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  • × author_ss:"Boeuf, P. le"
  1. Boeuf, P. le: ¬The Impact of the FRBR model an the future revisions of the ISBDs : a challenge for the IFLA Section an Cataloging (2002) 0.08 
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    Date
    30. 8.2005 9:12:22
  2. Boeuf, P. le: FRBR : hype or cure-all? Introduction (2004) 0.03 
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    Series
    Cataloging and Classification Quarterly
  3. Miller, D.; Boeuf, P. le: "Such stuff as dreams are made on" : how does FRBR fit performing arts? (2004) 0.02 
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    Abstract
    Since it is obviously impossible to "hold" live performances in library collections (in contrast to recorded performances and motion pictures), such creations are barely accounted for in library catalogues and cataloging prescriptions, even as a topic in subject headings. The way AACR and the Anglo-American cataloging tradition deals with performing arts is discussed at length. Conversely, specialized institutions have developed their own rules for the description of live performances: the Dance Heritage Coalition (New York) creates authority records for choreographic works, and the Département des Arts du Spectacle at Bibliothèque nationale de France creates bibliographic records for theatrical, operatic, and choreographic performances. As a conclusion, a tentative modeling of performing arts as bibliographic entities, strictly based on FRBR, is proposed.
    Series
    Cataloging and classification quarterly; 39, nos.3/4
  4. Boeuf, P. le: FRBR and further (2001) 0.02 
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    Source
    Cataloging and classification quarterly. 32(2001) no.4, S.15-52
  5. Boeuf, P. le: Musical works in the FRBR model or "Quasi la Stessa Cosa" : variations on a theme by Umberto Eco (2004) 0.01 
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    Series
    Cataloging and classification quarterly; 39, nos.3/4
  6. Boeuf, P. le: Functional Requirements for Bibliographic Records (FRBR) : hype or cure-all (2005) 0.01 
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    Content
    Enthält die Beiträge: Zumer, M.: Dedication [to Zlata Dimec]; P. Le Boeuf: FRBR: Hype or Cure-All? Introduction; O.M.A. Madison: The origins of the IFLA study an functional requirements for bibliographic records; G.E. Patton: Extending FRBR to authorities; T. Delsey: Modeling subject access: extending the FRBR and FRANAR conceptual models; S. Gradmann: rdfs:frbr - Towards an implementation model for library catalogs using semantic web technology; G. Johsson: Cataloguing of hand press materials and the concept of expression in FRBR; K. Kilner: The AustLit Gateway and scholarly bibliography: a specialist implementation of the FRBR; P. Le Boeuf: Musical works in the FRBR model or "Quasi la Stessa Cosa": variations an a theme by Umberto Eco; K. Albertsen, C. van Nuys: Paradigma: FRBR and digital documents; D. Miller, P Le Boeuf: "Such stuff as dreams are made on": How does FRBR fit performing arts?; Y. Nicolas: Folklore requirements for bibliographic records: oral traditions and FRBR; B.B. Tillett: FRBR and cataloging for the future; Z. Dimec, M. Zumer, G.J.A. Riesthuis: Slovenian cataloguing practice and Functional Requirements for Bibliography Records: a comparative analysis; M. Zumer: Implementation of FRBR: European research initiative; T.B. Hicley, E.T. O'Neill: FRBRizing OCLC's WorldCat; R. Sturman: Implementing the FRBR conceptual approach in the ISIS software environment: IFPA (ISIS FRBR prototype application); J. Radebaugh, C. Keith: FRBR display tool; D.R. Miller: XOBIS - an experimental schema for unifying bibliographic and authority records
    Series
    Cataloging and Classification Quarterly

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