Search (40 results, page 1 of 2)

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Abstract

Discusses the publishing of books online on the Internet, in the USA. The issues is treated mainly in relation to trade publishers. Outlines various ways in which such publishers have so far used the Internet, for example in the publishing of the full text of works of fiction, for publishing catalogues, and for presenting authors to the public via bulletin boards or electronic conferences. Notes a number or problems which arise: copyright, payment for accessing items, advertising restrictions, and the ease with which the published unit can be tampered with when available on the Internet. Also discusses collaboration and conflicts between publishers and the technology industry

Source

Publishers weekly. 240(1993) no.47, 22 Nov., S.33-35,38

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Abstract

Technological developments have changed the concepts of publication, reproduction and distribution. However, legislation, and in particular the Legal Deposit Law has not adjusted to these changes - it is very restrictive in the sense of protecting the rights of authors of electronic publications. National libraries and national archival institutions, being aware of their important role in preserving the written and spoken cultural heritage, try to find different legal ways to live up to these responsibilities. This paper presents some legal aspects of archiving Web pages, examines the harvesting of Web pages, provision of public access to pages, and their long-term preservation.

Date

10.12.2005 11:22:13

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Abstract

Examines the USA national context of electronic publishing. Before the visions of electronic publishing become a reality the following issues must be dealt with: market readiness, availability of public and private funding, delivery standards, enabling software, intellectual property concerns, and new pricing and licensing models. Examines CD-ROM publishing, customized college publishing, and electronic only journals and discusses the electronic distribution of traditional print journals

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Abstract

Image content opens up exciting possibilities for stand-alone media, distributed networks, online networks, and on-site publishing from information systems for use by the general public, for research, collection management, education and distance learning. These developments coincide and overlap with widespread new questioning and thinking as to the role of museums in relation to their diverse publics and also may have many parallels in the library world. They raise difficult questions about intellectual propriety rights - copyright protection, fair renumeration and complex questions concerning moral rights. Clearly international cooperation, working partnerships and consortia are going to gain further importance and significance

Source

Interlending and document supply. 22(1994) no.1, S.20-24

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Abstract

Gives a backgroud to the growth of multimedia publishing. Reviews major issues in multimedia publishing: standards and formats; its impact on publishers and booksellers; ownership and copyright; involvement of non commercial parties, and networking implications. Assesses the major issues facing libraries and information services. Control mechanisms for multimedia packages will need to be developed

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Abstract

Dealing with some of the effects of multimedia for those involved in the conventional publishing chain. Among the aspects dealt with are the rival formats for distribution and playback; how publishers are apporaching multimedia, and software companies approaching publishing; multimedia music; ownership copyright; and networking implications. Notes the role of SuperJANET in the UK in the area of multimedia networking, and the prospect of publishers beginning to use networks as a way of publishing and distributing their products

Footnote

Condensed version of a report published by the British Library Research and Development Department in Apr 94, entitled 'Multimedia publishing'

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Source

Digital publishing strategies. 1(1996) no.4, S.8

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Abstract

From incomplete networks, questions of quality control and copyright, to unified pricing policies, the route to fully electronic scientific communication has many pitfalls. However, change is inevitable, and a quick tour of the models currently being investigated is provided. These include researchers' own electronic publishing ventures. OCLC/AAAS electronic journal 'Current clinical trials', 'IEE's Electronics letters', American Chemical Society (ACS) projects with and without graphics, Elsevier's TULIP (The University Licensing Programme) project to supply 42 materials science journals in electronic form, and the Institute of Physics Publishing future developments including the SuperJournal demonstration project on the SuperJanet network

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Abstract

The publication of scholarly works in a networked electronic environment presents opportunities for solving problems with printed services. At the same time, copyright developed primarily for printed works, has been used to create stumbling blocks both for faculty authors and their institutions. This has accurred because publishers have required a transfer of copyright as a quid pro quo for publication. New models of copyright ownership and management can be developed for electronic publishing of scholarly works and research uses, and ultimately will reduce costs to universities which currently must repurchase faculty produced works from commercial publishers

