordered instruments for the categorization of data about information objects. Instantiation has been demonstrated to be a universal phenomenon. Empirical analysis, both positivist and qualitative, has contributed to typologies of the properties of instantiation. This yields a naïve knowledge organization schema of instantiation. Bibliographic, museum, and archival analyses are compared to demonstrate the value of empirical derivation of categories. In this instance categories, once derived, are demonstrated to represent properties yielding typologies. The empirical generation of categories for knowledge organization is demonstrated.

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Abstract

Works and items form documentary entities-packages that contain and may deliver one or more creative, communicative conceptions. At the most basic level a work is a set of ideas created and set into a document using text, with the intention of being communicated to a receiver. Works are essential vehicles for communication of information across temporal and cultural boundaries. As such, works demonstrate the characteristics of signs and symbols. Further, works may have membership in a canon. A taxonomic definition of the work is presented, which encompasses the cultural and documentary characteristics of works. This definition can be seen as a precursor to epistemological understanding of signifying documentary entities. Works and items are joined variously to form documentary entities--packages that contain and may deliver one or more creative, communicative conceptions. At the most basic level a work is a set of ideas created and set into a document using text, with the intention of being communicated to a receiver. A work may have many texts, and may appear in many documents and even in many documentary forms. Marco and Navarro (1993) have suggested that epistemological analysis of the paradigms of knowledge are essential for the design and implementation of cognitive strategies to guide documentary analysis. Such is the case with the understanding of the work component of the documentary entity. Marco and Navarro also assert the usefulness of taxonomy as a key element of the epistemological analysis of paradigms. Works have been variously defined in the literature of information science, knowledge organization, linguistics, musicology, and literary criticism, among others. Works are essential vehicles for communication of information across temporal and cultural boundaries. In this paper a taxonomic definition of the work is presented. This definition encompasses the cultural and documentary characteristics of works. This definition can be seen as a precursor to epistemological understanding of signifying documentary entities

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Source

Knowledge organization and the global information society: Proceedings of the 8th International ISKO Conference 13-16 July 2004, London, UK. Ed.: I.C. McIlwaine

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Abstract

Metadata schemes target resources as information-packages, without attention to the distinction between content and carrier. Most schema are derived without empirical understanding of the concepts that need to be represented, the ways in which terms representing the central concepts might best be derived, and how metadata descriptions will be used for retrieval. Research is required to resolve this dilemma, and much research will be required if the plethora of schemes that already exist are to be made efficacious for resource description and retrieval. Here I report the results of a preliminary study, which was designed to see whether the bibliographic concept of "the work" could be of any relevance among artifacts held by a museum. I extend the "works metaphor" from the bibliographic to the artifactual domain, by altering the terms of the definition slightly, thus: 1) instantiation is understood as content genealogy. Case studies of Etruscan artifacts from the University of Pennsylvania Museum of Archaeology and Anthropology are used to demonstrate the inherence of the work in non-documentary artifacts.

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Abstract

Studying works allows us to see empirically the problem of instantiation of works, both at large and in the catalog. The linkage of relationships among works is a critical goal for information retrieval because the ability to comprehend and select a specific instantiation of a work is crucial for the advancement of scholarship. Hence, the present study examines the instantiation of works among a set of entities known to be popular-best selling books of the 20th century. A sample of best selling works (fiction and non-fiction) from 1900-1999 was constructed. For each work in the sample, all bibliographic records were identified in both OCLC and RLIN as well as instantiations on the World Wide Web. All but one work in the sample exists in multiple instantiations; many have large networks; and complex networks of instantiations have begun to appear in full text on the Web. The results of this study demonstrate the importance of continuing to gather statistical data about works. Solutions devised for the catalog will need to be modified for use in the chaotic environment of the World Wide Web and its successors.

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Footnote

Artikel in einem Themenheft "Current theory in library and information science"

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Abstract

Cataloging is at its most interesting when it is comprehended as part of a larger, meaningful, objective. Resource description is a complex task; but the essence of librarianship is curatorship of a collection, and that sense of curatorial responsibility is one of the things that makes resource description into cataloging-that is, professional responsibility is the difference between the task of transcription and the satisfaction of professional decisions well-made. Part of the essential difference is comprehension of the cultural milieu from which specific resources arise, and the modes of scholarship that might be used to nudge them to reveal their secrets for the advancement of knowledge. In this paper I describe a course designed to lend excitement and professional judgment to the education of future catalogers and collection managers by conveying the notion that all documents are, in fact, cultural artifacts. Part of a knowledge-sensitive curriculum for knowledge organization, the purpose of this course is to go beyond the concept of documents as mere packets of information to demonstrate that each is a product of its time and circumstances. Bibliographic skill leads to greater comfort with the intellectual and cultural forces that impel the creation of documents. Students become comfortable with the curatorial side of cataloging - the placement of each document in its cultural milieu as the goal of resource description, rather than the act of description itself.

