Search (17 results, page 1 of 1)

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Source

Library trends. 55(2006) no.1, S.22-45

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Date

27. 9.2005 14:22:19

Footnote

Rez. in: Knowledge organization 30(2003) no.2, S.114-115 (M. Hudon); "This most interesting contribution to the literature of subject cataloguing originates in the author's doctoral dissertation, prepared under the direction of jerry Saye at the University of North Carolina at Chapel Hill. In seven highly readable chapters, Alenka Sauperl develops possible answers to her principal research question: How do cataloguers determine or identify the topic of a document and choose appropriate subject representations? Specific questions at the source of this research an a process which has not been a frequent object of study include: Where do cataloguers look for an overall sense of what a document is about? How do they get an overall sense of what a document is about, especially when they are not familiar with the discipline? Do they consider only one or several possible interpretations? How do they translate meanings in appropriate and valid class numbers and subject headings? Using a strictly qualitative methodology, Dr. Sauperl's research is a study of twelve cataloguers in reallife situation. The author insists an the holistic rather than purely theoretical understanding of the process she is targeting. Participants in the study were professional cataloguers, with at least one year experience in their current job at one of three large academic libraries in the Southeastern United States. All three libraries have a large central cataloguing department, and use OCLC sources and the same automated system; the context of cataloguing tasks is thus considered to be reasonably comparable. All participants were volunteers in this study which combined two datagathering techniques: the think-aloud method and time-line interviews. A model of the subject cataloguing process was first developed from observations of a group of six cataloguers who were asked to independently perform original cataloguing an three nonfiction, non-serial items selected from materials regularly assigned to them for processing. The model was then used for follow-up interviews. Each participant in the second group of cataloguers was invited to reflect an his/her work process for a recent challenging document they had catalogued. Results are presented in 12 stories describing as many personal approaches to subject cataloguing. From these stories a summarization is offered and a theoretical model of subject cataloguing is developed which, according to the author, represents a realistic approach to subject cataloguing. Stories alternate comments from the researcher and direct quotations from the observed or interviewed cataloguers. Not surprisingly, the participants' stories reveal similarities in the sequence and accomplishment of several tasks in the process of subject cataloguing. Sauperl's proposed model, described in Chapter 5, includes as main stages: 1) Examination of the book and subject identification; 2) Search for subject headings; 3) Classification. Chapter 6 is a hypothetical Gase study, using the proposed model to describe the various stages of cataloguing a hypothetical resource. ...

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Date

22. 9.1997 19:16:05

Footnote

Bade begins his discussion of errors in subject analysis by summarizing the contents of seven records containing what he considers to be egregious errors. The examples were drawn only from items that he has encountered in the course of his work. Five of the seven records were full-level ("I" level) records for Eastern European materials created between 1996 and 2000 in the OCLC WorldCat database. The final two examples were taken from records created by Bade himself over an unspecified period of time. Although he is to be commended for examining the actual items cataloged and for examining mostly items that he claims to have adequate linguistic and subject expertise to evaluate reliably, Bade's methodology has major flaws. First and foremost, the number of examples provided is completely inadequate to draw any conclusions about the extent of the problem. Although an in-depth qualitative analysis of a small number of records might have yielded some valuable insight into factors that contribute to errors in subject analysis, Bade provides no Information about the circumstances under which the live OCLC records he critiques were created. Instead, he offers simplistic explanations for the errors based solely an his own assumptions. He supplements his analysis of examples with an extremely brief survey of other studies regarding errors in subject analysis, which consists primarily of criticism of work done by Sheila Intner. In the end, it is impossible to draw any reliable conclusions about the nature or extent of errors in subject analysis found in records in shared bibliographic databases based an Bade's analysis. In the final third of the essay, Bade finally reveals his true concern: the deintellectualization of cataloging. It would strengthen the essay tremendously to present this as the primary premise from the very beginning, as this section offers glimpses of a compelling argument. Bade laments, "Many librarians simply do not sec cataloging as an intellectual activity requiring an educated mind" (p. 20). Commenting an recent trends in copy cataloging practice, he declares, "The disaster of our time is that this work is being done more and more by people who can neither evaluate nor correct imported errors and offen are forbidden from even thinking about it" (p. 26). Bade argues that the most valuable content found in catalog records is the intellectual content contributed by knowledgeable catalogers, and he asserts that to perform intellectually demanding tasks such as subject analysis reliably and effectively, catalogers must have the linguistic and subject knowledge required to gain at least a rudimentary understanding of the materials that they describe. He contends that requiring catalogers to quickly dispense with materials in unfamiliar languages and subjects clearly undermines their ability to perform the intellectual work of cataloging and leads to an increasing number of errors in the bibliographic records contributed to shared databases.

