Search (9 results, page 1 of 1)

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Abstract

What kinds of mental models do library catalogue users have of the bibliographic universe in an age of online and electronic information? Using phenomenography and grounded analysis, it identifies participants' understanding, experience, and conceptualisation of the bibliographic universe, and identifies their expectations when using library catalogues. It contrasts participants' mental models with existing LIS models, and explores the nature of the bibliographic universe. The bibliographic universe can be considered to be a social object that exists because it is inscribed in catalogue records, cataloguing codes, bibliographies, and other bibliographic tools. It is a socially constituted phenomenon.

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Abstract

A band of archivists and IT professionals at Harvard took on a project to convert nearly two million descriptions of archival collection components from marked-up text into the ArchivesSpace archival metadata management system. Starting in the mid-1990s, Harvard was an alpha implementer of EAD, an SGML (later XML) text markup language for electronic inventories, indexes, and finding aids that archivists use to wend their way through the sometimes quirky filing systems that bureaucracies establish for their records or the utter chaos in which some individuals keep their personal archives. These pathfinder documents, designed to cope with messy reality, can themselves be difficult to classify. Portions of them are rigorously structured, while other parts are narrative. Early documents predate the establishment of the standard; many feature idiosyncratic encoding that had been through several machine conversions, while others were freshly encoded and fairly consistent. In this paper, we will cover the practical and technical challenges involved in preparing a large (900MiB) corpus of XML for ingest into an open-source archival information system (ArchivesSpace). This case study will give an overview of the project, discuss problem discovery and problem solving, and address the technical challenges, analysis, solutions, and decisions and provide information on the tools produced and lessons learned. The authors of this piece are Kate Bowers, Collections Services Archivist for Metadata, Systems, and Standards at the Harvard University Archive, and Dave Mayo, a Digital Library Software Engineer for Harvard's Library and Technology Services. Kate was heavily involved in both metadata analysis and later problem solving, while Dave was the sole full-time developer assigned to the migration project.

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Content

ORCID soll die elektronische Zuordnung von Publikation und Autoren ermöglichen. Dies ist notwendig, da verschiedene Autoren gleiche Namen haben können, Namen sich ändern (z. B. bei Heirat) und Namen in verschiedenen Publikationen unterschiedlich angegeben werden (z. B. einmal die ausgeschriebenen Vornamen, ein anderes Mal aber nur die Initialen). ORCID soll zum De-facto-Standard für die Autorenidentifikation wissenschaftlicher Publikationen werden. Die Etablierung wird von der Non-Profit-Organisation Open Researcher Contributor Identification Initiative organisiert. Zu den Gründungsmitgliedern der Initiative gehören zahlreiche wissenschaftliche Verlagsgruppen (z. B. Elsevier, Nature Publishing Group, Springer) und Forschungsorganisationen (z. B. EMBO, CERN). Die Planungen für ORCID wurden 2010 auf Umfragen gestützt. ORCID ging am 16. Oktober 2012 offiziell an den Start. Am Jahresende 2012 hatte ORCID 42.918 Registrierte, Jahresende 2013 waren es 460.000 Registrierte und im November 2014 hatte ORCID 1 Million Autorenidentifikationen ausgestellt. Vgl. auch den Zusammenhang mit der GND und den Erfassungsleitfaden der DNB unter: https://wiki.dnb.de/x/vYYGAw.

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Abstract

This is a report by a group "charged to identify current trends that will have a direct impact on cataloging operations and to define possible new roles for the online catalog and cataloging staff at Indiana University." Their one general conclusion after nine months of work is that "The need for cataloging expertise within the I.U. Libraries will not be diminished in the coming years. Rather, catalogers of the future will work in the evolving environment of publishing, scholarly communication, and information technology in new expanded roles. Catalogers will need to be key players in addressing the many challenges facing the libraries and the overall management and organization of information at Indiana University." The report also identifies five strategic directions. The report is an interesting read, and taken with the explosion of related reports (e.g., Calhoun's report to the Library of Congress cited in this issue, the UC Bibliographic Services TF Report), adds yet another perspective to the kinds of changes we must foster to create better library services in a vastly changed environment.

