Search (6 results, page 1 of 1)

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Abstract

According to Paul Levinson, it would be improper to portray information technology as the cause of change in our world. However, Levinson clarifies that its role in enabling change can hardly be overestimated. He also points out--through riveting examples--that inventions have unintended consequences and uses. Why is it, for example, that the move from polytheism to monotheism failed when attempted by the pharaoh Ikhnaton, yet took solid root among the Hebrews who were taken out of Egypt by Moses only about 150 years later? Levinson argues that communication technology played a key role: The awkward Egyptian hieroglyphics failed to carry the ideology as well as the Hebrew alphabetic system. From there, Levinson examines the early social changes that became possible because of what the author calls "the first digital medium"--the alphabet. He considers how the Reformation, economic and political movements, and the scientific revolution were largely enabled by the printing press. He then discusses the influence of photographic communications and electronic technology such as the telegraph, the telephone, and broadcasting. Levinson devotes the second half of the book to our present digital revolution, from word processing to the Internet and beyond. One of his key points is that new technology doesn't necessarily displace the old so much as it expands it. Therefore, he doesn't see any end to using paper anytime soon. However, he sees great need for changes in the way we view creative rights. He proposes what he calls an"electronic watermark" for intellectual property--a universal patent number that will be embedded in intellectual property and will notify users in any medium of the property's creators. Levinson puts forth his ideas in a manner that is both formal and engaging. He has a knack for making his reader feel intelligent and respected--and never more so than when he looks at issues of ethics and a speculative future.

LCSH

Information technology / Social aspects

Subject

Information technology / Social aspects

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Footnote

The major strength of Theorizing Digital Cultural Heritage: A Critical Discourse is the balance of theory and practice achieved by its authors through the inclusion of discussion on digital culture exhibits and programs. By describing the work being done at diverse cultural institutions life is given to theoretical discussions. By relating theory to practice, the work becomes accessible to a broader range of readers. Further, these essays provide many examples of how libraries and museums could partner with each other in the realm of digital culture. The field of museum studies is dealing with the same issues as information and library science with regards to data organization, user behavior, object classification, and documentation schemas. Also, the emphasis on the users of digital cultural heritage and how individuals make meaningful connections with art, history, and geography is another asset of the book. Each chapter is well researched resulting in helpful and extensive bibliographies on various aspects of digital culture. Overall, the work is rich in discussion, description and illustrative examples that cover the subject of digital cultural heritage in terms of depth and breadth. The primary weakness of the title is on the focus on museum studies in the discourse on digital cultural heritage. There is much to be shared and discovered across other cultural institutions such as libraries and local historical societies and a more interdisciplinary approach to the essays included would have captured this. The overwhelming emphasis on museums, unfortunately, may cause some researching and studying digital cultural heritage from another perspective to overlook this work; thereby further dividing the efforts and communication of knowledge in this area. This work is highly recommended for collections on museum studies, cultural heritage, art history and documentation, library and information science, and archival science. This work would be most useful to educators and researchers interested in a theoretical understanding of cultural institutions and user interactions in view of the social and political impact of the evolving digital state of cultural heritage rather than in the specific technologies and specific user studies on the digital cultural heritage. Theorizing Digital Cultural Heritage is an insightful work that will encourage further discourse and research."

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LCSH

Social reformers / United States / Biography

Subject

Social reformers / United States / Biography

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Abstract

Dem neuen Web mal auf die Finger geschaut -- Tom Alby hat sich bereits mit seinem Suchmaschinenoptimierung-Buch einen Namen gemacht und setzt dem Erfolg seines ersten Buches nun mit Web 2.0. Konzepte, Anwendungen, Technologien noch einen drauf. Wie schon bei der Optimierung für Suchmaschinen geht er auch bei seinem Blick auf das Phänomen Web 2.0 ganzheitlich und umfassend an die Arbeit: Ideen, Technik, Umsetzungen, Beispiele, Erfolge, Probleme, Ausblicke und Interviews mit den Machern. Ein Blitzlichtfoto im dunklen Web-Dschungel. Endlich geht es dem Web wieder gut. Alle freuen sich. Die Verlierer werden die Sieger sein. Jetzt wird alles anders. Das Blablabla in den Medien klingt ähnlich wie schon zu Zeiten des Web 1.0. Und doch ist es anders. Was sich geändert hat, zeigt sich jedoch meist erst auf den zweiten Blick -- Alby hat diese Einblicke zusammen getragen und zeigt den aktuellen Stand. Ohne Wortblasen, an Beispielen mit Hintergrund. Nach einem Blick auf die Historie von der New Economy zum Web 2.0 stürzt sich Alby auf das bekannteste Web 2.0-Beispiel: den Blog. Alsdann durchleuchtet er Podcasts, Social Software wie FlickR oder Skype, Folksonomy (wo bleibt das Geld), die Plattformrepräsentanten wie Google, die Technik im Hintergrund von AJAX bis Ruby, Business-Modelle und der Blick Richtung 3.0. Zuletzt dann Interviews mit den Vorreitern der Szene: von Johnny Haeusler bis Jörg Petermann. In Web 2.0. Konzepte, Anwendungen, Technologienkann man pieksen wie man will, es platzt nicht. Das fundierte Über- und Einblicksbuch ist jedem Journalisten, Manager, Trendforscher und Webaktivisten zu empfehlen, denn wer nicht weiß, was Alby weiß, sollte zum Thema Web 2.0 lieber schweigen.

