Search (51 results, page 1 of 3)

  • × theme_ss:"Objektdokumentation"
  1. Orna, E.; Pettitt, C.: Information management in museums (1998) 0.10 
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    Abstract
    Museums are under pressure to deliver effective management and presentation of their collections, outreach to their public, cost effective use of all of their resources and the generation of maximum income. This book addresses such topics as what information means in the museum context, who uses it and what they need to do with it, developing a strategy for using information to benefit the museum, making the best use of the knowledge and skills of the museum staff, and acquiring the right mix of technology and managing it to support co-operation between people. Basic principles and practical advice is presented for integrated management of a whole range of information which museums need for productive use of human resources and for choosing and using technology effectively. The needs of small museums are given special attention and case studies show how a range of institutions have responded to the challenge.
    Footnote
    Rez. in: B.I.T.online 2(1999) H.4, S.511-512 (S. Schwarzenberger)
    LCSH
    Museums / Documentation / Great Britain
    Subject
    Museums / Documentation / Great Britain
  2. Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.02 
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    Source
    Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
  3. Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998) 0.01 
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    Source
    Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
  4. Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998) 0.01 
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    Abstract
    Discusses the possibilities and difficulties encountered when using a thematic index to search contemporary art databanks. Jaconde and Videomuseum, 2 French databanks, are used as examples. the core problems found in the study are the methods and limits of indexing in both systems. A thematic index should be developed that is better adapted to 20th century art, based on the complementary and reciprocal relationship between text and image, and which fully exploits hypertext
    Date
    1. 8.1996 22:01:00
  5. Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997) 0.01 
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    Date
    5. 3.1999 17:40:22
  6. Kemmerling, A.: ¬Het MIRO-project : kennisachterstand in museale informatieverzorging structureel aangepakt (1994) 0.00 
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    Abstract
    Because of the individual character of museums the use of online catalogues to describe objects in the collections in the Netherlands has lagged behind that of libraries. In 1993 the MIRO (Museale Informatieverzorgingen Registratie Opleidingen) project was inaugurated to identify probllem areas and devise solutions. The project identified 4 areas for which training is required for museum staff: description of objects, compilation of indexes, automation in museums, and the use of multimedia systems. Following the project's report the Dutch government has dedicated extra funds for museum automation
  7. Küster-Heise, K.; Mitschke, S.: Terminologie in der Museumsarbeit unter besonderer Berücksichtigung des Aspekts der Textilterminologie (2009) 0.00 
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    Abstract
    Die wissenschaftliche Erschließung der Sammlungsbestände stellt neben dem Sammeln, Bewahren und Ausstellen eine Kernkompetenz musealer Arbeit dar und ist daher auch Teil der gemeinsam festgelegten Richtlinien des Internationalen Museumsverbandes "Standards für Museen". Seit einigen Jahren wird entsprechend auch in diesem Bereich eine Diskussion zu Fachterminologien geführt, weil die Inventare für eine schnellere Erschließung auch EDV-gestützt erfasst werden. Hierbei wird es als allgemein wünschenswert erachtet, sich auf einheitliche Thesauri im deutschsprachigen Raum, vor allem in den Bereichen Objektbezeichnung, Material und Technik zu verständigen. Erste Ansätze sind sowohl in der Fachgruppe Dokumentation des Deutschen Museumsbundes in Berlin als auch von den Arbeitsgruppen des MusIs-Projektes beim Bibliotheksservice-Zentrum Baden-Württemberg (BSZ) in Konstanz gemacht worden. Basierend auf Erfahrungen bei der Konzeption und dem Aufbau von Thesauri in diesen Bereichen, die Eingang fanden in den Objektbezeichnungsthesaurus des BSZ sollen hier einige Aspekte und Überlegungen vorgestellt werden.
