-
Orna, E.; Pettitt, C.: Information management in museums (1998)
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- Abstract
- Museums are under pressure to deliver effective management and presentation of their collections, outreach to their public, cost effective use of all of their resources and the generation of maximum income. This book addresses such topics as what information means in the museum context, who uses it and what they need to do with it, developing a strategy for using information to benefit the museum, making the best use of the knowledge and skills of the museum staff, and acquiring the right mix of technology and managing it to support co-operation between people. Basic principles and practical advice is presented for integrated management of a whole range of information which museums need for productive use of human resources and for choosing and using technology effectively. The needs of small museums are given special attention and case studies show how a range of institutions have responded to the challenge.
- LCSH
- Museums / Documentation / Great Britain
- Subject
- Museums / Documentation / Great Britain
-
Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998)
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- Abstract
- Discusses the possibilities and difficulties encountered when using a thematic index to search contemporary art databanks. Jaconde and Videomuseum, 2 French databanks, are used as examples. the core problems found in the study are the methods and limits of indexing in both systems. A thematic index should be developed that is better adapted to 20th century art, based on the complementary and reciprocal relationship between text and image, and which fully exploits hypertext
- Date
- 1. 8.1996 22:01:00
- Footnote
- Übers. d. Titels: Thematic access to databanks on contemporary works of art
-
Michard, A.; Pham Dac, D.: Description of collections and encyclopedias on the Web using XML (1998)
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- Abstract
- Cataloguing artworks relies on the availability of classification schemes, often represented by hierarchical thesauri. Comments on the limitations of current practices and tools and proposes a new approach for the cooperative production of multilingual and multicultural classification schemes exploiting some features of the oncoming Extensible Markup Language based Web
-
Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000)
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- Abstract
- This article examines the sociotechnological impact of introducing collaborative technologies into the Spurlock Museum, a museum of world history and culture at the University of Illinois
- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.24-32
-
Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009)
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- Abstract
- In 1996, with funding from the Henry Luce Foundation, Jack Lenor Larsen and an advisory committee composed of distinguished museum and design professionals developed Objects Classified by Mediums in response to the concern that existing systems do not provide the tools for comparing information on objects. A common understanding and definitions of terms are crucial to the success of a classification project meant to cross institutional and national boundaries. Objects Classified by Mediums seeks to organize areas of study in fiber, clay, metal, wood, and so on, to allow curators and scholars to compare information on similar methods used, build a conceptual framework for the greater understanding of whole categories of objects rather than as isolated works, and provide a finding tool for cross-cultural and cross-disciplinary investigation.
- Footnote
- Beitrag im Schwerpunktthema "Perspectives on design: information technologies and creative practices"
- Source
- Journal of the American Society for Information Science and Technology. 60(2009) no.9, S.1907-1914
-
Saltzman, A.B.: Art slide sets : online access (1998)
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- Abstract
- Ellender Memorial Library at Nicholls State University, Louisiana has a slide collection including 10,000 slides in 60 sets devoted to art. Describes how the cataloguer solved the problem of entering sufficiently detailed records of this part of the collection on the OPAC of a small college library, using the OCLC authority file for artists' names and NUTPLUS which offers access via any combination of 15 data elements including e.g., aspects of the subject, call and item numbers and location of the works of art. NUTPLUS is now available in a new version, called Ultra-Plus Advanced, from Fairhaven Software of Stoughton, Massachusetts
-
Paternò, F.; Mancini, C.: Effective levels of adaptation to different types of users in interactive museum systems (2000)
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- Abstract
- Users interact with museum application interfaces for many reasons. There are various types of users, who want to perform various tasks, in various contexts, that can access the same Web site. Thus, it is important to have user interfaces able to adapt to these different user requirements to facilitate the accomplishment of the desired goals. Most current interfaces to museum information do not take into account this variety of types of users, thus providing interfaces that some users find confusing to achieve their goals. In this article we discuss the various possible levels of support that can be given to different users during navigation of museum information. In particular, we focus our attention on how to obtain adaptable and adaptive interfaces using the web site for the Marble Museum, which we have designed and developed, as a source of examples for our discussion of possible solutions
- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.5-13
-
Marty, P.F.: Museum informatics (2009)
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- Abstract
- Museum informatics is the study of the sociotechnical interactions that take place at the intersection of people, information, and technology in museums. This entry presents an overview of museum informatics, covering such topics as information representation, information organization and access, information management, information technology, information interactions, and information professionals in museums. It explores the impact of information science and technology on museums, museum professionals, and museum visitors, and argues that museum researchers must take a sociotechnical approach to studying the use of information resources and technologies in museums.
