Search (10 results, page 1 of 1)

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Abstract

This book features theoretical and practical perspectives from a range of disciplines on the challenges of using digital media in interpretation and representation of cultural heritage. In "Theorizing Digital Cultural Heritage", experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical theory. The essays in this volume offer this long-missing perspective on the challenges of using digital media in the research, preservation, management, interpretation, and representation of cultural heritage. The contributors - scholars and practitioners from a range of relevant disciplines - ground theory in practice, considering how digital technology might be used to transform institutional cultures, methods, and relationships with audiences. The contributors examine the relationship between material and digital objects in collections of art and indigenous artefacts; the implications of digital technology for knowledge creation, documentation, and the concept of authority; and the possibilities for "virtual cultural heritage" - the preservation and interpretation of cultural and natural heritage through real-time, immersive, and interactive techniques. The essays in "Theorizing Digital Cultural Heritage" will serve as a resource for professionals, academics, and students in all fields of cultural heritage, including museums, libraries, galleries, archives, and archaeology, as well as those in education and information technology. The range of issues considered and the diverse disciplines and viewpoints represented point to new directions for an emerging field.

Footnote

Rez. in: JASIST 59(2008) no.8, S.1360-1361 (A. Japzon): "This is the first book since The Wired Museum to address the theoretical discourse on cultural heritage and digital media (Jones-Garmil, 1997). The editors, Fiona Cameron, a Research Fellow in Museum and Cultural Heritage Studies at the Centre for Cultural Research at the University of Western Sydney, and Sarah Kenderdine, the Director of Special Projects for the Museum Victoria, bring together 30 authors from the international cultural heritage community to provide a foundation from which to explore and to understand the evolving significance of digital media to cultural heritage. The editors offer the collection of essays as a reference work to be used by professionals, academics, and students working and researching in all fields of cultural heritage including museums, libraries, galleries, archives, and archeology. Further, they recommend the work as a primary or a secondary text for undergraduate and graduate education for these fields. The work succeeds on these counts owing to the range of cultural heritage topics covered and the depth of description on these topics. Additionally, this work would be of value to those individuals working and researching in the fields of human computer interaction and educational technology. The book is divided into three sections: Replicants/Object Morphologies; Knowledge Systems and Management: Shifting Paradigms and Models; and Cultural Heritage and Virtual Systems. Many of the themes in the first section resonate throughout the book providing consistency of language and conceptual understandings, which ultimately offers a shared knowledge base from which to engage in the theoretical discussion on cultural heritage. This review will briefly summarize selected themes and concepts from each of the sections as the work is vast in thought and rich in detail. ...
The major strength of Theorizing Digital Cultural Heritage: A Critical Discourse is the balance of theory and practice achieved by its authors through the inclusion of discussion on digital culture exhibits and programs. By describing the work being done at diverse cultural institutions life is given to theoretical discussions. By relating theory to practice, the work becomes accessible to a broader range of readers. Further, these essays provide many examples of how libraries and museums could partner with each other in the realm of digital culture. The field of museum studies is dealing with the same issues as information and library science with regards to data organization, user behavior, object classification, and documentation schemas. Also, the emphasis on the users of digital cultural heritage and how individuals make meaningful connections with art, history, and geography is another asset of the book. Each chapter is well researched resulting in helpful and extensive bibliographies on various aspects of digital culture. Overall, the work is rich in discussion, description and illustrative examples that cover the subject of digital cultural heritage in terms of depth and breadth. The primary weakness of the title is on the focus on museum studies in the discourse on digital cultural heritage. There is much to be shared and discovered across other cultural institutions such as libraries and local historical societies and a more interdisciplinary approach to the essays included would have captured this. The overwhelming emphasis on museums, unfortunately, may cause some researching and studying digital cultural heritage from another perspective to overlook this work; thereby further dividing the efforts and communication of knowledge in this area. This work is highly recommended for collections on museum studies, cultural heritage, art history and documentation, library and information science, and archival science. This work would be most useful to educators and researchers interested in a theoretical understanding of cultural institutions and user interactions in view of the social and political impact of the evolving digital state of cultural heritage rather than in the specific technologies and specific user studies on the digital cultural heritage. Theorizing Digital Cultural Heritage is an insightful work that will encourage further discourse and research."