  8. Cappelini, V.: ¬La telematica e i beni culturali (1995) 0.00 
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    Abstract
    The head of electronic engineering at Florence's Universita degli Studi describes how the department has used digitized imaging and computer reconstructions to aid the restoration and preservation of works of art in museums such as the Uffizi. The dapertmant shares in the MAN (Metropolitan Area Network) Toscana Telecoms project, whose applications include remote access to libraries and museums; and it also takes part in the EU MUSA project, which developed the Vasari (Visual Arts Systems Archiving Retrieval Images) scanner, and in the RAMA (Remote Access to Museum Archives) scheme
  9. Ahlswede, K.: Überlegungen zur Erschließung von Illustrationen in Büchern : Ein Vergleich von ausgewählten Regelwerken des Bibliothekswesens und der kunsthistorischen Objektdokumentation (1997) 0.00 
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    Abstract
    Formen und Funktionen der Buchillustration sowie die Bedeutung von Bildern in Büchern für Bibliotheken werden am Beispiel des VD17 erläutert, die RAK hinsichtlich der Buchillustration untersucht. Das wissenschaftliche Inventarisieren von Bildern in Museen wird anhand von MIDAS dargestellt und das Regelwerk hinsichtlich der Erschließung von Buchillustrationen untersucht. Es werden Vorschläge entwickelt für die Verbesserung des Nachweises von Bildern in Büchern
  10. Delouis, D.: Telecommunications in museums (1993) 0.00 
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    Abstract
    Describes the Remote Access to Museum Archive project, a CEC funded project which aims to promote access to museums documentary databases in museums via telecommunications. Describes existing museum databases which are remotely accessible. The RAMA project aims to interconnect the image documentary databases of seven European museums. Describes its progress, and prospects for creation of an electronic museum
  11. Leuchte, U.; Schirmbeck, H.-J.: BIADOK: das Projekt eines automatisierten und rechnergestützten Kunst- und Informationszentrums in Berlin (1992) 0.00 
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  12. Kampffmeyer, U.; Klönne, K.-H.: Moderne Informationsverarbeitung im Büro : elektronische Archivierung und Vorgangsbearbeitung (1993) 0.00 
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    Abstract
    Die zukünftige Informationsverarbeitung integriert Personal Computer und die 'low cost' Workstationen in die moderne Rechnerwelt und übernimmt dabei universelle Aufgaben der Bürokommunikation - vom intelligenten Telefon über den Einsatz als Fax-Gerät, zur Abfrage externer Datenbanken und als Arbeitsplatzrechner in vielfältigen Anwendungen. Dabei werden alle Information in digitaler Form gespeichert und bearbeitet. Elektronische Archivierung und Vorgangsbearbeitung nehmen dabei eine Schlüsselstellung innerhalb der modernen Informationsverarbeitung ein und ermöglichen erhebliche Qualitäts-, Zeit- und Wettbewerbsgewinne. Das Angebotsspektrum ist vielfältiger und preislich günstiger geworden. Die elektronische Vorgangsbearbeitung und der Einsatz digitaler optischer Speicher ('optical filing' in Verbindung mit 'image processing'), wird damit auch für kleinere Unternehmen interessant. Die Spannweiter reicht heute von großen individuellen und unternehmensweiten Lösungen bis hin zum komfortablen Einzelplatzsystem. Die optische Speichertechnologie stellt dabei die Basis für die Behandlung und Verarbeitung großer Daten- und Informationsmengen dar
  13. Donnellier, C.: Micromusee : la base images des collections specialisees de l'ENSBA (1998) 0.00 
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    Abstract
    The National School of Fine Arts houses collections of prints, manuscripts, photographs, drawings, paintings, sculpture, architectural designs and printed texts: in all some 200.000 works. The computerised joint catalogue project begun in 1992 already comprises 42.000 records and 4.000 images captured from the original indexes and catalogues. The software used, Micromusee, was developed specifically for special collections: MARC compatible, it offers both controlled and natural language searching, and is very simple to use
    Content
    Presentation given at the French Libraries Association 5th national arts libraries meeting, held in Paris in Sept. 1997
  14. Wolters, C.: Object databases and thesauri for small museums (1991) 0.00 
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    Abstract
    Twenty years of experience with computers in museums has led from the original 'purely scientific' objectives to a more down-to-earth approach aimed at rationalizing repetitive procedures. Dealing with fragmentary or unclean data is of primary concern. In the 'small museums' project useful techniques from the field of thesaurus applications are customized in daily practice for this purpose
  15. Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993) 0.00 
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    Abstract
    The Micro Gallery is a computerised, interactive, public access information system located in the Sainsbury Wing of the National Gallery in London. It provides detailed information about the Gallery's collection of paintings in an accessible form, using digitised colour images and touch screen technology. Discusses the evolution of the system, its reception and the projects it has spawned
  16. Ferbeek, E.; Hellevort, M.: ¬Het afficheproject : onderwerpsontsluiting van affiches (1993) 0.00 