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Date

5. 8.2006 13:22:44

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Abstract

In order to explain how indexers chose their keywords and how their results can differ between each other, focuses on certain properties of the terms rather than on the terms themselves. Bases the study on 4 premises borrowed from research in semiotics, cognitive science, discourse analysis and reading theories. Reports on the methodology used, and some of the findings obtained by comparing properties of indexing terms with the content of titles and abstracts of 844 bibliographic records extracted from a database on environment. Characterizes some tendencies of the special reading which indexing constitutes as a series of properties of the selected or rejected works and explains the differences among several indexers by the porperties toward which they are inclined

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Abstract

Purpose - This paper endeavours to show the possibilities for thematic description of audio-visual documents for television with the aim of promoting and facilitating information retrieval. Design/methodology/approach - To achieve these goals different database fields are shown, as well as the way in which they are organised for indexing and thematic element description, analysed and used as an example. Some of the database fields are extracted from an analytical study of the documentary system of television in Spain. Others are being tested in university television on which indexing experiments are carried out. Findings - Not all thematic descriptions are used on television information systems; nevertheless, some television channels do use thematic descriptions of both image and sound, applying thesauri. Moreover, it is possible to access sequences using full text retrieval as well. Originality/value - The development of the documentary task, applying the described techniques, promotes thematic indexing and hence thematic retrieval. Given the fact that this is without doubt one of the aspects most demanded by television journalists (along with people's names). This conceptualisation translates into the adaptation of databases to new indexing methods.

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Abstract

Purpose - The paper aims to explain the character and causes of obsolescence in assigned subject descriptors. Design/methodology/approach - The paper takes the form of a conceptual analysis with examples and reference to existing literature. Findings - Subject description comes in two forms: assigning the name or code of a subject to a document and assigning a document to a named subject category. Each method associates a document with the name of a subject. This naming activity is the site of tensions between the procedural need of information systems for stable records and the inherent multiplicity and instability of linguistic expressions. As languages change, previously assigned subject descriptions become obsolescent. The issues, tensions, and compromises involved are introduced. Originality/value - Drawing on the work of Robert Fairthorne and others, an explanation of the unavoidable obsolescence of assigned subject headings is presented. The discussion relates to libraries, but the same issues arise in any context in which subject description is expected to remain useful for an extended period of time.

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Abstract

Purpose - An empirical study has shown that the real process of subject cataloging does not correspond entirely to theoretical descriptions in textbooks and international standards. The purpose of this is paper is to address the issue of whether it be possible for catalogers who have not received formal training to perform subject cataloging in a different way to their trained colleagues. Design/methodology/approach - A qualitative study was conducted in 2001 among five Slovenian public library catalogers. The resulting model is compared to previous findings. Findings - First, all catalogers attempted to determine what the book was about. While the American catalogers tried to understand the topic and the author's intent, the Slovenian catalogers appeared to focus on the topic only. Slovenian and American academic library catalogers did not demonstrate any anticipation of possible uses that users might have of the book, while this was important for American public library catalogers. All catalogers used existing records to build new ones and/or to search for subject headings. The verification of subject representation with the indexing language was the last step in the subject cataloging process of American catalogers, often skipped by Slovenian catalogers. Research limitations/implications - The small and convenient sample limits the findings. Practical implications - Comparison of subject cataloging processes of Slovenian and American catalogers, two different groups, is important because they both contribute to OCLC's WorldCat database. If the cataloging community is building a universal catalog and approaches to subject description are different, then the resulting subject representations might also be different. Originality/value - This is one of the very few empirical studies of subject cataloging and indexing.