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Abstract

The report aims to analyze the applicability of the Resource Description and Access (RDA) within the Italian public libraries, and also in the archives and museums in order to contribute to the discussion at international level. The Central Institute for the Union Catalogue of Italian libraries (ICCU) manages the online catalogue of the Italian libraries and the network of bibliographic services. ICCU has the institutional task of coordinating the cataloging and the documentation activities for the Italian libraries. On March 31 st 2014, the Institute signed the Agreement with the American Library Association,Publishing ALA, for the Italian translation rights of RDA, now available and published inRDAToolkit. The Italian translation has been carried out and realized by the Technical Working Group, made up of the main national and academic libraries, cultural Institutions and bibliographic agencies. The Group started working from the need of studying the new code in its textual detail, to better understand the principles, purposes, and applicability and finally its sustainability within the national context in relation to the area of the bibliographic control. At international level, starting from the publication of the Italian version of RDA and through the research carried out by ICCU and by the national Working Groups, the purpose is a more direct comparison with the experiences of the other European countries, also within EURIG international context, for an exchange of experiences aimed at strengthening the informational content of the data cataloging, with respect to history, cultural traditions and national identities of the different countries.

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Content

Vgl. auch den Text einer Mail vom 04.02.2015: "Nachdem uns nun, nach längerem Bemühen, ein konsortialer Zugriff zum RDA-Toolkit zu Diensten steht, haben wir unser Einführungspapier nochmal gründlich bearbeitet: http://www.allegro-c.de/regeln/rda/Vorwort_und_Einleitung.pdf. Es besteht aus einem selbstgeschriebenen Vorwort (das Original hatkeins) und einer selbstgemachten Übersetzung der Einleitung (dem Original mangelt's ein wenig an der Sprachqualität, weil man sich aus wohl erwogenen Gründen äußerst eng an die Formulierungen und Ausdruckweisen des Originals halten zu sollen meinte.) Am Ende schließt sich ein Nachwort an (im Original ebenfalls keins, ist aber auch nicht üblich bei Regelwerken), und eine Seite mit den wichtigsten Links zu bedeutenden Ressourcen. Einen eigenen Titel und ein Titelseiten-Äquivalent hat die deutsche Ausgabe auch nicht. Vermutlich wollte man mal gleich ein Beispiel schaffen für eine etwas schwierig zu katalogisierende "integrierende Ressource". Man hat's auch in Frankfurt noch nicht geschafft, dort findet man nur die 2013er Übersetzung, inzwischen überholt: http://d-nb.info/1021548286. Amazon hat noch 2 Stück und weist 57 Exemplare von anderen Anbietern nach, Einheitspreis 129.95 Euro. Toolkit Einzel-Lizenz: 161 Euro/Jahr. Im März soll der "Wiesenmüller-Horny" kommen, als Preis sind momentan 39.95 genannt, sowie 600 Euro für das PDF. (deGruyter hat die deutschen Vertriebsrechte an allem, was die alternativlose "cash cow" RDA des Verlags ALA Publishing betrifft.) Immerhin ist Haller-Popst noch noch nicht auf den Ramschtischen gelandet sondern für 59.95 im Handel, gebraucht aber ab 6.13, RAK-WB nur noch gebraucht für 2.99. " Vgl. auch: http://www.basiswissen-rda.de/blog/

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Date

17. 5.2016 19:22:40

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Content

Better navigation FRBR is a way of explaining the bibliographic world, in a library context, to allow for a better arrangement and collocation of records in a bibliographic database and, consequently, better navigation. FRBR could make possible a catalog that would group all the bibliographic records for all the filmed versions of Romeo and Juliet in sets organized by the language of the production, for example. Within each language's set would be separate subsets for those on DVD and those on videocassette. This would eliminate the screen after screen of displays of bibliographic headings, each of which a user has to investigate to determine if the record is really for the resource he or she needs ("Where's the movie version on DVD?") The larger the size of the database, the more such organization promises cleaner, more navigable displays to searchers. This is why FRBR is especially important in resource sharing environments-where databases seem to grow exponentially. From items to works One of the bases for that organization is FRBR's conception of bibliographic resources, which fall into four "entities": item, manifestation, expression, and work. An "item" is familiar to us: the object that sits on a shelf, which gets checked out, damaged, repaired, then eventually discarded. In the current era, it may not be physical but instead virtual, like an ebook. The "item," an individual copy, is a single example of a "manifestation," the publication by a certain publisher of a text, or of a sound or video recording. Seamus Heaney's translation of Beowulf, published in hardback by Farrar, Straus and Giroux in 1999, is one manifestation. Heaney's translation of Beowulf published in paperback by W.W. Norton in 2000 is another. Heaney's Beowulf as it appears in the collection Wizards: Stories of Magic, Mischief and Mayhem (Thunder's Mouth, 2001) is yet another manifestation. Manifestations are generally what catalogers catalog. All of these are manifestations of an "expression," a more abstract and intangible entity. Heaney's translation of Beowulf, independent of who is publishing it and when, is one "expression" of that work. The translation by Barry Tharaud is another.