LCSH

Museums / Collection management

Subject

Museums / Collection management

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Abstract

Many information professionals working in small units today fail to find the published tools for subject-based organization that are appropriate to their local needs, whether they are archivists, special librarians, information officers, or knowledge or content managers. Large established standards for document description and organization are too unwieldy, unnecessarily detailed, or too expensive to install and maintain. In other cases the available systems are insufficient for a specialist environment, or don't bring things together in a helpful way. A purpose built, in-house system would seem to be the answer, but too often the skills necessary to create one are lacking. This practical text examines the criteria relevant to the selection of a subject-management system, describes the characteristics of some common types of subject tool, and takes the novice step by step through the process of creating a system for a specialist environment. The methodology employed is a standard technique for the building of a thesaurus that incidentally creates a compatible classification or taxonomy, both of which may be used in a variety of ways for document or information management. Key areas covered are: What is a thesaurus? Tools for subject access and retrieval; what a thesaurus is used for? Why use a thesaurus? Examples of thesauri; the structure of a thesaurus; thesaural relationships; practical thesaurus construction; the vocabulary of the thesaurus; building the systematic structure; conversion to alphabetic format; forms of entry in the thesaurus; maintaining the thesaurus; thesaurus software; and; the wider environment. Essential for the practising information professional, this guide is also valuable for students of library and information science.

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Content

RECHT Harald Müller: Kopienversand weltweit - ein internationaler Rechtsvergleich Ulrike Fälsch: Leistungsorientierte Bezahlung im öffentlichen Dienst - eine Einführung in die monetären leistungsbezogenen Elemente im TUöD und TU-L Claudia Holland: Reformen im Beamtenrecht - zum aktuellen Rechtsstand nach der Förderalismusreform Uwe Schwersky: Welche Konsequenzen ergeben sich aus dem geänderten Urheberrecht für die regionale und überregionale (Online-) Fernleihe? Rechtliche Rahmenbedingungen und ihre Auswirkungen TECHNIK UND TECHNOLOGIE Raoul Borenius: Shibboleth als technische Grundlage für föderative Angebote Magnus Pfeffer: Automatische Vergabe von RVK-Notationen mittels fallbasiertem Schließen MANAGEMENT UND BETRIEBLICHE STEUERUNG Meinhard Motzko: Inhalt und Aufbau von Bibliothekskonzeptionen für Öffentliche Bibliotheken Renate Vogt: Qualitätsentwicklung durch kollegiale Beratung Jens Renner: Neues Geld in alten Schläuchen - Studienbeiträge formen die Hochschule der Zukunft Thomas Stierle: Vom Messen allein wird nichts besser. Anmerkungen zum Benchmarking in Bibliotheken Klaus-Peter Böttger: Vom Assistenten zum FAMI. Ausblick auf die erweiterten Tätigkeitsfelder des jungen Berufsbildes und wie wir alle davon profitieren Gillian Hallam: Personalplanung im australischen Bibliothekssektor: Ein Blick auf die Weiterentwicklung eines Berufes Jochen Rupp: Veränderungsmanagement in Bibliotheken - erfolgreiche Maßnahmen KULTURELLES ERBE Thomas Stäcker: Sacherschließung Alter Drucke: Die Retrokonversion vorhandener Kataloge und Bibliographien Gunther Franz: "Bibliotheken sind ein Kapital ... ". Der materielle und kulturelle Wert historischer Sammlungen Jens Ludwig: Wege ins Archiv - ein Leitfaden für die Informationsübernahme in das digitale Langzeitarchiv Gerald Steilen: Zentrales Verzeichnis digitalisierter Drucke (zvdd)

