Search (5 results, page 1 of 1)

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Abstract

Purpose - This paper aims to describe the way participants in the hobby of gourmet cooking in the USA manage culinary information in their homes. Design/methodology/approach - The study utilizes domain analysis and serious leisure as a conceptual framework and employs an ethnographic approach. In total 20 gourmet cooks in the USA were interviewed at home and then their culinary information collections were documented through a guided tour and photographic inventory. The resulting ethnographic record was analyzed using grounded theory and NVivo software. Findings - The findings introduce the personal culinary library (PCL): a constellation of cooking-related information resources and information structures in the home of the gourmet cook, and an associated set of upkeep activities that increase with the collection's size. PCLs are shown to vary in content, scale, distribution in space, and their role in the hobby. The personal libraries are characterized as small, medium or large and case studies of each extreme are presented. Larger PCLs are cast as a bibliographic pyramid distributed throughout the home in the form of a mother lode, zone, recipe collection, and binder. Practical implications - Insights are provided into three areas: scientific ethnography as a methodology; a theory of documents in the hobby; and the changing role of information professionals given the increasing prevalence of home-based information collections. Originality/value - This project provides an original conceptual framework and research method for the study of information in personal spaces such as the home, and describes information phenomena in a popular, serious leisure, hobby setting.

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Abstract

Purpose Arts-informed, visual research was conducted to document the pictorial metaphors that appear among original drawings of information. The purpose of this paper is to report the diversity of these pictorial metaphors, delineate their formal qualities as drawings, and provide a fresh perspective on the concept of information. Design/methodology/approach The project utilized pre-existing iSquare drawings of information that were produced by iSchool graduate students during a draw-and-write activity. From a data set of 417 images, 125 of the strongest pictorial metaphors were identified and subjected to cognitive metaphor theory. Findings Overwhelmingly, the favored source domain for envisioning information was nature. The most common pictorial metaphors were: Earth, web, tree, light bulb, box, cloud, and fishing/mining, and each brings different qualities of information into focus. The drawings were often canonical versions of objects in the world, leading to arrays of pictorial metaphors marked by their similarity. Research limitations/implications Less than 30 percent of the data set qualified as pictorial metaphors, making them a minority strategy for representing information as an image. The process to identify and interpret pictorial metaphors was highly subjective. The arts-informed methodology generated tensions between artistic and social scientific paradigms. Practical implications The pictorial metaphors for information can enhance information science education and fortify professional identity among information professionals. Originality/value This is the first arts-informed, visual study of information that utilizes cognitive metaphor theory to explore the nature of information. It strengthens a sense of history, humanity, nature, and beauty in our understanding of information today, and contributes to metaphor research at large.

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Abstract

The library and information studies (LIS) field conducts a minority of research into leisure realms while favoring scholarly and professional contexts as subjects. Such is the case despite compelling evidence of the desirability and profundity of leisure in human life. This article introduces one popular form of leisure, hobbies, as a potentially provocative topic for LIS scholarship. To facilitate research an information within hobbies, the article discusses two conceptual devices. Serious leisure (Stebbins, 1982) describes essential characteristics of leisure, establishes that some types are information-rich, and provides a framework to study leisure systematically. The collectivist theory of domain analysis (Hjoerland and Albrechtsen, 1995) orients research to the hobby milieu and its objective information forms, recasting them as "hobby domains." As an example of the application of both devices, a case study is reviewed of the information resources in the hobby of cooking. The article closes with a call to action and suggested research program for the study of hobbies in LIS.

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Abstract

There are untold conceptions of information in information science, and yet the nature of information remains obscure and contested. This article contributes something new to the conversation as the first arts-informed, visual, empirical study of information utilizing the draw-and-write technique. To approach the concept of information afresh, graduate students at a North American iSchool were asked to respond to the question "What is information?" by drawing on a 4- by 4-inch piece of paper, called an iSquare. One hundred thirty-seven iSquares were produced and then analyzed using compositional interpretation combined with a theoretical framework of graphic representations. The findings indicate how students visualize information, what was drawn, and associations between the iSquares and prior renderings of information based on words. In the iSquares, information appears most often as pictures of people, artifacts, landscapes, and patterns. There are also many link diagrams, grouping diagrams, symbols, and written text, each with distinct qualities. Methodological reflections address the relationship between visual and textual data, and the sample for the study is critiqued. A discussion presents new directions for theory and research on information, namely, the iSquares as a thinking tool, visual stories of information, and the contradictions of information. Ideas are also provided on the use of arts-informed, visual methods and the draw-and-write technique in the classroom.

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Date

30. 4.2020 21:03:22