Footnote

Rez. in: Mitt VÖB 60(2007) H.3, S.85-86 (M. Buzinkay): "Ein aktuelles Thema der Informationsbranche ist Web 2.0. Für die einen Hype, für andere Web-Realität, ist das Web 2.0 seit wenigen Jahren das "neue Web". Der Autor, Tom Alby, versucht daher im ersten Kapitel auch einen Unterschied zum Vorgänger-Web aufzubauen: Was ist so anders im Web 2.0? In weiterer Folge handelt Alby alle Themen ab, die mit Web 2.0 in Verbindung gebracht werden: Blogging, Podcasting, Social Software, Folksonomies, das Web als Plattform und diverse Web 2.0 typische Technologien. Ein Ausblick auf das Web 3.0 darf auch nicht fehlen. Das Buch liefert hier die notwendigen Einführungen und "Brücken", um auch als Laie zumindest ansatzweise Verständnis für diese neuen Entwicklungen aufzubringen. Daher ist es nur konsequent und sehr passend, dass Alby neben seinem technischen Fachjargon auch leicht verständliche Einführungsbeispiele bereithält. Denn es geht Alby weniger um Technologie und Tools (diese werden aber auch behandelt, eben beispielhaft), sondern vor allem um Konzepte: Was will das Web 2.0 überhaupt und was macht seinen Erfolg aus? Das Buch ist einfach zu lesen, mit zahlreichen Illustrationen bebildert und listet eine Unmenge an online Quellen für eine weitere Vertiefung auf. Doch mit Büchern über das Web ist es genauso wie dem Web selbst: die Halbwertszeit ist sehr kurz. Das gilt insbesondere für die Technik und für mögliche Dienste. Alby hat diesen technischen Zweig der Web 2.0-Geschichte so umfangreich wie für das Verständnis nötig, aus Gründen der Aktualität aber so gering wie möglich ausfallen lassen. Und das ist gut so: dieses Buch können Sie getrost auch in drei Jahren in die Hand nehmen. Es wird zwar andere Dienste geben als im Buch angegeben, und manche Links werden vielleicht nicht mehr funktionieren, die Prinzipien des Web 2.0 bleiben aber dieselben. Sollten Sie sich geändert haben, dann haben wir schon Web 2.x oder gar Web 3.0. Aber das ist eine andere Geschichte, die uns vielleicht Tom Alby zur angemessenen Zeit weitergeben möchte. Ein Bonus, wie ich finde, sind die zahlreichen Interviews, die Tom Alby mit bekannten deutschen Web 2.0 Aushängeschildern geführt hat. Sie geben einen guten Einblick, welchen Stellenwert Web 2.0 in der Zwischenzeit gewonnen hat. Nicht nur in einer Nische von Web-Freaks, sondern in der Welt der Kommunikation. Und das sind wir."

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Date

22. 2.2008 14:21:53

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Abstract

"British Librarianship and Information Work 1986-1990" continues a series which has run for more than 60 years. It began, in 1928 as the annual "Year's Work in Librarianship", changed from 1951 to "Five Years' Work in Librarianship" and, with the volume for 1966-1970, took on its present title. The series has established itself as an important record of professional activity and thought, through its comprehensive reviews of most aspects of information and library work. It is valuable to those who wish to keep up to date professionally, noting current developments and trends. It will be equally useful for those researchers and students who in the future need to look back historically on the events and achivements of each quinquennium. This issue follows closely the contents and style of its immediate predecessor "British librarianship and information Work 1981-1985", being in two volumes, one covering general libraries and the library information profession, and the other being concerned with special libraries, materials and processes. All the topics in the previous volume are included, except for the chapter on Buildings and Equipment, the contents of which have been incorporated into other chapters. All the contributors were asked to describe the last five years' major events and publications in their fields, and, generally, to limit their contributions to about 7,500 words, with no restriction on the number of bibliographical references. All authors were requested to tackle their subjects thoroughly while conforming to their own personal and individual styles. No attempt has been made to impose an overall editorial style, or to avoid the duplication which results from writers covering specific, but inevitably overlapping, areas of interest. Cross references have not been inserted in the text from chapter to chapter, where duplication occurs, but a detailed subject index provides for readers wishing to approach the review with an interest in any specific area or topic. A separate list of acronyms and abbreviations appears in each volume, representing all such entries identified in both volumes.