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Date

22. 2.2008 14:21:53

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LCSH

Library science

Subject

Library science

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Footnote

Zu Aufbau und Inhalt: In einer Einleitung werden die grundsätzlichen Positionen der Verfasser offengelegt. Diese sind vor allem: eine von der Systemtheorie Luhmanns geprägte (und gelegentlich dessen Fachjargon evozierende) soziologische Perspektive, das Verständnis einer integrativen Bibliotheks- und Informationswissenschaft, eine als modern zu bezeichnende historische Perspektive, sowie das Bestreben, neue Wege zu gehen und Aussagen von längerfristiger Gültigkeit zu treffen. Darauf folgen acht Kapitel Inhalt, ein neuntes als Zusammenschau und Schlusswort, ein Literaturverzeichnis, ein Verzeichnis der Internet-Adressen (leider ohne Datumsangaben), ein Abkürzungsverzeichnis sowie ein (gutes) Sachregister. Alle Kapitel sind wohl strukturiert und jeweils mit einem abschließenden "Ausblick» versehen. Behandelt werden: - die begrifflichen Grundlagen von Information und Bibliothek sowie die historischen/soziologischen Entwicklungslinien (Kapitel 1), - die strukturellen Entwicklungen der deutschen Bibliotheken hin zum funktional differenzierten Bibliothekssystem sowie die technischen Entwicklungen (Kapitel 2), - das deutsche Bibliothekswesen mit der Darstellung von Träger- und Förderinstitutionen, der Arten/Typen von Bibliotheken und ihrer rechtlichen Rahmenbedingungen (Kapitel 3), - Netze und Kooperationen, d.h. im einzelnen Verbände, Partner/Förderer des Bibliothekswesens, internationale und nationale Zusammenarbeit, insbesondere im Rahmen von Erwerbung, Erschließung, Benutzung, sowie die Entwicklungen hin zu einem nationalen Wissenschaftsportal (Kapitel 4), - die zahlreichen im Bibliotheks- und Informationswesen relevanten Normen, Standards, Richtlinien und Empfehlungen (Kapitel 5), - die von den Bibliotheken gebotenen - klassischen wie neuartigen - Dienstleistungen, insbesondere auch moderne (digitale) Formen von Informations- und Auskunftsdiensten (Kapitel 6), - Management (Marketing, Aufbau, Personal, Controlling, Werbung/PR) und insbesondere Bestandsmanagement (Kapitel 7), sowie - Ausbildungs- und Berufsfragen, von den Anfängen der Professionali-sierung im 19. Jahrhundert bis hin zu den die Spartentrennungen überwindenden modernen Studien- und Ausbildungsentwicklungen (Kapitel 8)."

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Footnote

Rez. in: Journal of librarianship and information science. 25(1993) no.4, S.213-214 (F. Hendrix)

LCSH

Library science and publishing

Subject

Library science and publishing

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LCSH

Library science / History

Subject

Library science / History

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Footnote

Rez.: Journal of librarianship and information science 29(1997) no.3, S.164-165 (J.H. Bowman)

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Footnote

Rez. in: JASIST 55(2004) no.5, S.467-468 (W. Koehler): "Virtual Inequality is an important contribution to the digital divide debate. That debate takes two basic forms. One centers an the divide between the "information rich" developed countries and the "information poor" developing countries. The second is concerned with the rift between information "haves" and "have-nots" within countries. This book addresses the latter domain and is concerned with the digital divide in the United States. This book is the product of a cross-disciplinary collaboration. Mossberger and Tolbert are both members of the Kent State University political science department while Stansbury is an the Library and Information Science faculty. The book is extremely well documented. Perhaps the chapter an the democracy divide and e-government is the best done, reflecting the political science bent of two of the authors. E-government is very well covered. Unfortunately, e-commerce and e-education go virtually unmentioned. If e-government is important to defining the digital divide, then certainly e-commerce and e-education are as well. Mossberger, Tolbert, and Stansbury argue that the digital divide should be described as four different divides: the access divide, the skills divide, the economic opportunity divide, and the democratic divide. Each of these divides is developed in its own chapter. Each chapter draws well an the existing literature. The book is valuable if for no other reason than that it provides an excellent critique of the current state of the understanding of the digital divide in the United States. It is particularly good in its contrast of the approaches taken by the Clinton and George W. Bush administrations. Perhaps this is a function of the multidisciplinary strength of the book's authorship, for indeed it shows here. The access divide is defined along "connectivity" lines: who has access to digital technologies. The authors tonfirm the conventional wisdom that age and education are important predictors of in-home access, but they also argue that rate and ethnicity are also factors (pp. 32-33): Asian Americans have greatest access followed by whites, Latinos, and African Americans in that order. Most access the Internet from home or work, followed by friends' computers, libraries, and other access points. The skills divide is defined as technical competence and information literacy (p. 38). Variation was found along technical competence for age, education, affluence, rate, and ethnicity, but not gender (p. 47). The authors conclude that for the most part the skills divide mirrors the access divide (p. 55). While they found no gender difference, they did find a gender preference for skills acquisition: males prefer a more impersonal delivery ("online help and tutorials") while females prefer more personal instruction (p. 56).