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Content

Perception is a crucial element in the viability of any knowledge organization system because it acts as a filter that provides contextual information about phenomena, including potential categorical membership. Perception is moderated culturally, but "social" systems exercise little or no cultural conformity. "Every day classification" is rife throughout human experience; but classification arises as a system of formal constraints that embody cultural assumptions about the categories that are the products of human cognition. Noesis is a perceptual component of Husserl's phenomenological approach to human experience. How we perceive a thing is filtered by our experiential feelings about it. The purpose of this research is to increase understanding of the role of cognition in every day classification by developing a fuller profile of perception. Photographs of mailboxes (a mundane, every-day example) from different locales are compared to demonstrate the noetic process. Tag clouds are analyzed to demonstrate the kinds of perceptual differences that suggest different user perceptions among those contributing tags.

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Content

"Actions have consequences, and this is certainly true of knowledge organization. One reason our colleague Birger Hjoerland (1998) urges epistemological analysis for the problems of information science is that resources might well serve many different purposes for different users, and thus different user groups might have different epistemological relationships with resources. There is a difference between consulting a dictionary for a definition, reading a text for comprehension to increase your knowledge base, reading for pleasure (which, evidently boosts certain endorphins), and synthesizing a scientific report to generate an hypothesis, just to generate a few scenarios. The only commonality in that list is the consultation of a resource. In each case the purpose dictates the activity and is reliant upon a different epistemological aim. No online source of facts is going to suffice if I want something to read that will give me pleasure; no catalog of fine literature is sufficient for the extraction of scientific theory. Hjoerland also suggests that the names we give - to documents, to categories, even to activities - embodies the action of naming, and thereby also the action of facilitating or obfuscating the use of named resources (Hjoerland 2003, 98). Terminology cannot be neutral because the very selection of terms as names either provides a pathway to understanding or a barrier to usage, depending on the epistemological perspective of the user group. I won't go looking for Miss Marple in your dictionary if you call it a dictionary, even though it might contain a perfectly fine list of motives for murder. Likewise, as an information scientist I am not likely to look for research anywhere except in a database that purports to contain peer-reviewed scientific literature. Names have power, and the action of naming is powerful too. We in knowledge organization need to be aware that no matter how elegant our science, the actions based on our research have consequences. A model generated empirically might make an excellent explanation of a specific reality, but if it migrates into the structure of a system for knowledge organization it has the power to help or hinder assignment to categories, not to mention retrieval from those categories.
An important aspect of what we do is facilitating the curatorial aspect of information retrieval or librarianship. What I mean is that our job is not merely to "mark and park," as generations of catalogers famously have said of both resource description and classification, or even to generate parking spaces (to press my metaphor), but rather our job is to place each entity in the best category, each artifact in the best environment, each resource on the best "shelf" to enhance its usability should it actually be sought for retrieval. Hope Olson (2002) has also written about the limits we create when we exercise the power to name. We must be aware of the consequences of our science. In librarianship in the United States at the moment there is a fair amount of hand-wringing about the future, and this anxiety has been fed by the report of Karen Calhoun on the changing nature of the catalog. Calhoun (2006) suggests that the library community should abandon many of its expensive knowledge organization practices - such as the Library of Congress Subject Headings - in favor of integration of search engines into library catalogs. As logical as this seems on the face of it (and as much as we might often have wished LCSH would go away!), purveyors of such notions have either forgotten or rejected the notion of the library as a social instrument, and therefore the order of things in libraries as an extension of that social role. We must also view knowledge organization then as a cultural enterprise, a social act that has consequences. The ontologies we use to devise categorical schemes imply certain realities. If we say there is no music other than Western Art, why, then there must be no point in paying any attention to music of any other sort, right? And if we say that UFOs are a kind of controversial knowledge, we join the community of non-believers who insist that UFOs do not exist. Surely if we thought they were viable phenomena we would create a concrete class for them (see DDC 001.942). Voila, now we know, UFOs do not exist - the DDC says so. And if a gay adolescent searches for literature to help understand and finds that it all falls under "perversion" then we have oppressed yet another youth (see Campbell 2001). Our actions have social consequences.

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Source

Knowledge organization and the global information society: Proceedings of the 8th International ISKO Conference 13-16 July 2004, London, UK. Ed.: I.C. McIlwaine

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Content

3. A New Perspective: Theme and Variations In musicology there is a factual reality that every sound you hear can be reduced to a sort of calculus that expresses its tonal and metrical relationships. Schenkerian analysis (Forte and Gilbert 1982) is one approach to this. In the end it reveals a singular truth, which is that music (like information) is essentially an ordered accretion of energy. The beauty of this type of analysis is what it reveals when large quantities of music are analyzed-it reveals sets of similarities that might never have been noticed otherwise. The music information retrieval domain has built its technology and its science along these lines. So where does this leave knowledge organization? In the semantic Web and the magical kingdoms that will follow it, it will be necessary to make samenessdifference decisions of a different sort, to provide the ability to make heretofore unimaginable connections. Elsewhere I have asked when a funeral urn is like a ship's log: the answer is when the instantiation set has the same calculus in its scope, which tells us that the two artifacts have approximately equal impact factors along some cultural or social trajectory. These are the sorts of questions knowledge organization can be able to answer if we can move toward a large base of empirical evidence to which similarity measures can be applied and from which new hypotheses can be drawn to direct investigation. Why have these questions not yet been answered? Because they have not yet been posed."