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Abstract

Purpose - To provide a better-informed view of the extent of the semantic gap in image retrieval, and the limited potential for bridging it offered by current semantic image retrieval techniques. Design/methodology/approach - Within an ongoing project, a broad spectrum of operational image retrieval activity has been surveyed, and, from a number of collaborating institutions, a test collection assembled which comprises user requests, the images selected in response to those requests, and their associated metadata. This has provided the evidence base upon which to make informed observations on the efficacy of cutting-edge automatic annotation techniques which seek to integrate the text-based and content-based image retrieval paradigms. Findings - Evidence from the real-world practice of image retrieval highlights the existence of a generic-specific continuum of object identification, and the incidence of temporal, spatial, significance and abstract concept facets, manifest in textual indexing and real-query scenarios but often having no directly visible presence in an image. These factors combine to limit the functionality of current semantic image retrieval techniques, which interpret only visible features at the generic extremity of the generic-specific continuum. Research limitations/implications - The project is concerned with the traditional image retrieval environment in which retrieval transactions are conducted on still images which form part of managed collections. The possibilities offered by ontological support for adding functionality to automatic annotation techniques are considered. Originality/value - The paper offers fresh insights into the challenge of migrating content-based image retrieval from the laboratory to the operational environment, informed by newly-assembled, comprehensive, live data.

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Abstract

Purpose - If an information retrieval system is going to be of value to the user then it must give meaning to the information which matches the meaning given to it by the user. The meaning given to music varies according to who is interpreting it - the author/composer, the performer, cataloguer or the listener - and this affects how music is organized and retrieved. This paper aims to examine the meaning of music, how meaning is communicated and suggests this may affect music retrieval. Design/methodology/approach - Musicology is used to define music and examine its functions leading to a discussion of how music has been organised and described. Various ways of establishing the meaning of music are reviewed, focussing on established musical analysis techniques. It is suggested that traditional methods are of limited use with digitised popular music. A discussion of semiotics and a review of semiotic analysis in western art music leads to a discussion of semiotics of popular music and examines ideas of Middleton, Stefani and Tagg. Findings - Agreeing that music exists when communication takes place, a discussion of selected communication models leads to the proposal of a revised version of Tagg's model, adjusting it to include listener feedback. Originality/value - The outcome of the analysis is a revised version of Tagg's communication model, adapted to reflect user feedback. It is suggested that this revised communication model reflects the way in which meaning is given to music.

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Abstract

Purpose - The purpose of this paper is to examine the art historical antecedents of providing subject access to images. After reviewing the assumptions and limitations inherent in the most prevalent descriptive method, the paper seeks to introduce a new model that allows for more comprehensive representation of visually-based cultural materials. Design/methodology/approach - The paper presents a literature-based conceptual analysis, taking Panofsky's theory of iconography and iconology as the starting-point. Panofsky's conceptual model, while appropriate for art created in the Western academic tradition, ignores or misrepresents work from other eras or cultures. Continued dependence on Panofskian descriptive methods limits the functionality and usefulness of image representation systems. Findings - The paper recommends the development of a more precise and inclusive descriptive model for art objects, which is based on the premise that art is not another sort of text, and should not be interpreted as such. Practical implications - The paper provides suggestions for the development of representation models that will enhance the description of non-textual artifacts. Originality/value - The paper addresses issues in information science, the history of art, and computer science, and suggests that a new descriptive model would be of great value to both humanist and social science scholars.

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Date

5. 8.2006 13:22:08

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Date

22. 5.2021 12:43:05

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Date

22. 1.2012 13:02:10

Source

Knowledge organization. 39(2012) no.1, S.13-22

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Source

Cataloging and classification quarterly. 22(1996) no.2, S.5-18

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Source

Knowledge organization in the 21st century: between historical patterns and future prospects. Proceedings of the Thirteenth International ISKO Conference 19-22 May 2014, Kraków, Poland. Ed.: Wieslaw Babik