- Source
- Encyclopedia of library and information sciences. 3rd ed. Ed.: M.J. Bates
-
Campbell, C.; Webb, H.; Beglo, J.: Keeping it all together : National Gallery of Canada exhibition records and other exhibition-related material (1998)
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- Abstract
- The National Gallery of Canada Library and Archives functions as Canada's national art and supports research on a national and international basis. Given this important mandate and the research interest in art exhibitions, it was important to catalogue the exhibition-related material and to publicize National Gallery holdings. Describes the project of creating an online finding aid for exhibition records and other material related to more than 1900 exhibitions held between 1880 and the present at the National Gallery of Canada. Sets out the goals and many benefits of the project
-
Cataloging cultural objects: . Chicago: American Library Association, 396 p. ISBN 978-0-8389-3564-4 (pbk.) : a guide to describing cultural work and their images (2006)
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- Abstract
- For the first time, under the leadership of the Visual Resources Association, a cross section of five visual and cultural heritage experts, along with scores of reviewers from varied institutions, have created a new data content standard focused on cultural materials. This cutting-edge reference offers practical resources for cataloging and flexibility to meet the needs of a wide range of institutions - from libraries to museums to archives to visual collections. Consistently following these guidelines for selecting, ordering, and formatting data used to populate metadata elements in cultural materials' catalog records: promotes good descriptive cataloging and reduces redundancy; builds a foundation of shared documentation; creates data sharing opportunities; and, complements existing standards
- Footnote
- Rez. in: KO 34(2007) no.4, S. 264-265 (L.C. Howarth): "At a time when cataloguing code revision is continuing apace with the consolidation of the International Standard Bibliographic Description (ISBD), the drafting of RDA: Resource Description and Access, and the development of common principles for an international cataloguing code (International Meeting of Experts on an International Cataloguing Code [IME ICC]), the publication of a guide for cataloguing cultural objects is timely and purposeful. Compiling this data content standard on behalf of the Visual Resources Association, the five editors - with oversight from an advisory board - have divided the guide into three parts. Following a brief introduction outlining the purpose, intended audience, and scope and methodology for the publication, Part One, General Guidelines, explains both what the Cataloging Cultural Objects (CCO) guide is "a broad document that includes rules for formatting data, suggestions for required information, controlled vocabulary requirements, and display issues" (p. I) and is not "not a metadata element set per se" (p. 1). Part Two, Elements, is further divided into nine chapters dealing with one or more metadata elements, and describing the relationships between and among each element. Part Three, Authorities, discusses what elements to include in building authority records. A Selected Bibliography, Glossary, and Index, respectively, round out the guide.
As the editors note in their introduction, "Standards that guide data structure, data values, and data content form the basis for a set of tools that can lead to good descriptive cataloging, consistent documentation, shared records, and increased end-user access" (p. xi). The VRA Core Categories, for example, represent a set of metadata elements expressed within an XML structure (data structure). Likewise, the Art Architecture Thesaurus contains sets of terms and relationships, or defined data values. While much effort has been expended on developing both data structures and values, the editors argue, the third leg of the stool, data content, has received less attention. Unlike the library community with its Anglo-American Cataloging Rules [sic though RDA is referenced in the Selected Bibliography], or its archival equivalent, Describing Archives: A Content Standard (DACS), those in the domain of cultural heritage responsible for describing and documenting works of art, architecture, cultural artifacts, and their respective images, have not had the benefit of such data content standards. CCO is intended to address (or redress) that gap, emphasizing the exercise of good judgment and cataloguer discretion over the application of "rigid rules" [p. xii], and building on existing standards. ... Overall, Cataloging Cultural Objects with its attending guidelines for descriptive metadata and authority control for "one-of-a-kind cultural objects" should merit a place among the "well-established" data content standards of the library and archival communities that CCO references with obvious regard."
- LCSH
- Cataloging of art / Handbooks, manuals, etc.
Cataloging of pictures / Handbooks, manuals, etc.
- Subject
- Cataloging of art / Handbooks, manuals, etc.
Cataloging of pictures / Handbooks, manuals, etc.