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Source

Learned publishing. 10(1997) no.3, S.249-254

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Abstract

This book addresses some of the most perplexing issues related to the widening use of electronic media as a supplement to, or substitute for, paper-based print. These issues include access rights, preservation, standards, and copyright, among others. The book also provides a look at some proposals, prototypes, and processes in electronic publishing

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Abstract

Explores some of the practical difficulties associated with the management information as a commodity, and sketches a framework in which to address the problem in the context of electronic publishing. The strategy is based on the integration of 2 groups of technologies, collectively refereed to as 'secure SGML' which merges the platform-independent data representation offered by the Standard Generalized Markup Language (SGML) and related standards with the privacy and authentication functions offered by recent advances in key cryptography. This scheme allows implementation of a licensing strategy, thereby providing a means of addressing problematic copyright and public policy issues associated with digital media. Libraries can play a key role in the installation and maintenance of the infrastructure required to support new forms of information transaction

Source

Journal of scholarly publishing. 25(1994) no.3, S.146-156

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Source

Publishing research quarterly. 11(1995) no.1, S.40-45

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Abstract

Raises a number of questions concerning current issues and problems in publishing and electrocopying in the academic field. Considers the influence of the Internet, the role of publishers in the future academic market, and how copyright law might develop as a result of changes in the digital world. Scholarly authors may in fact be better renumerated without publishers: universities will become Internet publishers. In the USA, 16 research institutes and libraries have formed the Digital Library Federation, and various models for scholarly communication in the electronic age are under discussion, aimed at providing appropriate methods of copyright clearance and renumeration mechanisms

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Abstract

Discusses the basic principles of copyright law with particular reference to electronic media or any materials that are transmitted electronically. Considers the European Community (EC) directives and proposals affecting electronic publishing. Discusses copyright problems relating to electronic works and the legal liability of facilitators. Comments on the opinion, held by some commentators, that the mass transposition of all manner of published works to electronic storage will create insuperable problems for intellectual property rights and that copyright law will collapse

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Abstract

This article discusses the accelerating trend of ownership rights in digital property, copyright, in specific. This trend is in contrast to the stated legislative purpose of copyright law to be neutral as to the technology that either owners employ to embody the copyrighted work or that others employ to facilitate access and use of the work. Recent legislative initiatives as well as interpretive court decisions have undermined this important concept. There is an ascendancy of digital ownership rights that threatens to undermine the concept of technological neutrality, which in essence guarantees that ownership and well as "use" rights apply equally to analog and digital environments. The result of this skewing is twofold: an unstable environment with respect to the access and use rights of individuals, institutions, and other users of copyrighted material, and the incentive of copyright owners to present works to the public in digital formats alone, where ownership rights are strongest. This article attempts to plot that digital ascendancy and demonstrate the undermining of neutrality principles.

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Abstract

The concept of a digital library has been stimulated by recent advances in computing technology. These developments hold the promise of transforming libraries into interactive centres of learning and research by virtue of inexpensive digital storage, easy-to-use search engines, and powerful computing hardware. However, libraries are handicapped in their move to digital collections by enormous legal problems in securing rights to much of the current literature. Solutions to this dilemma are not on the immediate horizon, but eventually will include changes in the current copyright law and technological arrangements to protect the interests of the owners of intellectual property. Suggests that librarians might find a more valuable role not in getting information to an electronic state, but in being its organizers and facilitators

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Source

Publishing research quarterly. 12(1996) no.4, S.50-56

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Abstract

There is much interest at present in electronic publishing and electronic libraries. The vast bulk of material in libraries today is not held in electronic format. For electronic libraries to flourish, methods of converting the existing corpus of material to electronic format must be found. This paper emphasises the problems that may be encountered in the digitisation process and pays attention to the intended use of the digitised material. There is a list of 5 areas, scanner resolution and design, grey scale and colour content of the original material and speed of scanning, for special consideration. The problems of indexing and copyright are considered briefly

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Date

22. 2.2018 12:06:44
22. 2.2018 12:13:53