Search (26 results, page 1 of 2)

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Abstract

Visual materials represent a significantly different type of communication to textual materials and therefore present distinct challenges for the process of retrieval, especially if by retireval we mean intellectual access to the content of images. This paper outlines the special characteristics of visual materials, focusing on their pontential complexity and subjectivity, and the methods used and explored for gaining access to visual materials as reported in the literature. It concludes that methods of access to visual materials are dominated by the relative mature systems developed for textual materials and that access methods based on visual communication are still largely in the developmental or prototype stage. Although reported research on user requirements in the retrieval of visual information is noticeably lacking, the results of at least one study indicate that the visually-based retrieval methods of structured and unstructered browsing seem to be preferred for visula materials and that effective retrieval methods are ultimately related to characteristics of the enquirer and the visual information sought

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Abstract

Reviews the methods of calculating the information content of images, with particular reference to the information content of printed and photographic images; and printed and television images

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Date

27. 9.2005 14:22:19

Footnote

This document will be particularly useful to subject cataloguing teachers and trainers who could use the model to design case descriptions and exercises. We believe it is an accurate description of the reality of subject cataloguing today. But now that we know how things are dope, the next interesting question may be: Is that the best way? Is there a better, more efficient, way to do things? We can only hope that Dr. Sauperl will soon provide her own view of methods and techniques that could improve the flow of work or address the cataloguers' concern as to the lack of feedback an their work. Her several excellent suggestions for further research in this area all build an bits and pieces of what is done already, and stay well away from what could be done by the various actors in the area, from the designers of controlled vocabularies and authority files to those who use these tools an a daily basis to index, classify, or search for information."

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Abstract

Comprehensiveness and consistency in newspaper indexing depend on the effectiveness of subject analysis of the news items. Discusses indexing skills required in order to identify indexable concepts. Describes practical aspects of conceptual analysis, crystalises criteria and methods for the indexing of news stories, and eludicates reasons form providing multiple subject-entries for certain news items. Suggests rules for news analysis and speedy and accurate allocation of subject headings, and illustrates the technique of dealing with complex and diversified news headings reported at intervals. As the headlines do not always indicate the real subject of a news story, the identification of indexable concepts can become arduous and cumbersome. Discusses the methods, skills and capability needed to tackle such problems

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Date

5. 8.2006 13:22:44

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Abstract

The arts, humanities, and social sciences commonly borrow concepts and methods from the sciences, but interdisciplinary borrowing seldom occurs in the opposite direction. Research on narrative discourse is relevant to problems of documentary storage and retrieval, for the arts and humanities in particular, but also for other broad areas of knowledge. This paper views the potential application of narrative discourse analysis to information storage and retrieval problems from 2 perspectives: 1) analysis and comparison of narrative documents in all disciplines may be simplified if fundamental categories that occur in narrative documents can be isolated; and 2) the possibility of subdividing the world of knowledge initially into narrative and non-narrative documents is explored with particular attention to Werlich's work on text types

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Abstract

Reports on a study of children's intentions, purposes, search terms, strategies, successes and breakdowns in accessing fiction. Data was gathered using naturalistic methods of persistent, intensive observation and questioning with children in several school library media centres in the USA, including 997 OPAC transactions. Analyzes the data and highlights aspects of the broader context of the system which may help in development of mechanisms for electronic access

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Abstract

The purpose of this paper is to provide an overview of aboutness and conceptual analysis, essential concepts for LIS practitioners to understand. Aboutness refers to the subject matter and genre/form properties of a resource. It is identified during conceptual analysis, which yields an aboutness statement, a summary of a resource's aboutness. While few scholars have discussed the aboutness determination process in detail, the methods described by Patrick Wilson, D.W. Langridge, Arlene G. Taylor, and Daniel N. Joudrey provide exemplary frameworks for determining aboutness and are presented here. Discussions of how to construct an aboutness statement and the challenges associated with aboutness determination follow.

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Date

5. 8.2006 13:22:08

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Date

22. 5.2021 12:43:05

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Abstract

Analysis of user viewing and query-matching behavior furnishes additional evidence that the relevance of retrieved images for system users may arise from descriptions of objects and content-based elements that are not evident or not even present in the image. This investigation looks at how users assign pre-determined query terms to retrieved images, as well as looking at a post-retrieval process of image engagement to user cognitive assessments of meaningful terms. Additionally, affective/emotion-based query terms appear to be an important descriptive category for image retrieval. A system for capturing (eliciting) human interpretations derived from cognitive engagements with viewed images could further enhance the efficiency of image retrieval systems stemming from traditional indexing methods and technology-based content extraction algorithms. An approach to such a system is posited.

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Abstract

Purpose - This paper endeavours to show the possibilities for thematic description of audio-visual documents for television with the aim of promoting and facilitating information retrieval. Design/methodology/approach - To achieve these goals different database fields are shown, as well as the way in which they are organised for indexing and thematic element description, analysed and used as an example. Some of the database fields are extracted from an analytical study of the documentary system of television in Spain. Others are being tested in university television on which indexing experiments are carried out. Findings - Not all thematic descriptions are used on television information systems; nevertheless, some television channels do use thematic descriptions of both image and sound, applying thesauri. Moreover, it is possible to access sequences using full text retrieval as well. Originality/value - The development of the documentary task, applying the described techniques, promotes thematic indexing and hence thematic retrieval. Given the fact that this is without doubt one of the aspects most demanded by television journalists (along with people's names). This conceptualisation translates into the adaptation of databases to new indexing methods.