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    Abstract
    A preliminary survey of poster collections in libraries, museums, and archives in the Netherlands revealed a wealth of material about which little was known. A deteiled survey was, therefore, undertaken in 1992 by the Rijksdienst Beeldende Kunst of 14 institutiions known to hold poster collections. As a result of the project the Database Nederlandse Affiches has been compiled to record details of the 72.000 items identified. Other institutions have now begun to submit details of their holdings to the database
  17. Dworman, G.O.; Kimbrough, S.O.; Patch, C.: On pattern-directed search of arcives and collections (2000) 0.00 
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    Abstract
    This article begins by presenting and discussing the distinction between record-oriented and pattern-oriented search. Examples or recordoriented (or item-oriented) questions include: "What (or how many, etc.) glass items made prior to 100 A.D. do we have in our collection?" and "How many paintings featuring dogs do we have that were painted during the 19th century, and who painted them?" Standard database systems are well suited to answering such questions, based on the data in, for example, a collections management system. Examples of pattern-oriented questions include: "How does the (apparent) productoin of glass objects vary over time between 400 B.C. and 100 A.D.?" and "What other animals are present in paintings with dogs (painted during the 19th century and in our collection)?" Standard database systems are not well suited to answering these sorts of questions, even though the basic data is properly stored in them. To answer pattern-oriented questions it is the accepted solution to transform the underlying (relational) data to what is called the data cube or cross tabulation form. We discuss how this can be done for non-numeric data, such as are found in museum collections and archives
  18. Im Dickicht der Fernseharchive : Ein neues Archivsystem unterstützt TV-Redakteure bei der zeitsparenden Zusammenstellung ihrer Beiträge (2003) 0.00 
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    Abstract
    Der Bestand eines Fernseharchivs gleicht auf dem ersten Blick einem Irrgarten. Täglich werden große Mengen an audiovisuellen Informationen über den Äther geschickt und gleichzeitig für eine eventuelle Wiederverwendung digital gespeichert. Die Herausforderung für jeden Archivar besteht darin, aus Millionen von Sendeminuten auf Anfrage möglichst schnell das passende Material zusammenzustellen. Mit diesem Problem befasste sich das EU-Projekt Primavera (Personalized Retrieval und Indexing of Media Assets in Virtual Environments for Real-Time Access). Die darin entwickelte Software testet der Österreichische Rundfunk in Wien seit einem Jahr. Sie wurde vom Fraunhofer-Institut für Integrierte Publikations- und Informationssysteme (IPSI) in Darmstadt, der tecmath AG in Kaiserslautern und dem Instituto Trentino Di Cultura (ITC) in Trient gemeinsam entworfen. Neuer Suchansatz Suchte ein Redakteur bisher in archivierten Sendungen, bestellte er schließlich mehrere, vermutlich passende Mitschnitte. Viele davon erweisen sich jedoch schnell als nutzlos. Nun kann man bereits am Bildschirm anhand von Schlüsselbildern - den Keyframes genannten Standbildern markanter Szenen - eine Vorauswahl treffen. Einzelne Zugriffe auf das System erfolgen über einen Web-Browser, wobei Suchergebnisse grafisch aufberei tet werden. Damit eine Suche erfolgreich ist, müssen die Archivbestände exakt klassifiziert sein. Mit einem Werkzeug namens Piclasso beschleunigt das Programm die Verschlagwortung von bereits vorhandenen Filmen, indem es deren Klassifizierung sozusagen lernt und auf neu hinzukommendes Material automatisch anwendet. Der Archivar hat dabei aber jederzeit die Wahl, ob er einen Vorschlag übernimmt oder nicht. Zudem kann der Nutzer nicht nurtext-, sondern auch bildbezogen suchen.
  19. Blanc, O.; Calba, C.: ¬L'¬Etoffe numerique : La Banque d'Images textiles du Musée des Tissus de Lyon (1998) 0.00 
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    Abstract
    Describes a project launched in 1992 to computerize the collections of the Musée des Tissus in Lyon. Known as Système d'Organisation et d'Inventaire Étendu a la Récherche (SOIERIE), it is a tool for internal archiving and management and an image databank. Describes the background to the project, data and equipment, consultation, the users and the current situation
    Footnote
    Paper presented to the 5th National Meeting of the Sous-Section des Bibliothèques d'Art, Association des Bibliothequaires Francais on 'L'avenir du passe: les nouvelles technologies' in Paris, 19 Sep 1997
  20. Marty, P.F.: Museum informatics (2009) 0.00 
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    Abstract
    Museum informatics is the study of the sociotechnical interactions that take place at the intersection of people, information, and technology in museums. This entry presents an overview of museum informatics, covering such topics as information representation, information organization and access, information management, information technology, information interactions, and information professionals in museums. It explores the impact of information science and technology on museums, museum professionals, and museum visitors, and argues that museum researchers must take a sociotechnical approach to studying the use of information resources and technologies in museums.

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