-
Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992)
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- Abstract
- Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
-
Dworman, G.O.; Kimbrough, S.O.; Patch, C.: On pattern-directed search of arcives and collections (2000)
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- Abstract
- This article begins by presenting and discussing the distinction between record-oriented and pattern-oriented search. Examples or recordoriented (or item-oriented) questions include: "What (or how many, etc.) glass items made prior to 100 A.D. do we have in our collection?" and "How many paintings featuring dogs do we have that were painted during the 19th century, and who painted them?" Standard database systems are well suited to answering such questions, based on the data in, for example, a collections management system. Examples of pattern-oriented questions include: "How does the (apparent) productoin of glass objects vary over time between 400 B.C. and 100 A.D.?" and "What other animals are present in paintings with dogs (painted during the 19th century and in our collection)?" Standard database systems are not well suited to answering these sorts of questions, even though the basic data is properly stored in them. To answer pattern-oriented questions it is the accepted solution to transform the underlying (relational) data to what is called the data cube or cross tabulation form. We discuss how this can be done for non-numeric data, such as are found in museum collections and archives
- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.14-23
-
Lanzi, E.: ¬The REACH and VIVION projects : improving access to art information (1998)
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- Abstract
- Strategies for sharing, managing and accessing cultural heritage information centred around objects, images and related data are being tested currently through a variety of initiatives and resources. These fall into 3 categories: data sharing projects; image data banks; and rights management. Describes 2 data sharing projects, the Research Libraries Group' REACH and VISIION projects, focusing on core categories, standards and interoperability, metadata, and what might be accomplished through REACH and VISIION
-
Blanc, O.; Calba, C.: ¬L'¬Etoffe numerique : La Banque d'Images textiles du Musée des Tissus de Lyon (1998)
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- Abstract
- Describes a project launched in 1992 to computerize the collections of the Musée des Tissus in Lyon. Known as Système d'Organisation et d'Inventaire Étendu a la Récherche (SOIERIE), it is a tool for internal archiving and management and an image databank. Describes the background to the project, data and equipment, consultation, the users and the current situation
- Footnote
- Paper presented to the 5th National Meeting of the Sous-Section des Bibliothèques d'Art, Association des Bibliothequaires Francais on 'L'avenir du passe: les nouvelles technologies' in Paris, 19 Sep 1997
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Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997)
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- Date
- 5. 3.1999 17:40:22
-
Cataloging culutural objects : a guide to describing cultural works and their images (2003)
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- Abstract
- It may be jumping the gun a bit to review this publication before it is actually published, but we are nothing if not current here at Current Cites, so we will do it anyway (so sue us!). This publication-in-process is a joint effort of the Visual Resources Association and the Digital Library Federation. It aims to "provide guidelines for selecting, ordering, and formatting data used to populate catalog records" relating to cultural works. Although this work is far from finished (Chapters 1, 2, 7, and 9 are available, as well as front and back matter), the authors are making it available so pratictioners can use it and respond with information about how it can be improved to better aid their work. A stated goal is to publish it in print at some point in the future. Besides garnering support from the organizations named above as well as the Getty, the Mellon Foundation and others, the effort is being guided by experienced professionals at the top of their field. Get the point? If you're involved with creating metadata relating to any type of cultural object and/or images of such, this will need to be either on your bookshelf, or bookmarked in your browser, or both
-
Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993)
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- Source
- Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
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Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998)
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- Source
- Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
-
Kemmerling, A.: ¬Het MIRO-project : kennisachterstand in museale informatieverzorging structureel aangepakt (1994)
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- Abstract
- Because of the individual character of museums the use of online catalogues to describe objects in the collections in the Netherlands has lagged behind that of libraries. In 1993 the MIRO (Museale Informatieverzorgingen Registratie Opleidingen) project was inaugurated to identify probllem areas and devise solutions. The project identified 4 areas for which training is required for museum staff: description of objects, compilation of indexes, automation in museums, and the use of multimedia systems. Following the project's report the Dutch government has dedicated extra funds for museum automation
-
O'Keefe, E.; Oldal, M.: Cataloging Cultural Objects (CCO) (2009)
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- Abstract
- The entry provides an overview of the data content standard, Cataloging Cultural Objects (CCO), developed by the Visual Resources Association (VRA), and published in 2006 by the American Library Association (ALA). CCO fills a gap in the array of descriptive standards by providing guidelines for visual resources curators, museum documentation specialists, archivists, librarians, or anyone engaged in the documentation of works of art and architecture, objects of material culture, and their images. The entry begins by placing CCO within the context of object and visual image cataloging and the broader framework of data content standards. Following the organization of the guide, which is divided into three parts, General Guidelines, Elements, and Authorities, it summarizes the main features of CCO. Finally, it evaluates CCO in terms of its suitability for use by the metadata communities that form its intended audience, and its sustainability.
- Source
- Encyclopedia of library and information sciences. 3rd ed. Ed.: M.J. Bates