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Date

22. 1.2012 13:02:10

Source

Knowledge organization. 39(2012) no.1, S.13-22

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Content

SCHMIDT, K.M.: Concepts - content - meaning: an introduction; DUCHASTEL, J. et al.: The SACAO project: using computation toward textual data analysis; PAQUIN, L.-C. u. L. DUPUY: An approach to expertise transfer: computer-assisted text analysis; HOGENRAAD, R., Y. BESTGEN u. J.-L. NYSTEN: Terrorist rhetoric: texture and architecture; MOHLER, P.P.: On the interaction between reading and computing: an interpretative approach to content analysis; LANCASHIRE, I.: Computer tools for cognitive stylistics; MERGENTHALER, E.: An outline of knowledge based text analysis; NAMENWIRTH, J.Z.: Ideography in computer-aided content analysis; WEBER, R.P. u. J.Z. Namenwirth: Content-analytic indicators: a self-critique; McKINNON, A.: Optimizing the aberrant frequency word technique; ROSATI, R.: Factor analysis in classical archaeology: export patterns of Attic pottery trade; PETRILLO, P.S.: Old and new worlds: ancient coinage and modern technology; DARANYI, S., S. MARJAI u.a.: Caryatids and the measurement of semiosis in architecture; ZARRI, G.P.: Intelligent information retrieval: an application in the field of historical biographical data; BOUCHARD, G., R. ROY u.a.: Computers and genealogy: from family reconstitution to population reconstruction; DEMÉLAS-BOHY, M.-D. u. M. RENAUD: Instability, networks and political parties: a political history expert system prototype; DARANYI, S., A. ABRANYI u. G. KOVACS: Knowledge extraction from ethnopoetic texts by multivariate statistical methods; FRAUTSCHI, R.L.: Measures of narrative voice in French prose fiction applied to textual samples from the enlightenment to the twentieth century; DANNENBERG, R. u.a.: A project in computer music: the musician's workbench

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Abstract

Purpose - If an information retrieval system is going to be of value to the user then it must give meaning to the information which matches the meaning given to it by the user. The meaning given to music varies according to who is interpreting it - the author/composer, the performer, cataloguer or the listener - and this affects how music is organized and retrieved. This paper aims to examine the meaning of music, how meaning is communicated and suggests this may affect music retrieval. Design/methodology/approach - Musicology is used to define music and examine its functions leading to a discussion of how music has been organised and described. Various ways of establishing the meaning of music are reviewed, focussing on established musical analysis techniques. It is suggested that traditional methods are of limited use with digitised popular music. A discussion of semiotics and a review of semiotic analysis in western art music leads to a discussion of semiotics of popular music and examines ideas of Middleton, Stefani and Tagg. Findings - Agreeing that music exists when communication takes place, a discussion of selected communication models leads to the proposal of a revised version of Tagg's model, adjusting it to include listener feedback. Originality/value - The outcome of the analysis is a revised version of Tagg's communication model, adapted to reflect user feedback. It is suggested that this revised communication model reflects the way in which meaning is given to music.

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Abstract

Purpose - The purpose of this paper is to examine the art historical antecedents of providing subject access to images. After reviewing the assumptions and limitations inherent in the most prevalent descriptive method, the paper seeks to introduce a new model that allows for more comprehensive representation of visually-based cultural materials. Design/methodology/approach - The paper presents a literature-based conceptual analysis, taking Panofsky's theory of iconography and iconology as the starting-point. Panofsky's conceptual model, while appropriate for art created in the Western academic tradition, ignores or misrepresents work from other eras or cultures. Continued dependence on Panofskian descriptive methods limits the functionality and usefulness of image representation systems. Findings - The paper recommends the development of a more precise and inclusive descriptive model for art objects, which is based on the premise that art is not another sort of text, and should not be interpreted as such. Practical implications - The paper provides suggestions for the development of representation models that will enhance the description of non-textual artifacts. Originality/value - The paper addresses issues in information science, the history of art, and computer science, and suggests that a new descriptive model would be of great value to both humanist and social science scholars.

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Abstract

In this paper, we focus on applying sentiment analysis to resources from online art collections, by exploiting, as information source, tags intended as textual traces that visitors leave to comment artworks on social platforms. We present a framework where methods and tools from a set of disciplines, ranging from Semantic and Social Web to Natural Language Processing, provide us the building blocks for creating a semantic social space to organize artworks according to an ontology of emotions. The ontology is inspired by the Plutchik's circumplex model, a well-founded psychological model of human emotions. Users can be involved in the creation of the emotional space, through a graphical interactive interface. The development of such semantic space enables new ways of accessing and exploring art collections. The affective categorization model and the emotion detection output are encoded into W3C ontology languages. This gives us the twofold advantage to enable tractable reasoning on detected emotions and related artworks, and to foster the interoperability and integration of tools developed in the Semantic Web and Linked Data community. The proposal has been evaluated against a real-word case study, a dataset of tagged multimedia artworks from the ArsMeteo Italian online collection, and validated through a user study.

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Source

Cataloging and classification quarterly. 22(1996) no.2, S.5-18